Complete Works of Emile Zola (1008 page)

What — was it really true that the unseen lilacs and laburnums of the Bishop’s garden had so sweet an odour that she could no longer breathe it without a flush of colour mounting to her cheeks? Never before had she perceived this warmth of perfume which now touched her as if with a living breath.

And again, why had she never remarked in preceding years a great Japanese Paulownia in blossom, which looked like an immense violet bouquet as it appeared between two elm-trees in the garden of the Voincourts? This year, as soon as she looked at it, her eyes grew moist, so much was she affected by the delicate tints of the pale purple flowers. She also fancied that the Chevrotte had never chattered so gaily over the pebbles among the willows on its banks. The river certainly talked; she listened to its vague words, constantly repeated, which filled her heart with trouble. Was it, then, no longer the field of other days, that everything in it so astonished her and affected her senses in so unusual a way? Or, rather, was not she herself so changed that, for the first time, she appreciated the beauty of the coming into life of trees and plants?

But the Cathedral at her right, the enormous mass which obstructed the sky, surprised her yet more. Each morning she seemed to see it for the first time; she made constant discoveries in it, and was delighted to think that these old stones lived and had lived like herself. She did not reason at all on the subject, she had very little knowledge, but she gave herself up to the mystic flight of the giant, whose coming into existence had demanded three centuries of time, and where were placed one above the other the faith and the belief of generations. At the foundation, it was kneeling as if crushed by prayer, with the Romanesque chapels of the nave, and with the round arched windows, plain, unornamented, except by slender columns under the archivolts. Then it seemed to rise, lifting its face and hands towards heaven, with the pointed windows of its nave, built eighty years later; high, delicate windows, divided by mullions on which were broken bows and roses. Then again it sprung from the earth as if in ecstasy, erect, with the piers and flying buttresses of the choir finished and ornamented two centuries after in the fullest flamboyant Gothic, charged with its bell-turrets, spires, and pinnacles. A balustrade had been added, ornamented with trefoils, bordering the terrace on the chapels of the apse. Gargoyles at the foot of the flying buttresses carried off the water from the roofs. The top was also decorated with flowery emblems. The whole edifice seemed to burst into blossom in proportion as it approached the sky in a continual upward flight, as if, relieved at being delivered from the ancient sacerdotal terror, it was about to lose itself in the bosom of a God of pardon and of love. It seemed to have a physical sensation which permeated it, made it light and happy, like a sacred hymn it had just heard sung, very pure and holy, as it passed into the upper air.

Moreover, the Cathedral was alive. Hundreds of swallows had constructed their nests under the borders of trefoil, and even in the hollows of the bell-turrets and the pinnacles, and they were continually brushing their wings against the flying buttresses and the piers which they inhabited. There were also the wood-pigeons of the elms in the Bishop’s garden, who held themselves up proudly on the borders of the terraces, going slowly, as if walking merely to show themselves off. Sometimes, half lost in the blue sky, looking scarcely larger than a fly, a crow alighted on the point of a spire to smooth its wings. The old stones themselves were animated by the quiet working of the roots of a whole flora of plants, the lichens and the grasses, which pushed themselves through the openings in the walls. On very stormy days the entire apse seemed to awake and to grumble under the noise of the rain as it beat against the leaden tiles of the roof, running off by the gutters of the cornices and rolling from story to story with the clamour of an overflowing torrent. Even the terrible winds of October and of March gave to it a soul, a double voice of anger and of supplication, as they whistled through its forests of gables and arcades of roseate ornaments and of little columns. The sun also filled it with life from the changing play of its rays; from the early morning, which rejuvenated it with a delicate gaiety, even to the evening, when, under the slightly lengthened-out shadows, it basked in the unknown.

And it had its interior existence. The ceremonies with which it was ever vibrating, the constant swinging of its bells, the music of the organ, and the chanting of the priests, all these were like the pulsation of its veins. There was always a living murmur in it: half-lost sounds, like the faint echo of a Low Mass; the rustling of the kneeling penitents, a slight, scarcely perceptible shivering, nothing but the devout ardour of a prayer said without words and with closed lips.

Now, as the days grew longer, Angelique passed more and more time in the morning and evening with her elbows on the balustrade of the balcony, side by side with her great friend, the Cathedral. She loved it the best at night, when she saw the enormous mass detach itself like a huge block on the starry skies. The form of the building was lost. It was with difficulty that she could even distinguish the flying buttresses, which were thrown like bridges into the empty space. It was, nevertheless, awake in the darkness, filled with a dream of seven centuries, made grand by the multitudes who had hoped or despaired before its altars. It was a continual watch, coming from the infinite of the past, going to the eternity of the future; the mysterious and terrifying wakefulness of a house where God Himself never sleeps. And in the dark, motionless, living mass, her looks were sure to seek the window of a chapel of the choir, on the level of the bushes of the Clos-Marie, the only one which was lighted up, and which seemed like an eye which was kept open all the night. Behind it, at the corner of a pillar, was an ever-burning altar-lamp. In fact, it was the same chapel which the abbots of old had given to Jean V d’Hautecoeur, and to his descendants, with the right of being buried there, in return for their liberality. Dedicated to Saint George, it had a stained-glass window of the twelfth century, on which was painted the legend of the saint. From the moment of the coming on of twilight, this historic representation came out from the shade, lighted up as if it were an apparition, and that was why Angelique was fascinated, and loved this particular point, as she gazed at it with her dreamy eyes.

The background of the window was blue and the edges red. Upon this sombre richness of colouring, the personages, whose flying draperies allowed their limbs to be seen, stood out in relief in clear light on the glass. Three scenes of the Legend, placed one above the other, filled the space quite to the upper arch. At the bottom, the daughter of the king, dressed in costly royal robes, on her way from the city to be eaten by the dreadful monster, meets Saint George near the pond, from which the head of the dragon already appears; and a streamer of silk bears these words: “Good Knight, do not run any danger for me, as you can neither help me nor deliver me, but will have to perish with me.” Then in the middle the combat takes place, and the saint, on horseback, cuts the beast through and through. This is explained by the following words: “George wielded so well his lance that he wounded the enemy and threw him upon the earth.” At last, at the top, the Princess is seen leading back into the city the conquered dragon: “George said, ‘Tie your scarf around his neck, and do not be afraid of anything, oh beautiful maiden, for when you have done so he will follow you like a well-trained dog.’”

When the window was new it must have been surmounted in the middle of the arch by an ornamental design. But later, when the chapel belonged to the Hautecoeurs, they replaced the original work by their family coat of arms. And that was why, in the obscure nights, armorial bearings of a more recent date shown out above the painted legend. They were the old family arms of Hautecoeur, quartered with the well-known shield of Jerusalem; the latter being argent, a cross potencee, or, between four crosselettes of the same; and those of the family, azure, a castle, or, on it a shield, sable, charged with a human heart, argent, the whole between three fleurs-de-lys, or; the shield was supported on the dexter and sinister sides by two wyverns, or; and surmounted by the silver helmet with its blue feathers, embossed in gold, placed frontwise, and closed by eleven bars, which belongs only to Dukes, Marshals of France, titled Lords and heads of Sovereign Corporations. And for motto were these words: “
Si Dieu volt, ie vueil
.”

Little by little, from having seen him piercing the monster with his lance, whilst the king’s daughter raised her clasped hands in supplication, Angelique became enamoured of Saint George. He was her hero. At the distance where she was she could not well distinguish the figures, and she looked at them as if in the aggrandisement of a dream; the young girl was slight, was a blonde, and, in short, had a face not unlike her own, while the saint was frank and noble looking, with the beauty of an archangel. It was as if she herself had just been saved, and she could have kissed his hands with gratitude. And to this adventure, of which she dreamed confusedly, of a meeting on the border of a lake and of being rescued from a great danger by a young man more beautiful than the day, was added the recollection of her excursion to the Chateau of Hautecoeur, and a calling up to view of the feudal donjon, in its original state, peopled with the noble lords of olden times.

The arms glistened like the stars on summer nights; she knew them well, she read them easily, with their sonorous words, for she was so in the habit of embroidering heraldic symbols. There was Jean V, who stopped from door to door in the town ravaged by the plague, and went in to kiss the lips of the dying, and cured them by saying, “
Si Dieu volt, ie vueil
.” And Felician III, who, forewarned that a severe illness prevented Philippe le Bel from going to Palestine, went there in his place, barefooted and holding a candle in his hand, and for that he had the right of quartering the arms of Jerusalem with his own. Other and yet other histories came to her mind, especially those of the ladies of Hautecoeur, the “happy dead,” as they were called in the Legend. In that family the women die young, in the midst of some great happiness. Sometimes two or three generations would be spared, then suddenly Death would appear, smiling, as with gentle hands he carried away the daughter or the wife of a Hautecoeur, the oldest of them being scarcely twenty years of age, at the moment when they were at the height of earthly love and bliss. For instance, Laurette, daughter of Raoul I, on the evening of her betrothal to her cousin Richard, who lived in the castle, having seated herself at her window in the Tower of David, saw him at his window in the Tower of Charlemagne, and, thinking she heard him call her, as at that moment a ray of moonlight seemed to throw a bridge between them, she walked toward him. But when in the middle she made in her haste a false step and overpassed the ray, she fell, and was crushed at the foot of the tower. So since that day, each night when the moon is bright and clear, she can be seen walking in the air around the Chateau, which is bathed in white by the silent touch of her immense robe. Then Balbine, wife of Herve VII, thought for six months that her husband had been killed in the wars. But, unwilling to give up all hope, she watched for him daily from the top of the donjon, and when at last she saw him one morning on the highway, returning to his home, she ran down quickly to meet him, but was so overcome with joy, that she fell dead at the entrance of the castle. Even at this day, notwithstanding the ruins, as soon as twilight falls, it is said she still descends the steps, runs from story to story, glides through the corridors and the rooms, and passes like a phantom through the gaping windows which open into the desert void. All return. Isabeau, Gudule, Vonne, Austreberthe, all these “happy dead,” loved by the stern messenger, who spared them from the vicissitudes of life by taking them suddenly when, in early youth, they thought only of happiness. On certain nights this white-robed band fill the house as if with a flight of doves. To their number had lately been added the mother of the son of Monseigneur, who was found lifeless on the floor by the cradle of her infant, where, although ill, she dragged herself to die, in the fullness of her delight at embracing him. These had haunted the imagination of Angelique; she spoke of them as if they were facts of recent occurrence, which might have happened the day before. She had read the names of Laurette and of Balbine on old memorial tablets let into the walls of the chapel. Then why should not she also die young and very happy, as they had? The armouries would glisten as now, the saint would come down from his place in the stained-glass window, and she would be carried away to heaven on the sweet breath of a kiss. Why not?

The “Golden Legend” had taught her this: Was not it true that the miracle is really the common law, and follows the natural course of events? It exists, is active, works with an extreme facility on every occasion, multiplies itself, spreads itself out, overflows even uselessly, as if for the pleasure of contradicting the self-evident rules of Nature. Its power seems to be on the same plane as that of the Creator. Albrigan, King of Edeese, writes to Jesus, who replies to him. Ignatius receives letters from the Blessed Virgin. In all places the Mother and the Son appear, disguise themselves, and talk with an air of smiling good-nature. When Stephen meets them they are very familiar with him. All the virgins are wed to Jesus, and the martyrs mount to heaven, where they are to be united to Mary. And as for the angels and saints, they are the ordinary companions of men. They come, they go, they pass through walls, they appear in dreams, they speak from the height of clouds, they assist at births and deaths, they support those who are tortured, they deliver those who are in prison, and they go on dangerous missions. Following in their footsteps is an inexhaustible efflorescence of prodigies. Sylvester binds the mouth of a dragon with a thread. The earth rises to make a seat for Hilary, whose companions wished to humiliate him. A precious stone falls into the chalice of Saint Loup. A tree crushes the enemies of Saint Martin; a dog lets loose a hare, and a great fire ceases to burn at his command. Mary the Egyptian walks upon the sea; honey-bees fly from the mouth of Ambrosius at his birth. Continually saints cure diseases of the eye, withered limbs, paralysis, leprosy, and especially the plague. There is no disease that resists the sign of the Cross. In a crowd, the suffering and the feeble are placed together, that they may be cured in a mass, as if by a thunderbolt. Death itself is conquered, and resurrections are so frequent that they become quite an everyday affair. And when the saints themselves are dead the wonders do not cease, but are redoubled, and are like perennial flowers which spring from their tombs. It is said that from the head and the feet of Nicholas flowed two fountains of oil which cured every ill. When the tomb of Saint Cecilia was opened an odour of roses came up from her coffin. That of Dorothea was filled with manna. All the bones of virgins and of martyrs performed marvels: they confounded liars, they forced robbers to give back their stolen goods, they granted the prayers of childless wives, they brought the dying back to life. Nothing was impossible for them; in fact the Invisible reigned, and the only law was the caprice of the supernatural. In the temples the sorcerers mix themselves up with the popular idea, and scythes cut the grass without being held, brass serpents move, and one hears bronze statues laugh and wolves sing. Immediately the saints reply and overwhelm them. The Host is changed into living food, sacred Christian images shed drops of blood, sticks set upright in the ground blossom into flower, springs of pure water appear in dry places, warm loaves of bread multiply themselves at the feet of the needy, a tree bows down before some holy person, and so on. Then, again, decapitated heads speak, broken chalices mend themselves, the rain turns aside from a church to submerge a neighbouring palace, the robes of hermits never wear out, but renew themselves at each season like the skin of a beast. In Armenia at one time the persecutors threw into the sea the leaden coffins of five martyrs, and the one containing the body of Saint Bartholomew the Apostle took the lead, and the four others accompanied it as a guard of honour. So, all together, in regular order, like a fine squadron, they floated slowly along, urged by the breeze, through the whole length of the sea, until they reached the shores of Sicily.