'Do you mean it was Mrs. Cresswell who killed Miss Greenshaw?'
'I think that after bringing you your coffee, the housekeeper locked the door on you as she went out, then carried the unconscious Miss Greenshaw down to the drawing room, then assumed her 'Miss Greenshaw' disguise and went out to work on the rockery where you could see her from the upstairs window. In due course she screamed and came staggering to the house clutching an arrow as though it had penetrated her throat. She called for help and was careful to say 'he shot me' so as to remove suspicion from the house-keeper – from herself. She also called up to the housekeeper's window as though she saw her there. Then, once inside the drawing-room, she threw over a table with porcelain on it, ran quickly upstairs, put on her marquise wig, and was able a few moments later to lean her head out of the window and tell you that she, too, was locked in.'
'But she was locked in,' said Louise.
'I know. That is where the policeman comes in.'
'What policeman?'
'Exactly – what policeman? I wonder, Inspector, if you would mind telling me how and when you arrived on the scene?'
The inspector looked a little puzzled. 'At twelve twenty-nine we received a telephone call from Mrs. Cresswell, housekeeper to Miss Greenshaw, stating that her mistress had been shot. Sergeant Cayley and myself went out there at once in a car and arrived at the house at twelve thirty-five. We found Miss Greenshaw dead and the two ladies locked in their rooms.'
'So, you see, my dear,' said Miss Marple to Louise, 'the police constable you saw wasn't a real police constable at all. You never thought of him again – one doesn't – one just accepts one more uniform as part of the law.'
'But who – why?'
'As to who, well, if they are playing A Kiss for Cinderella, a policeman is the principal character. Nat Fletcher would only have to help himself to the costume he wears on the stage. He'd ask his way at a garage, being careful to call attention to the time – twelve twenty-five; then he would drive on quickly, leave his car round a corner, slip on his police uniform, and do his 'act.' '
'But why – why?'
'Someone had to lock the housekeeper's door on the outside, and someone had to drive the arrow through Miss Greenshaw's throat. You can stab anyone with an arrow just as well as by shooting it but it needs force.'
'You mean they were both in it?'
'Oh yes, I think so. Mother and son as likely as not.'
'But Miss Greenshaw's sister died long ago.'
'Yes, but I've no doubt Mr. Fletcher married again – he sounds like the sort of man who would. I think it possible that the child died, too, and that this so-called nephew was the second wife's child and not really a relation at all. The woman got the post as housekeeper and spied out the land. Then he wrote to Miss Greenshaw as her nephew and proposed to call on her – he may have even made some joking reference to coming in his policeman's uniform – remember, she said she was expecting a policeman. But I think Miss Greenshaw suspected the truth and refused to see him. He would have been her heir if she had died without making a will but of course once she had made a will in the housekeeper's favour, as they thought, then it was clear sailing.'
'But why use an arrow?' objected .Joan. 'So very farfetched.'
'Not farfetched at all, dear. Alfred belonged to an archery club – Alfred was meant to take the blame. The fact that he was in the pub as early as twelve-twenty was most unfortunate from their point of view. He always left a little before his proper time and that would have been just right.' She shook her head. 'It really seems all wrong – morally, I mean, that Alfred's laziness should have saved his life.'
The inspector cleared his throat.
'Well, madam, these suggestions of yours are very interesting. I shall, of course, have to investigate –'
Miss Marple and Raymond West stood by the rockery and looked down at a gardening basket full of dying vegetation. Miss Marple murmured: 'Alyssum, saxifrage, cystis, thimble campanula... Yes, that's all the proof I need. Whoever was weeding here yesterday morning was no gardener – she pulled up plants as well as weeds. So now I know I'm right. Thank. you, dear Raymond, for bringing me here. I wanted to see the place for myself.'
She and Raymond both looked up at the outrageous pile of Greenshaw's Folly. A cough made them turn. A handsome young man was also looking at the monstrous house.
'Plaguey big place,' he said. 'Too big for nowadays – or so they say. I dunno about that. If I won a football pool and made a lot of money, that's the kind of house I'd like to build.'
He smiled bashfully at them, then rumpled his hair.
'Reckon I can say so now,' said Alfred Pollock. 'And a fine house it is, for all they call it Greenshaw's Folly!'
Sanctuary
The vicar's wife came round the corner of the vicarage with her arms full of chrysanthemums. A good deal of rich garden soil was attached to her strong brogue shoes and a few fragments of earth were adhering to her nose, but of that fact she was perfectly unconscious.
She had a slight struggle in opening the vicarage gate which hung, rustily, half off its hinges. A puff of wind caught at her battered felt hat, causing it to sit even more rakishly than it had done before. 'Bother!' said Bunch.
Christened by her optimistic parents Diana, Mrs Harmon had become Bunch at an early age for somewhat obvious reasons and the name had stuck to her ever since. Clutching the chrysanthemums, she made her way through the gate to the churchyard, and so to the church door.
The November air was mild and damp. Clouds scudded across the sky with patches of blue here and there. Inside, the church was dark and cold; it was unheated except at service times. 'Brrrrrh!' said Bunch expressively. 'I'd better get on with this quickly. I don't want to die of cold.'
With the quickness born of practice she collected the necessary paraphernalia: vases, water, flower-holders. 'I wish we had lilies,' thought Bunch to herself. 'I get so tired of these scraggy chrysanthemums.' Her nimble fingers arranged the blooms in their holders.
There was nothing particularly original or artistic about the decorations, for Bunch Harmon herself was neither original nor artistic, but it was a homely and pleasant arrangement. Carrying the vases carefully, Bunch stepped up the aisle and made her way towards the altar. As she did so the sun came out.
It shone through the east window of somewhat crude coloured glass, mostly blue and red – the gift of a wealthy Victorian churchgoer. The effect was almost startling in its sudden opulence. 'Like jewels,' thought Bunch. Suddenly she stopped, staring ahead of her. On the chancel steps was a huddled dark form.
Putting down the flowers carefully, Bunch went up to it and bent over it. It was a man lying there, huddled over on himself. Bunch knelt down by him and slowly, carefully, she turned him over. Her fingers went to his pulse – a pulse so feeble and fluttering that it told its own story, as did the almost greenish pallor of his face. There was no doubt, Bunch thought, that the man was dying.
He was a man of about forty-five, dressed in a dark, shabby suit. She laid down the limp hand she had picked up and looked at his other hand. This seemed clenched like a fist on his breast. Looking more closely she saw that the fingers were closed over what seemed to be a large wad or handkerchief which he was holding tightly to his chest. All round the clenched hand there were splashes of a dry brown fluid which, Bunch guessed, was dry blood. Bunch sat back on her heels, frowning.
Up till now the man's eyes had been closed but at this point they suddenly opened and fixed themselves on Bunch's face. They were neither dazed nor wandering. They seemed fully alive and intelligent. His lips moved, and Bunch bent forward to catch the words, or rather the word. It was only one word that he said:
'Sanctuary.'
There was, she thought, just a very faint smile as he breathed out this word. There was no mistaking it, for after a moment he said it again, 'Sanctuary...'
Then, with a faint, long-drawn-out sigh, his eyes closed again. Once more Bunch's fingers went to his pulse. It was still there, but fainter now and more intermittent. She got up with decision.
'Don't move,' she said, 'or try to move. I'm going for help.'
The man's eyes opened again but he seemed now to be fixing his attention on the coloured light that came through the east window. He murmured something that Bunch could not quite catch. She thought, startled, that it might have been her husband's name.
'Julian?' she said. 'Did you come here to find Julian?' But there was no answer. The man lay with eyes closed, his breathing coming in slow, shallow fashion.
Bunch turned and left the church rapidly. She glanced at her watch and nodded with some satisfaction. Dr Griffiths would still be in his surgery. It was only a couple of minutes' walk from the church. She went in, without waiting to knock or ring, passing through the waiting room and into the doctor's surgery.
'You must come at once,' said Bunch. 'There's a man dying in the church.'
Some minutes later Dr Griffiths rose from his knees after a brief examination.
'Can we move him from here into the vicarage? I can attend to him better there – not that it's any use.'
'Of course,' said Bunch. 'I'll go along and get things ready. I'll get Harper and Jones, shall I? To help you carry him.'
'Thanks. I can telephone from the vicarage for an ambulance, but I'm afraid – by the time it comes...' He left the remark unfinished.
Bunch said, 'Internal bleeding?'
Dr Griffiths nodded. He said, 'How on earth did he come here?'
'I think he must have been here all night,' said Bunch, considering. 'Harper unlocks the church in the morning as he goes to work, but he doesn't usually come in.'
It was about five minutes later when Dr Griffiths put down the telephone receiver and came back into the morning-room where the injured man was lying on quickly arranged blankets on the sofa. Bunch was moving a basin of water and clearing up after the doctor's examination.
'Well, that's that,' said Griffiths. 'I've sent for an ambulance and I've notified the police.' He stood, frowning, looking down on the patient who lay with closed eyes. His left hand was plucking in a nervous, spasmodic way at his side.
'He was shot,' said Griffiths. 'Shot at fairly close quarters. He rolled his handkerchief up into a ball and plugged the wound with it so as to stop the bleeding.'
'Could he have gone far after that happened?' Bunch asked.
'Oh, yes, it's quite possible. A mortally wounded man has been known to pick himself up and walk along a street as though nothing had happened, and then suddenly collapse five or ten minutes later. So he needn't have been shot in the church. Oh no. He may have been shot some distance away. Of course, he may have shot himself and then dropped the revolver and staggered blindly towards the church. I don't quite know why he made for the church and not for the vicarage.'
'Oh, I know that,' said Bunch. 'He said it: 'Sanctuary.' '
The doctor stared at her. 'Sanctuary?'
'Here's Julian,' said Bunch, turning her head as she heard her husband's steps in the hall. 'Julian! Come here.'
The Reverend Julian Harmon entered the room. His vague, scholarly manner always made him appear much older than he really was. 'Dear me!' said Julian Harmon, staring in a mild, puzzled manner at the surgical appliances and the prone figure on the sofa.
Bunch explained with her usual economy of words. 'He was in the church, dying. He'd been shot. Do you know him, Julian? I thought he said your name.'
The vicar came up to the sofa and looked down at the dying man. 'Poor fellow,' he said, and shook his head. 'No, I don't know him. I'm almost sure I've never seen him before.'
At that moment the dying man's eyes opened once more. They went from the doctor to Julian Harmon and from him to his wife. The eyes stayed there, staring into Bunch's face. Griffiths stepped forward.
'If you could tell us,' he said urgently.
But with eyes fixed on Bunch, the man said in a weak voice, 'Please –
please
–' And then, with a slight tremor, he died...
Sergeant Hayes licked his pencil and turned the page of his notebook.
'So that's all you can tell me, Mrs Harmon?'
'That's all,' said Bunch. 'These are the things out of his coat pockets.'
On a table at Sergeant Hayes's elbow was a wallet, a rather battered old watch with the initials W.S. and the return half of a ticket to London. Nothing more.
'You've found out who he is?' asked Bunch.
'A Mr and Mrs Eccles phoned up the station. He's her brother, it seems. Name of Sandbourne. Been in a low state of health and nerves for some time. He's been getting worse lately. The day before yesterday he walked out and didn't come back. He took a revolver with him.'
'And he came out here and shot himself with it?' said Bunch. 'Why?'
'Well, you see, he'd been depressed...'
Bunch interrupted him. 'I don't mean
that.
I mean, why here?'
Since Sergeant Hayes obviously did not know the answer to that one, he replied in an oblique fashion, 'Come out here, he did, on the five-ten bus.'
'Yes,' said Bunch again. 'But
why?'
'I don't know, Mrs Harmon,' said Sergeant Hayes. 'There's no accounting. If the balance of the mind is disturbed –'
Bunch finished for him. 'They may do it anywhere. But it still seems to me unnecessary to take a bus out to a small country place like this. He didn't know anyone here, did he?'
'Not so far as can be ascertained,' said Sergeant Hayes. He coughed in an apologetic manner and said, as he rose to his feet, 'It may be as Mr and Mrs Eccles will come out and see you, ma'am – if you don't mind, that is.'
'Of course I don't mind,' said Bunch. 'It's very natural. I only wish I had something to tell them.'
'I'll be getting along,' said Sergeant Hayes.
'I'm only so thankful,' said Bunch, going with him to the front door, 'that it wasn't murder.'
A car had driven up at the vicarage gate. Sergeant Hayes, glancing at it, remarked: 'Looks as though that's Mr and Mrs Eccles come here now, ma'am, to talk with you.'