Complete Works of Emile Zola (1440 page)

In the centre of the
anticamera segreta
Signor Squadra stood waiting black and motionless. And on noticing that Pierre in his flurry forgot to take his hat from the pier table, he himself discreetly fetched it and handed it to the young priest with a silent bow. Then without any appearance of haste, he walked ahead to conduct the visitor back to the Sala Clementina. The endless promenade through the interminable ante-rooms began once more, and there was still not a soul, not a sound, not a breath. In each empty room stood the one solitary lamp, burning low amidst a yet deeper silence than before. The wilderness seemed also to have grown larger as the night advanced, casting its gloom over the few articles of furniture scattered under the lofty gilded ceilings, the thrones, the stools, the pier tables, the crucifixes, and the candelabra which recurred in each succeeding room. And at last the Sala Clementina which the Swiss Guards had just quitted was reached again, and Signor Squadra, who hitherto had not turned his head, thereupon drew aside without word or gesture, and, saluting Pierre with a last bow, allowed him to pass on. Then he himself disappeared.

And Pierre descended the two flights of the monumental staircase where the gas jets in their globes of ground glass glimmered like night lights amidst a wondrously heavy silence now that the footsteps of the sentries no longer resounded on the landings. And he crossed the Court of St. Damasus, empty and lifeless in the pale light of the lamps above the steps, and descended the Scala Pia, that other great stairway as dim, deserted, and void of life as all the rest, and at last passed beyond the bronze door which a porter slowly shut behind him. And with what a rumble, what a fierce roar did the hard metal close upon all that was within; all the accumulated darkness and silence; the dead, motionless centuries perpetuated by tradition; the indestructible idols, the dogmas, bound round for preservation like mummies; every chain which may weigh on one or hamper one, the whole apparatus of bondage and sovereign domination, with whose formidable clang all the dark, deserted halls re-echoed.

Once more the young man found himself alone on the gloomy expanse of the Piazza of St. Peter’s. Not a single belated pedestrian was to be seen. There was only the lofty, livid, ghost-like obelisk, emerging between its four candelabra, from the mosaic pavement of red and serpentine porphyry. The facade of the Basilica also showed vaguely, pale as a vision, whilst from it on either side like a pair of giant arms stretched the quadruple colonnade, a thicket of stone, steeped in obscurity. The dome was but a huge roundness scarcely discernible against the moonless sky; and only the jets of the fountains, which could at last be detected rising like slim phantoms ever on the move, lent a voice to the silence, the endless murmur of a plaint of sorrow coming one knew not whence. Ah! how great was the melancholy grandeur of that slumber, that famous square, the Vatican and St. Peter’s, thus seen by night when wrapped in silence and darkness! But suddenly the clock struck ten with so slow and loud a chime that never, so it seemed, had more solemn and decisive an hour rung out amidst blacker and more unfathomable gloom. All Pierre’s poor weary frame quivered at the sound as he stood motionless in the centre of the expanse. What! had he spent barely three-quarters of an hour, chatting up yonder with that white old man who had just wrenched all his soul away from him! Yes, it was the final wrench; his last belief had been torn from his bleeding heart and brain. The supreme experiment had been made, a world had collapsed within him. And all at once he thought of Monsignor Nani, and reflected that he alone had been right. He, Pierre, had been told that in any case he would end by doing what Monsignor Nani might desire, and he was now stupefied to find that he had done so.

But sudden despair seized upon him, such atrocious distress of spirit that, from the depths of the abyss of darkness where he stood, he raised his quivering arms into space and spoke aloud: “No, no, Thou art not here, O God of life and love, O God of Salvation! But come, appear since Thy children are perishing because they know neither who Thou art, nor where to find Thee amidst the Infinite of the worlds!”

Above the vast square spread the vast sky of dark-blue velvet, the silent disturbing Infinite, where the constellations palpitated. Over the roofs of the Vatican, Charles’s Wain seemed yet more tilted, its golden wheels straying from the right path, its golden shaft upreared in the air; whilst yonder, over Rome towards the Via Giulia, Orion was about to disappear and already showed but one of the three golden stars which bedecked his belt.

XV.

IT was nearly daybreak when Pierre fell asleep, exhausted by emotion and hot with fever. And at nine o’clock, when he had risen and breakfasted, he at once wished to go down into Cardinal Boccanera’s rooms where the bodies of Dario and Benedetta had been laid in state in order that the members of the family, its friends and clients, might bring them their tears and prayers.

Whilst he breakfasted, Victorine who, showing an active bravery amidst her despair, had not been to bed at all, told him of what had taken place in the house during the night and early morning. Donna Serafina, prude that she was, had again made an attempt to have the bodies separated; but this had proved an impossibility, as
rigor mortis
had set in, and to part the lovers it would have been necessary to break their limbs. Moreover, the Cardinal, who had interposed once before, almost quarrelled with his sister on the subject, unwilling as he was that any one should disturb the lovers’ last slumber, their union of eternity. Beneath his priestly garb there coursed the blood of his race, a pride in the passions of former times; and he remarked that if the family counted two popes among its forerunners, it had also been rendered illustrious by great captains and ardent lovers. Never would he allow any one to touch those two children, whose dolorous lives had been so pure and whom the grave alone had united. He was the master in his house, and they should be sewn together in the same shroud, and nailed together in the same coffin. Then too the religious service should take place at the neighbouring church of San Carlo, of which he was Cardinal-priest and where again he was the master. And if needful he would address himself to the Pope. And such being his sovereign will, so authoritatively expressed, everybody in the house had to bow submissively.

Donna Serafina at once occupied herself with the laying-out. According to the Roman custom the servants were present, and Victorine as the oldest and most appreciated of them, assisted the relatives. All that could be done in the first instance was to envelop both corpses in Benedetta’s unbound hair, thick and odorous hair, which spread out into a royal mantle; and they were then laid together in one shroud of white silk, fastened about their necks in such wise that they formed but one being in death. And again the Cardinal imperatively ordered that they should be brought into his apartments and placed on a state bed in the centre of the throne-room, so that a supreme homage might be rendered to them as to the last scions of the name, the two tragic lovers with whom the once resounding glory of the Boccaneras was about to return to earth. The story which had been arranged was already circulating through Rome; folks related how Dario had been carried off in a few hours by infectious fever, and how Benedetta, maddened by grief, had expired whilst clasping him in her arms to bid him a last farewell; and there was talk too of the royal honours which the bodies were to receive, the superb funeral nuptials which were to be accorded them as they lay clasped on their bed of eternal rest. All Rome, quite overcome by this tragic story of love and death, would talk of nothing else for several weeks.

Pierre would have started for France that same night, eager as he was to quit the city of disaster where he had lost the last shreds of his faith, but he desired to attend the obsequies, and therefore postponed his departure until the following evening. And thus he would spend one more day in that old crumbling palace, near the corpse of that unhappy young woman to whom he had been so much attached and for whom he would try to find some prayers in the depths of his empty and lacerated heart.

When he reached the threshold of the Cardinal’s reception-rooms, he suddenly remembered his first visit to them. They still presented the same aspect of ancient princely pomp falling into decay and dust. The doors of the three large ante-rooms were wide open, and the rooms themselves were at that early hour still empty. In the first one, the servants’ anteroom, there was nobody but Giacomo who stood motionless in his black livery in front of the old red hat hanging under the
baldacchino
where spiders spun their webs between the crumbling tassels. In the second room, which the secretary formerly had occupied, Abbe Paparelli, the train-bearer, was softly walking up and down whilst waiting for visitors; and with his conquering humility, his all-powerful obsequiousness, he had never before so closely resembled an old maid, whitened and wrinkled by excess of devout observances. Finally, in the third ante-room, the
anticamera nobile
, where the red cap lay on a credence facing the large imperious portrait of the Cardinal in ceremonial costume, there was Don Vigilio who had left his little work-table to station himself at the door of the throne-room and there bow to those who crossed the threshold. And on that gloomy winter morning the rooms appeared more mournful and dilapidated than ever, the hangings frayed and ragged, the few articles of furniture covered with dust, the old wood-work crumbling beneath the continuous onslaught of worms, and the ceilings alone retaining their pompous show of gilding and painting.

However, Pierre, to whom Abbe Paparelli addressed a profound bow, in which one divined the irony of a sort of dismissal given to one who was vanquished, felt more impressed by the mournful grandeur which those three dilapidated rooms presented that day, conducting as they did to the old throne-room, now a chamber of death, where the two last children of the house slept their last sleep. What a superb and sorrowful
gala
of death! Every door wide open and all the emptiness of those over-spacious rooms, void of the throngs of ancient days and leading to the supreme affliction — the end of a race! The Cardinal had shut himself up in his little work-room where he received the relatives and intimates who desired to present their condolences to him, whilst Donna Serafina had chosen an adjoining apartment to await her lady friends who would come in procession until evening. And Pierre, informed of the ceremonial by Victorine, had in the first place to enter the throne-room, greeted as he passed by a deep bow from Don Vigilio who, pale and silent, did not seem to recognise him.

A surprise awaited the young priest. He had expected such a lying-in-state as is seen in France and elsewhere, all windows closed so as to steep the room in night, and hundreds of candles burning round a
catafalco
, whilst from ceiling to floor the walls were hung with black drapery. He had been told that the bodies would lie in the throne-room because the antique chapel on the ground floor of the palazzo had been shut up for half a century and was in no condition to be used, whilst the Cardinal’s little private chapel was altogether too small for any such ceremony. And thus it had been necessary to improvise an altar in the throne-room, an altar at which masses had been said ever since dawn. Masses and other religious services were moreover to be celebrated all day long in the private chapel; and two additional altars had even been set up, one in a small room adjoining the
anticamera nobile
and the other in a sort of alcove communicating with the second anteroom: and in this wise priests, Franciscans, and members of other Orders bound by the vow of poverty, would simultaneously and without intermission celebrate the divine sacrifice on those four altars. The Cardinal, indeed, had desired that the Divine Blood should flow without pause under his roof for the redemption of those two dear souls which had flown away together. And thus in that mourning mansion, through those funeral halls the bells scarcely stopped tinkling for the elevation of the host, whilst the quivering murmur of Latin words ever continued, and consecrated wafers were continually broken and chalices drained, in such wise that the Divine Presence could not for a moment quit the heavy atmosphere all redolent of death.

On the other hand, however, Pierre, to his great astonishment, found the throne-room much as it had been on the day of his first visit. The curtains of the four large windows had not even been drawn, and the grey, cold, subdued light of the gloomy winter morning freely entered. Under the ceiling of carved and gilded wood-work there were the customary red wall-hangings of
brocatelle
, worn away by long usage; and there was the old throne with the arm-chair turned to the wall, uselessly waiting for a visit from the Pope which would never more come. The principal changes in the aspect of the room were that its seats and tables had been removed, and that, in addition to the improvised altar arranged beside the throne, it now contained the state bed on which lay the bodies of Benedetta and Dario, amidst a profusion of flowers. The bed stood in the centre of the room on a low platform, and at its head were two lighted candles, one on either side. There was nothing else, nothing but that wealth of flowers, such a harvest of white roses that one wondered in what fairy garden they had been culled, sheaves of them on the bed, sheaves of them toppling from the bed, sheaves of them covering the step of the platform, and falling from that step on to the magnificent marble paving of the room.

Pierre drew near to the bed, his heart faint with emotion. Those tapers whose little yellow flamelets scarcely showed in the pale daylight, that continuous low murmur of the mass being said at the altar, that penetrating perfume of roses which rendered the atmosphere so heavy, filled the antiquated, dusty room with a spirit of infinite woe, a lamentation of boundless mourning. And there was not a gesture, not a word spoken, save by the priest officiating at the altar, nothing but an occasional faint sound of stifled sobbing among the few persons present. Servants of the house constantly relieved one another, four always standing erect and motionless at the head of the bed, like faithful, familiar guards. From time to time Consistorial-Advocate Morano who, since early morning had been attending to everything, crossed the room with a silent step and the air of a man in a hurry. And at the edge of the platform all who entered, knelt, prayed, and wept. Pierre perceived three ladies there, their faces hidden by their handkerchiefs; and there was also an old priest who trembled with grief and hung his head in such wise that his face could not be distinguished. However, the young man was most moved by the sight of a poorly clad girl, whom he took for a servant, and whom sorrow had utterly prostrated on the marble slabs.