Complete Works of Emile Zola (1446 page)

The Cardinal had again begun to walk to and fro with thoughtful step. “No, no,” said he, “no compounding, no surrender, no weakness! Rather the wall of steel which bars the road, the block of granite which marks the limit of a world! As I told you, my dear son, on the day of your arrival, to try to accommodate Catholicism to the new times is to hasten its end, if really it be threatened, as atheists pretend. And in that way it would die basely and shamefully instead of dying erect, proud, and dignified in its old glorious royalty! Ah! to die standing, denying nought of the past, braving the future and confessing one’s whole faith!”

That old man of seventy seemed to grow yet loftier as he spoke, free from all dread of final annihilation, and making the gesture of a hero who defies futurity. Faith had given him serenity of peace; he believed, he knew, he had neither doubt nor fear of the morrow of death. Still his voice was tinged with haughty sadness as he resumed, “God can do all, even destroy His own work should it seem evil in His eyes. But though all should crumble to-morrow, though the Holy Church should disappear among the ruins, though the most venerated sanctuaries should be crushed by the falling stars, it would still be necessary for us to bow and adore God, who after creating the world might thus annihilate it for His own glory. And I wait, submissive to His will, for nothing happens unless He wills it. If really the temples be shaken, if Catholicism be fated to fall to-morrow into dust, I shall be here to act as the minister of death, even as I have been the minister of life! It is certain, I confess it, that there are hours when terrible signs appear to me. Perhaps, indeed, the end of time is nigh, and we shall witness that fall of the old world with which others threaten us. The worthiest, the loftiest are struck down as if Heaven erred, and in them punished the crimes of the world. Have I not myself felt the blast from the abyss into which all must sink, since my house, for transgressions that I am ignorant of, has been stricken with that frightful bereavement which precipitates it into the gulf which casts it back into night everlasting!”

He again evoked those two dear dead ones who were always present in his mind. Sobs were once more rising in his throat, his hands trembled, his lofty figure quivered with the last revolt of grief. Yes, if God had stricken him so severely by suppressing his race, if the greatest and most faithful were thus punished, it must be that the world was definitively condemned. Did not the end of his house mean the approaching end of all? And in his sovereign pride as priest and as prince, he found a cry of supreme resignation, once more raising his hands on high: “Almighty God, Thy will be done! May all die, all fall, all return to the night of chaos! I shall remain standing in this ruined palace, waiting to be buried beneath its fragments. And if Thy will should summon me to bury Thy holy religion, be without fear, I shall do nothing unworthy to prolong its life for a few days! I will maintain it erect, like myself, as proud, as uncompromising as in the days of all its power. I will yield nothing, whether in discipline, or in rite, or in dogma. And when the day shall come I will bury it with myself, carrying it whole into the grave rather than yielding aught of it, encompassing it with my cold arms to restore it to Thee, even as Thou didst commit it to the keeping of Thy Church. O mighty God and sovereign Master, dispose of me, make me if such be Thy good pleasure the pontiff of destruction, the pontiff of the death of the world.”

Pierre, who was thunderstruck, quivered with fear and admiration at the extraordinary vision this evoked: the last of the popes interring Catholicism. He understood that Boccanera must at times have made that dream; he could see him in the Vatican, in St. Peter’s which the thunderbolts had riven asunder, he could see him erect and alone in the spacious halls whence his terrified, cowardly pontifical Court had fled. Clad in his white cassock, thus wearing white mourning for the Church, he once more descended to the sanctuary, there to wait for heaven to fall on the evening of Time’s accomplishment and annihilate the earth. Thrice he raised the large crucifix, overthrown by the supreme convulsions of the soil. Then, when the final crack rent the steps apart, he caught it in his arms and was annihilated with it beneath the falling vaults. And nothing could be more instinct with fierce and kingly grandeur.

Voiceless, but without weakness, his lofty stature invincible and erect in spite of all, Cardinal Boccanera made a gesture dismissing Pierre, who yielding to his passion for truth and beauty found that he alone was great and right, and respectfully kissed his hand.

It was in the throne-room, with closed doors, at nightfall, after the visits had ceased, that the two bodies were laid in their coffin. The religious services had come to an end, and in the close silent atmosphere there only lingered the dying perfume of the roses and the warm odour of the candles. As the latter’s pale stars scarcely lighted the spacious room, some lamps had been brought, and servants held them in their hands like torches. According to custom, all the servants of the house were present to bid a last farewell to the departed.

There was a little delay. Morano, who had been giving himself no end of trouble ever since morning, was forced to run off again as the triple coffin did not arrive. At last it came, some servants brought it up, and then they were able to begin. The Cardinal and Donna Serafina stood side by side near the bed. Pierre also was present, as well as Don Vigilio. It was Victorine who sewed the lovers up in the white silk shroud, which seemed like a bridal robe, the gay pure robe of their union. Then two servants came forward and helped Pierre and Don Vigilio to lay the bodies in the first coffin, of pine wood lined with pink satin. It was scarcely broader than an ordinary coffin, so young and slim were the lovers and so tightly were they clasped in their last embrace. When they were stretched inside they there continued their eternal slumber, their heads half hidden by their odorous, mingling hair. And when this first coffin had been placed in the second one, a leaden shell, and the second had been enclosed in the third, of stout oak, and when the three lids had been soldered and screwed down, the lovers’ faces could still be seen through the circular opening, covered with thick glass, which in accordance with the Roman custom had been left in each of the coffins. And then, for ever parted from the living, alone together, they still gazed at one another with their eyes obstinately open, having all eternity before them wherein to exhaust their infinite love.

XVI.

ON the following day, on his return from the funeral Pierre lunched alone in his room, having decided to take leave of the Cardinal and Donna Serafina during the afternoon. He was quitting Rome that evening by the train which started at seventeen minutes past ten. There was nothing to detain him any longer; there was only one visit which he desired to make, a visit to old Orlando, with whom he had promised to have a long chat prior to his departure. And so a little before two o’clock he sent for a cab which took him to the Via Venti Settembre. A fine rain had fallen all night, its moisture steeping the city in grey vapour; and though this rain had now ceased the sky remained very dark, and the huge new mansions of the Via Venti Settembre were quite livid, interminably mournful with their balconies ever of the same pattern and their regular and endless rows of windows. The Ministry of Finances, that colossal pile of masonry and sculpture, looked in particular like a dead town, a huge bloodless body whence all life had withdrawn. On the other hand, although all was so gloomy the rain had made the atmosphere milder, in fact it was almost warm, damply and feverishly warm.

In the hall of Prada’s little palazzo Pierre was surprised to find four or five gentlemen taking off their overcoats; however he learnt from a servant that Count Luigi had a meeting that day with some contractors. As he, Pierre, wished to see the Count’s father he had only to ascend to the third floor, added the servant. He must knock at the little door on the right-hand side of the landing there.

On the very first landing, however, the priest found himself face to face with the young Count who was there receiving the contractors, and who on recognising him became frightfully pale. They had not met since the tragedy at the Boccanera mansion, and Pierre well realised how greatly his glance disturbed that man, what a troublesome recollection of moral complicity it evoked, and what mortal dread lest he should have guessed the truth.

“Have you come to see me, have you something to tell me?” the Count inquired.

“No, I am leaving Rome, I have come to wish your father good-bye.”

Prada’s pallor increased at this, and his whole face quivered: “Ah! it is to see my father. He is not very well, be gentle with him,” he replied, and as he spoke, his look of anguish clearly proclaimed what he feared from Pierre, some imprudent word, perhaps even a final mission, the malediction of that man and woman whom he had killed. And surely if his father knew, he would die as well. “Ah! how annoying it is,” he resumed, “I can’t go up with you! There are gentlemen waiting for me. Yes, how annoyed I am. As soon as possible, however, I will join you, yes, as soon as possible.”

He knew not how to stop the young priest, whom he must evidently allow to remain with his father, whilst he himself stayed down below, kept there by his pecuniary worries. But how distressful were the eyes with which he watched Pierre climb the stairs, how he seemed to supplicate him with his whole quivering form. His father, good Lord, the only true love, the one great, pure, faithful passion of his life!

“Don’t make him talk too much, brighten him, won’t you?” were his parting words.

Up above it was not Batista, the devoted ex-soldier, who opened the door, but a very young fellow to whom Pierre did not at first pay any attention. The little room was bare and light as on previous occasions, and from the broad curtainless window there was the superb view of Rome, Rome crushed that day beneath a leaden sky and steeped in shade of infinite mournfulness. Old Orlando, however, had in no wise changed, but still displayed the superb head of an old blanched lion, a powerful muzzle and youthful eyes, which yet sparkled with the passions which had growled in a soul of fire. Pierre found the stricken hero in the same arm-chair as previously, near the same table littered with newspapers, and with his legs buried in the same black wrapper, as if he were there immobilised in a sheath of stone, to such a point that after months and years one was sure to perceive him quite unchanged, with living bust, and face glowing with strength and intelligence.

That grey day, however, he seemed gloomy, low in spirits. “Ah! so here you are, my dear Monsieur Froment,” he exclaimed, “I have been thinking of you these three days past, living the awful days which you must have lived in that tragic Palazzo Boccanera. Ah, God! What a frightful bereavement! My heart is quite overwhelmed, these newspapers have again just upset me with the fresh details they give!” He pointed as he spoke to the papers scattered over the table. Then with a gesture he strove to brush aside the gloomy story, and banish that vision of Benedetta dead, which had been haunting him. “Well, and yourself?” he inquired.

“I am leaving this evening,” replied Pierre, “but I did not wish to quit Rome without pressing your brave hands.”

“You are leaving? But your book?”

“My book — I have been received by the Holy Father, I have made my submission and reprobated my book.”

Orlando looked fixedly at the priest. There was a short interval of silence, during which their eyes told one another all that they had to tell respecting the affair. Neither felt the necessity of any longer explanation. The old man merely spoke these concluding words: “You have done well, your book was a chimera.”

“Yes, a chimera, a piece of childishness, and I have condemned it myself in the name of truth and reason.”

A smile appeared on the dolorous lips of the impotent hero. “Then you have seen things, you understand and know them now?”

“Yes, I know them; and that is why I did not wish to go off without having that frank conversation with you which we agreed upon.”

Orlando was delighted, but all at once he seemed to remember the young fellow who had opened the door to Pierre, and who had afterwards modestly resumed his seat on a chair near the window. This young fellow was a youth of twenty, still beardless, of a blonde handsomeness such as occasionally flowers at Naples, with long curly hair, a lily-like complexion, a rosy mouth, and soft eyes full of a dreamy languor. The old man presented him in fatherly fashion, Angiolo Mascara his name was, and he was the grandson of an old comrade in arms, the epic Mascara of the Thousand, who had died like a hero, his body pierced by a hundred wounds.

“I sent for him to scold him,” continued Orlando with a smile. “Do you know that this fine fellow with his girlish airs goes in for the new ideas? He is an Anarchist, one of the three or four dozen Anarchists that we have in Italy. He’s a good little lad at bottom, he has only his mother left him, and supports her, thanks to the little berth which he holds, but which he’ll lose one of these fine days if he is not careful. Come, come, my child, you must promise me to be reasonable.”

Thereupon Angiolo, whose clean but well-worn garments bespoke decent poverty, made answer in a grave and musical voice: “I am reasonable, it is the others, all the others who are not. When all men are reasonable and desire truth and justice, the world will be happy.”

“Ah! if you fancy that he’ll give way!” cried Orlando. “But, my poor child, just ask Monsieur l’Abbe if one ever knows where truth and justice are. Well, well, one must leave you the time to live, and see, and understand things.”

Then, paying no more attention to the young man, he returned to Pierre, while Angiolo, remaining very quiet in his corner, kept his eyes ardently fixed on them, and with open, quivering ears lost not a word they said.

“I told you, my dear Monsieur Froment,” resumed Orlando, “that your ideas would change, and that acquaintance with Rome would bring you to accurate views far more readily than any fine speeches I could make to you. So I never doubted but what you would of your own free will withdraw your book as soon as men and things should have enlightened you respecting the Vatican at the present day. But let us leave the Vatican on one side, there is nothing to be done but to let it continue falling slowly and inevitably into ruin. What interests me is our Italian Rome, which you treated as an element to be neglected, but which you have now seen and studied, so that we can both speak of it with the necessary knowledge!”