Complete Works of Emile Zola (109 page)

Therese had risen, looking quite pale in her nightdress, and stood half thrown back, with her elbow resting on the marble mantelpiece. She gazed at the neck of her husband. On the white skin she had just caught sight of a pink spot. The rush of blood to the head, increased the size of this spot, turning it bright red.

“Kiss me, kiss me,” repeated Laurent, his face and neck scarlet.

The young woman threw her head further back, to avoid an embrace, and pressing the tip of her finger on the bite Camille had given her husband, addressed him thus:

“What have you here? I never noticed this wound before.”

It seemed to Laurent as if the finger of Therese was boring a hole in his throat. At the contact of this finger, he suddenly started backward, uttering a suppressed cry of pain.

“That,” he stammered, “that —  — “

He hesitated, but he could not lie, and in spite of himself, he told the truth.

“That is the bite Camille gave me. You know, in the boat. It is nothing. It has healed. Kiss me, kiss me.”

And the wretch craned his neck which was burning him. He wanted Therese to kiss the scar, convinced that the lips of this woman would appease the thousand pricks lacerating his flesh, and with raised chin he presented his extended neck for the embrace. Therese, who was almost lying back on the marble chimney-piece, gave a supreme gesture of disgust, and in a supplicating voice exclaimed:

“Oh! no, not on that part. There is blood.”

She sank down on the low chair, trembling, with her forehead between her hands. Laurent remained where he stood for a moment, looking stupid. Then, all at once, with the clutch of a wild beast, he grasped the head of Therese in his two great hands, and by force brought her lips to the bite he had received from Camille on his neck. For an instant he kept, he crushed, this head of a woman against his skin. Therese had given way, uttering hollow groans. She was choking on the neck of Laurent. When she had freed herself from his hands, she violently wiped her mouth, and spat in the fire. She had not said a word.

Laurent, ashamed of his brutality, began walking slowly from the bed to the window. Suffering alone — the horrible burn — had made him exact a kiss from Therese, and when her frigid lips met the scorching scar, he felt the pain more acutely. This kiss obtained by violence had just crushed him. The shock had been so painful, that for nothing in the world would he have received another.

He cast his eyes upon the woman with whom he was to live, and who sat shuddering, doubled up before the fire, turning her back to him; and he repeated to himself that he no longer loved this woman, and that she no longer loved him.

For nearly an hour Therese maintained her dejected attitude, while Laurent silently walked backward and forward. Both inwardly acknowledged, with terror, that their passion was dead, that they had killed it in killing Camille. The embers on the hearth were gently dying out; a sheet of bright, clear fire shone above the ashes. Little by little, the heat of the room had become stifling; the flowers were fading, making the thick air sickly, with their heavy odour.

Laurent, all at once, had an hallucination. As he turned round, coming from the window to the bed, he saw Camille in a dark corner, between the chimney and wardrobe. The face of his victim looked greenish and distorted, just as he had seen it on the slab at the Morgue. He remained glued to the carpet, fainting, leaning against a piece of furniture for support. At a hollow rattle in his throat, Therese raised her head.

“There, there!” exclaimed Laurent in a terrified tone.

With extended arm, he pointed to the dark corner where he perceived the sinister face of Camille. Therese, infected by his terror, went and pressed against him.

“It is his portrait,” she murmured in an undertone, as if the face of her late husband could hear her.

“His portrait?” repeated Laurent, whose hair stood on end.

“Yes, you know, the painting you did,” she replied. “My aunt was to have removed it to her room. No doubt she forgot to take it down.”

“Really; his portrait,” said he.

The murderer had some difficulty in recognising the canvas. In his trouble he forgot that it was he who had drawn those clashing strokes, who had spread on those dirty tints that now terrified him. Terror made him see the picture as it was, vile, wretchedly put together, muddy, displaying the grimacing face of a corpse on a black ground. His own work astonished and crushed him by its atrocious ugliness; particularly the two eyes which seemed floating in soft, yellowish orbits, reminding him exactly of the decomposed eyes of the drowned man at the Morgue. For a moment, he remained breathless, thinking Therese was telling an untruth to allay his fears. Then he distinguished the frame, and little by little became calm.

“Go and take it down,” said he in a very low tone to the young woman.

“Oh! no, I’m afraid,” she answered with a shiver.

Laurent began to tremble again. At moments the frame of the picture disappeared, and he only saw the two white eyes giving him a long, steady look.

“I beg you to go and unhook it,” said he, beseeching his companion.

“No, no,” she replied.

“We will turn it face to the wall, and then it will not frighten us,” he suggested.

“No,” said she, “I cannot do it.”

The murderer, cowardly and humble, thrust the young woman towards the canvas, hiding behind her, so as to escape the gaze of the drowned man. But she escaped, and he wanted to brazen the matter out. Approaching the picture, he raised his hand in search of the nail, but the portrait gave such a long, crushing, ignoble look, that Laurent after seeking to stare it out, found himself vanquished, and started back overpowered, murmuring as he did so:

“No, you are right, Therese, we cannot do it. Your aunt shall take it down to-morrow.”

He resumed his walk up and down, with bowed head, feeling the portrait was staring at him, following him with its eyes. At times, he could not prevent himself casting a side glance at the canvas; and, then, in the depth of the darkness, he still perceived the dull, deadened eyes of the drowned man. The thought that Camille was there, in a corner, watching him, present on his wedding night, examining Therese and himself, ended by driving him mad with terror and despair.

One circumstance, which would have brought a smile to the lips of anyone else, made him completely lose his head. As he stood before the fire, he heard a sort of scratching sound. He turned pale, imagining it came from the portrait, that Camille was descending from his frame. Then he discovered that the noise was at the small door opening on the staircase, and he looked at Therese who also showed signs of fear.

“There is someone on the staircase,” he murmured. “Who can be coming that way?”

The young woman gave no answer. Both were thinking of the drowned man, and their temples became moist with icy perspiration. They sought refuge together at the end of the room, expecting to see the door suddenly open, and the corpse of Camille fall on the floor. As the sound continued, but more sharply and irregularly, they thought their victim must be tearing away the wood with his nails to get in. For the space of nearly five minutes, they dared not stir. Finally, a mewing was heard, and Laurent advancing, recognised the tabby cat belonging to Madame Raquin, which had been accidentally shut up in the room, and was endeavouring to get out by clawing at the door.

Francois, frightened by Laurent, sprang upon a chair at a bound. With hair on end and stiffened paws, he looked his new master in the face, in a harsh and cruel manner. The young man did not like cats, and Francois almost terrified him. In this moment of excitement and alarm, he imagined the cat was about to fly in his face to avenge Camille. He fancied the beast must know everything, that there were thoughts in his strangely dilated round eyes. The fixed gaze of the animal caused Laurent to lower his lids. As he was about to give Francois a kick, Therese exclaimed:

“Don’t hurt him.”

This sentence produced a strange impression on Laurent, and an absurd idea got into his head.

“Camille has entered into this cat,” thought he. “I shall have to kill the beast. It looks like a human being.”

He refrained from giving the kick, being afraid of hearing Francois speak to him with the voice of Camille. Then he said to himself that this animal knew too much, and that he should have to throw it out of the window. But he had not the pluck to accomplish his design. Francois maintained a fighting attitude. With claws extended, and back curved in sullen irritation, he followed the least movement of his enemy with superb tranquillity. The metallic sparkle of his eyes troubled Laurent, who hastened to open the dining-room door, and the cat fled with a shrill mew.

Therese had again seated herself before the extinguished fire. Laurent resumed his walk from bed to window. It was thus that they awaited day-light. They did not think of going to bed; their hearts were thoroughly dead. They had but one, single desire: to leave the room they were in, and where they were choking. They experienced a real discomfort in being shut up together, and in breathing the same atmosphere. They would have liked someone to be there to interrupt their privacy, to drag them from the cruel embarrassment in which they found themselves, sitting one before the other without opening their lips, and unable to resuscitate their love. Their long silences tortured them, silence loaded with bitter and despairing complaints, with mute reproaches, which they distinctly heard in the tranquil air.

Day came at last, a dirty, whitish dawn, bringing penetrating cold with it. When the room had filled with dim light, Laurent, who was shivering, felt calmer. He looked the portrait of Camille straight in the face, and saw it as it was, commonplace and puerile. He took it down, and shrugging his shoulders, called himself a fool. Therese had risen from the low chair, and was tumbling the bed about for the purpose of deceiving her aunt, so as to make her believe they had passed a happy night.

“Look here,” Laurent brutally remarked to her, “I hope we shall sleep well to-night! There must be an end to this sort of childishness.”

Therese cast a deep, grave glance at him.

“You understand,” he continued. “I did not marry for the purpose of passing sleepless nights. We are just like children. It was you who disturbed me with your ghostly airs. To-night you will try to be gay, and not frighten me.”

He forced himself to laugh without knowing why he did so.

“I will try,” gloomily answered the young woman.

Such was the wedding night of Therese and Laurent.

CHAPTER XXII

The following nights proved still more cruel. The murderers had wished to pass this part of the twenty-four hours together, so as to be able to defend themselves against the drowned man, and by a strange effect, since they had been doing so, they shuddered the more. They were exasperated, and their nerves so irritated, that they underwent atrocious attacks of suffering and terror, at the exchange of a simple word or look. At the slightest conversation between them, at the least talk, they had alone, they began raving, and were ready to draw blood.

The sort of remorse Laurent experienced was purely physical. His body, his irritated nerves and trembling frame alone were afraid of the drowned man. His conscience was for nothing in his terror. He did not feel the least regret at having killed Camille. When he was calm, when the spectre did not happen to be there, he would have committed the murder over again, had he thought his interests absolutely required it.

During the daytime he laughed at himself for his fright, making up his mind to be stronger, and he harshly rebuked Therese, whom he accused of troubling him. According to what he said, it was Therese who shuddered, it was Therese alone who brought on the frightful scenes, at night, in the bedroom. And, as soon as night came, as soon as he found himself shut in with his wife, icy perspiration pearled on his skin, and his frame shook with childish terror.

He thus underwent intermittent nervous attacks that returned nightly, and threw his senses into confusion while showing him the hideous green face of his victim. These attacks resembled the accesses of some frightful illness, a sort of hysteria of murder. The name of illness, of nervous affection, was really the only one to give to the terror that Laurent experienced. His face became convulsed, his limbs rigid, his nerves could be seen knotting beneath his skin. The body suffered horribly, while the spirit remained absent. The wretch felt no repentance. His passion for Therese had conveyed a frightful evil to him, and that was all.

Therese also found herself a prey to these heavy shocks. But, in her terror, she showed herself a woman: she felt vague remorse, unavowed regret. She, at times, had an inclination to cast herself on her knees and beseech the spectre of Camille to pardon her, while swearing to appease it by repentance. Maybe Laurent perceived these acts of cowardice on the part of Therese, for when they were agitated by the common terror, he laid the blame on her, and treated her with brutality.

On the first nights, they were unable to go to bed. They waited for daylight, seated before the fire, or pacing to and fro as on the evening of the wedding-day. The thought of lying down, side by side, on the bed, caused them a sort of terrifying repugnance. By tacit consent, they avoided kissing one another, and they did not even look at their couch, which Therese tumbled about in the morning.

When overcome with fatigue, they slept for an hour or two in the armchairs, to awaken with a start, under the influence of the sinister denouement of some nightmare. On awakening, with limbs stiff and tired, shivering all over with discomfort and cold, their faces marbled with livid blotches, they contemplated one another in bewilderment astonished to see themselves there. And they displayed strange bashfulness towards each other, ashamed at showing their disgust and terror.

But they struggled against sleep as much as they could. They seated themselves, one on each side of the chimney, and talked of a thousand trifles, being very careful not to let the conversation drop. There was a broad space between them in front of the fire. When they turned their heads, they imagined that Camille had drawn a chair there, and occupied this space, warming his feet in a lugubrious, bantering fashion. This vision, which they had seen on the evening of the wedding-day, returned each night.