Complete Works of Emile Zola (1418 page)

BOOK: Complete Works of Emile Zola
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Thereupon Pierre recognised Count Luigi Prada, who alighted, shook hands with him and began to walk beside him, whilst the empty carriage went on in advance. And forthwith the Count explained his tastes: “I seldom take the train,” he said, “I drive over. It gives my horses an outing. I have interests over here as you may know, a big building enterprise which is unfortunately not progressing very well. And so, although the season is advanced, I’m obliged to come rather more frequently than I care to do.”

As Prada suggested, Pierre was acquainted with the story. The Boccaneras had been obliged to sell a sumptuous villa which a cardinal of their family had built at Frascati in accordance with the plans of Giacomo della Porta, during the latter part of the sixteenth century: a regal summer-residence it had been, finely wooded, with groves and basins and cascades, and in particular a famous terrace projecting like a cape above the Roman Campagna whose expanse stretches from the Sabine mountains to the Mediterranean sands. Through the division of the property, Benedetta had inherited from her mother some very extensive vineyards below Frascati, and these she had brought as dowry to Prada at the very moment when the building mania was extending from Rome into the provinces. And thereupon Prada had conceived the idea of erecting on the spot a number of middle-class villas like those which litter the suburbs of Paris. Few purchasers, however, had come forward, the financial crash had supervened, and he was now with difficulty liquidating this unlucky business, having indemnified his wife at the time of their separation.

“And then,” he continued, addressing Pierre, “one can come and go as one likes with a carriage, whereas, on taking the train, one is at the mercy of the time table. This morning, for instance, I have appointments with contractors, experts, and lawyers, and I have no notion how long they will keep me. It’s a wonderful country, isn’t it? And we are quite right to be proud of it in Rome. Although I may have some worries just now, I can never set foot here without my heart beating with delight.”

A circumstance which he did not mention, was that his
amica
, Lisbeth Kauffmann, had spent the summer in one of the newly erected villas, where she had installed her studio and had been visited by all the foreign colony, which tolerated her irregular position on account of her gay spirits and artistic talent. Indeed, people had even ended by accepting the outcome of her connection with Prada, and a fortnight previously she had returned to Rome, and there given birth to a son — an event which had again revived all the scandalous tittle-tattle respecting Benedetta’s divorce suit. And Prada’s attachment to Frascati doubtless sprang from the recollection of the happy hours he had spent there, and the joyful pride with which the birth of the boy inspired him.

Pierre, for his part, felt ill at ease in the young Count’s presence, for he had an instinctive hatred of money-mongers and men of prey. Nevertheless, he desired to respond to his amiability, and so inquired after his father, old Orlando, the hero of the Liberation.

“Oh!” replied Prada, “excepting for his legs he’s in wonderfully good health. He’ll live a hundred years. Poor father! I should so much have liked to install him in one of these little houses, last summer. But I could not get him to consent; he’s determined not to leave Rome; he’s afraid, perhaps, that it might be taken away from him during his absence.” Then the young Count burst into a laugh, quite merry at the thought of jeering at the heroic but no longer fashionable age of independence. And afterwards he said, “My father was speaking of you again only yesterday, Monsieur l’Abbe. He is astonished that he has not seen you lately.”

This distressed Pierre, for he had begun to regard Orlando with respectful affection. Since his first visit, he had twice called on the old hero, but the latter had refused to broach the subject of Rome so long as his young friend should not have seen, felt, and understood everything. There would be time for a talk later on, said he, when they were both in a position to formulate their conclusions.

“Pray tell Count Orlando,” responded Pierre, “that I have not forgotten him, and that, if I have deferred a fresh visit, it is because I desire to satisfy him. However, I certainly will not leave Rome without going to tell him how deeply his kind greeting has touched me.”

Whilst talking, the two men slowly followed the ascending road past the newly erected villas, several of which were not yet finished. And when Prada learned that the priest had come to call on Cardinal Sanguinetti, he again laughed, with the laugh of a good-natured wolf, showing his white fangs. “True,” he exclaimed, “the Cardinal has been here since the Pope has been laid up. Ah! you’ll find him in a pretty fever.”

“Why?”

“Why, because there’s bad news about the Holy Father this morning. When I left Rome it was rumoured that he had spent a fearful night.”

So speaking, Prada halted at a bend of the road, not far from an antique chapel, a little church of solitary, mournful grace of aspect, on the verge of an olive grove. Beside it stood a ruinous building, the old parsonage, no doubt, whence there suddenly emerged a tall, knotty priest with coarse and earthy face, who, after roughly locking the door, went off in the direction of the town.

“Ah!” resumed the Count in a tone of raillery, “that fellow’s heart also must be beating violently; he’s surely gone to your Cardinal in search of news.”

Pierre had looked at the priest. “I know him,” he replied; “I saw him, I remember, on the day after my arrival at Cardinal Boccanera’s. He brought the Cardinal a basket of figs and asked him for a certificate in favour of his young brother, who had been sent to prison for some deed of violence — a knife thrust if I recollect rightly. However, the Cardinal absolutely refused him the certificate.”

“It’s the same man,” said Prada, “you may depend on it. He was often at the Villa Boccanera formerly; for his young brother was gardener there. But he’s now the client, the creature of Cardinal Sanguinetti. Santobono his name is, and he’s a curious character, such as you wouldn’t find in France, I fancy. He lives all alone in that falling hovel, and officiates at that old chapel of St. Mary in the Fields, where people don’t go to hear mass three times in a year. Yes, it’s a perfect sinecure, which with its stipend of a thousand francs enables him to live there like a peasant philosopher, cultivating the somewhat extensive garden whose big walls you see yonder.”

The close to which he called attention stretched down the slope behind the parsonage, without an aperture, like some savage place of refuge into which not even the eye could penetrate. And all that could be seen above the left-hand wall was a superb, gigantic fig-tree, whose big leaves showed blackly against the clear sky. Prada had moved on again, and continued to speak of Santobono, who evidently interested him. Fancy, a patriot priest, a Garibaldian! Born at Nemi, in that yet savage nook among the Alban hills, he belonged to the people and was still near to the soil. However, he had studied, and knew sufficient history to realise the past greatness of Rome, and dream of the re-establishment of Roman dominion as represented by young Italy. And he had come to believe, with passionate fervour, that only a great pope could realise his dream by seizing upon power, and then conquering all the other nations. And what could be easier, since the Pope commanded millions of Catholics? Did not half Europe belong to him? France, Spain, and Austria would give way as soon as they should see him powerful, dictating laws to the world. Germany and Great Britain, indeed all the Protestant countries, would also inevitably be conquered, for the papacy was the only dike that could be opposed to error, which must some day fatally succumb in its efforts against such a barrier. Politically, however, Santobono had declared himself for Germany, for he considered that France needed to be crushed before she would throw herself into the arms of the Holy Father. And thus contradictions and fancies clashed in his foggy brain, whose burning ideas swiftly turned to violence under the influence of primitive, racial fierceness. Briefly, the priest was a barbarian upholder of the Gospel, a friend of the humble and woeful, a sectarian of that school which is capable alike of great virtues and great crimes.

“Yes,” concluded Prada, “he is now devoted to Cardinal Sanguinetti because he believes that the latter will prove the great pope of to-morrow, who is to make Rome the one capital of the nations. At the same time he doubtless harbours a lower personal ambition, that of attaining to a canonry or of gaining assistance in the little worries of life, as when he wished to extricate his brother from trouble. Here, you know, people stake their luck on a cardinal just as they nurse a ‘trey’ in the lottery, and if their cardinal proves the winning number and becomes pope they gain a fortune. And that’s why you now see Santobono striding along yonder, all anxiety to know if Leo XIII will die and Sanguinetti don the tiara.”

“Do you think the Pope so very ill, then?” asked Pierre, both anxious and interested.

The Count smiled and raised both arms: “Ah!” said he, “can one ever tell? They all get ill when their interest lies that way. However, I believe that the Pope is this time really indisposed; a complaint of the bowels, it is said; and at his age, you know, the slightest indisposition may prove fatal.”

The two men took a few steps in silence, then the priest again asked a question: “Would Cardinal Sanguinetti have a great chance if the Holy See were vacant?”

“A great chance! Ah! that’s another of those things which one never knows. The truth is people class Sanguinetti among the acceptable candidates, and if personal desire sufficed he would certainly be the next pope, for ambition consumes him to the marrow, and he displays extraordinary passion and determination in his efforts to succeed. But therein lies his very weakness; he is using himself up, and he knows it. And so he must be resolved to every step during the last days of battle. You may be quite sure that if he has shut himself up here at this critical time, it is in order that he may the better direct his operations from a distance, whilst at the same time feigning a retreat, a disinterestedness which is bound to have a good effect.”

Then Prada began to expatiate on Sanguinetti with no little complacency, for he liked the man’s spirit of intrigue, his keen, conquering appetite, his excessive, and even somewhat blundering activity. He had become acquainted with him on his return from the nunciature at Vienna, when he had already resolved to win the tiara. That ambition explained everything, his quarrels and reconciliations with the reigning pope, his affection for Germany, followed by a sudden evolution in the direction of France, his varying attitude with regard to Italy, at first a desire for agreement, and then absolute rejection of all compromises, a refusal to grant any concession, so long as Rome should not be evacuated. This, indeed, seemed to be Sanguinetti’s definite position; he made a show of disliking the wavering sway of Leo XIII, and of retaining a fervent admiration for Pius IX, the great, heroic pope of the days of resistance, whose goodness of heart had proved no impediment to unshakable firmness. And all this was equivalent to a promise that he, Sanguinetti, would again make kindliness exempt from weakness, the rule of the Church, and would steer clear of the dangerous compounding of politics. At bottom, however, politics were his only dream, and he had even formulated a complete programme of intentional vagueness, which his clients and creatures spread abroad with an air of rapturous mystery. However, since a previous indisposition of the Pope’s, during the spring, he had been living in mortal disquietude, for it had then been rumoured that the Jesuits would resign themselves to support Cardinal Pio Boccanera, although the latter scarcely favoured them. He was rough and stern, no doubt, and his extreme bigotry might be a source of danger in this tolerant age; but, on the other hand, was he not a patrician, and would not his election imply that the papacy would never cease to claim the temporal power? From that moment Boccanera had been the one man whom Sanguinetti feared, for he beheld himself despoiled of his prize, and spent his time in devising plans to rid himself of such a powerful rival, repeating abominable stories of Cardinal Pio’s alleged complaisance with regard to Benedetta and Dario, and incessantly representing him as Antichrist, the man of sin, whose reign would consummate the ruin of the papacy. Finally, to regain the support of the Jesuits, Sanguinetti’s last idea was to repeat through his familiars that for his part he would not merely maintain the principle of the temporal power intact, but would even undertake to regain that power. And he had a full plan on the subject, which folks confided to one another in whispers, a plan which, in spite of its apparent concessions, would lead to the overwhelming victory of the Church. It was to raise the prohibition which prevented Catholics from voting or becoming candidates at the Italian elections; to send a hundred, then two hundred, and then three hundred deputies to the Chamber, and in that wise to overthrow the House of Savoy, and establish a Federation of the Italian provinces, whereof the Holy Father, once more placed in possession of Rome, would become the august and sovereign President.

As Prada finished he again laughed, showing his white teeth — teeth which would never readily relinquish the prey they held. “So you see,” he added, “we need to defend ourselves, since it’s a question of turning us out. Fortunately, there are some little obstacles in the way of that. Nevertheless, such dreams naturally have great influence on excited minds, such as that of Santobono, for instance. He’s a man whom one word from Sanguinetti would lead far indeed. Ah! he has good legs. Look at him up yonder, he has already reached the Cardinal’s little palace — that white villa with the sculptured balconies.”

Pierre raised his eyes and perceived the episcopal residence, which was one of the first houses of Frascati. Of modern construction and Renascence style, it overlooked the immensity of the Roman Campagna.

It was now eleven o’clock, and as the young priest, before going up to pay his own visit, bade the Count good-bye, the latter for a moment kept hold of his hand. “Do you know,” said he, “it would be very kind of you to lunch with me — will you? Come and join me at that restaurant yonder with the pink front as soon as you are at liberty. I shall have settled my own business in an hour’s time, and I shall be delighted to have your company at table.”

BOOK: Complete Works of Emile Zola
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