Book of the Dead: A Zombie Anthology (16 page)

Tom’s face, Tom’s eyes, pleaded with her as his hands shoved great wet cakes of brown, green, and yel ow food up under his blue hospital pajama top and down inside his underwear. Final y, as if in exasperation, Tom’s body voided itself, drenching itself and Elaine in vomit, urine, and feces.

Elaine backed away, ripping off her plastic gloves and bib. “Stop it! Stop it! Stop it!” she screamed, as Tom’s head moved no no no, and his body continued to pat itself, fondle itself, probe itself lovingly with food-smeared fingers. Elaine’s vision blurred as she choked back the tears. Tom’s body suddenly looked like some great bag of loose flesh, poked with wet, running holes, some ugly organic machine, inefficient in input and output. She continued to stare at it as it fed and drained, probed and made noises, al independent of the head and its steady no no no beat.

She ran into Betty out in the corridor. “I have to leave
now
,” she said. “Betty, I’m
sorry
!”

Betty looked past her into the room where Tom was stil playing with his food. “It’s al right, kid.

You just go get some sleep. I’l put old Master Tom to bed.”

Elaine stared at her, sudden alarms of distrust going off in her head. “You’l be okay with him? I mean—he didn’t
mean
it, Betty.”

Betty looked offended. “Hey! Just what kind of nurse do you think I am? I’m going to hose him off and tuck him in, that’s al . Unless you’re insisting I read him a bedtime story, too? Maybe give him a kiss on the cheek? If I could
hit
his cheek, that is.”

“I’m sorry. I didn’t mean…”

“I know what you meant. Get some rest, Elaine. You’re beat.”

But Elaine couldn’t bear to attempt the drive home, searching the dark corners at every intersection, waiting for the shambling strangers who lived in the streets to come close enough that she could get a good look at their faces. So that she could see if their faces were torn, their eyes distant. Or if their heads were beginning to shake.

Mark had been staying in the janitor’s apartment down in the basement, near the morgue. The janitor had been replaced by a cleaning service some time back as a cost-cutting measure.

Supposedly it was to be turned into a lab, but that had never happened. Mark always said he real y didn’t mind living by the morgue. He said it cut the number of drop-in visitors drastical y.

Elaine went there.

“So don’t go back,” Mark said, nibbling at her ear. He was biting too hard, and his breath bore a trace of foulness. Elaine squirmed away and climbed out of bed.

“I have to go to the bathroom,” she said. After closing the bathroom door, she ran water into the sink so that she would be unable to hear herself pee. People reacted to crisis in different ways, she supposed. Mark’s way was to treat al problems as if they were of equal value, whether it was deciding what wattage light bulb to buy or the best way to feed a zombie.

Elaine looked down at her legs. They’d gotten a little spongier each year; her thighs seemed to spread a little wider each time she sat down. Here and there were little lumps and depressions which seemed to move from time to time. Her bel y bulged enough now that she could see only the slightest halo of dark pubic hair when she looked down like this. And the pubic hair itself wasn’t al that dark anymore. There were streaks of gray, and what had surprised and confused her, red. By her left knee a flowery pattern of broken blood vessels was darkening into a bruise.

She tried to smel herself. She sometimes imagined she must smel terrible.

It seemed she had always watched herself grow older while sitting on the toilet. Sitting on the toilet, she found she couldn’t avoid looking at her legs, her bel y, her pubic hair. She couldn’t avoid smel ing herself.

She stood up and looked at herself in the mirror. She looked for scars, bruises, signs of corruption she might have missed before. She pretended her face was a patient’s, and she washed it, brushed her hair. As a child she’d pretended her face was a dol ’s face, her hair a dol ’s hair. She’d never trusted mirrors. They didn’t show the secrets inside.

“I have to go back,” Elaine said coming out of the bathroom. “We’re short-handed. They count on me. And I can’t let Betty work that ward alone.”

But Mark was busy fiddling with the VCR. “Huh? Oh yeah… wel , you do what you think is right, honey. Hey—I got us a tape from one of the security people. The cops confiscated it two weeks ago and it’s been circulating ever since.” Elaine walked slowly around the bed and stood by Mark as he adjusted the contrast. “Pretty crudely made, but you can stil make out most of it.”

The screen was dark, with occasional lighter shadows floating through that dark. Then twin pale spots resolved out of the distortion, moving rapidly left and right, up and down. Elaine thought of headlights gone crazy, maybe a moth’s wings. Then the camera pul ed back suddenly, as if startled, and she saw that it was a black man’s immobile face, but with eyes that jumped around as if they were being given some sort of electrical shock. Frightened eyes. Eyes moving no no no.

But as the camera dwel ed on this face, Elaine noticed that there was more wrong here than simple fright. The dark skin of the face looked torn al along the hairline, peeled back, and crusted a dark red. A cut bisected the left cheek; she thought she could see several tissue layers deep into the val ey it made. And when the head moved, she saw a massive hole just under the chin where throat cartilage danced in open air.

“That’s one of them,” she said in a soft voice fil ed with awe. “A zombie.”

“The tape was smuggled in from somewhere down South, I hear,” Mark said distractedly, moving even closer to the screen. “Beats me how they can stil get these videos into the city.”

“But the quarantine…”

“Supply and demand, honey.” As the camera moved back farther, Elaine was surprised to see live, human hands pressing down on the zombie’s shoulders. “Get a load of this,” Mark said, an anxious edge to his voice.

The camera jerked back suddenly to show the zombie pressed against gray wooden planks—the side of a barn or some other farm building. The zombie was naked: large wounds covered much of its body. Like a decoration, an angry red scar ran the length of the dangling, slightly paler penis. Six or seven large men in jeans and old shirts—work clothes—were pushing the zombie flat against the gray wood, moving their rough hands around to avoid its snapping teeth. The more they avoided its teeth, the more manic the zombie became, jerking its head like a striking snake, twisting its head side to side and snapping its mouth.

An eighth man—fat, florid, baggy tits hanging around each side of his bib overal s—carried a bucket ful of hammers onto the scene and handed one to each of the men restraining the zombie. Then the fat man reached deeper into the bucket and came out with a handful of ten-penny nails, which he also distributed to the men.

Mark held his breath as the men proceeded to drive the nails through the body of the zombie—

through shoulders, arms, hands, ankles—pinning it like a squirming lizard on the boards.

The zombie showed no pain, but struggled against the nails, tearing wider holes. Little or no blood dripped from these holes, but Elaine did think she could detect a clear, glistening fluid around each wound.

The men stared at the zombie for a moment. A couple of them giggled like adolescent girls, but for the most part they looked dissatisfied.

One of the men nailed the zombie’s ears to the wal . Another used several nails to pin the penis and scrotum; several more nails severed it. The zombie pelvis did a little gyration above the spot where the genitals had become a trophy on the barn wal .

The zombie seemed not to notice the difference. The men laughed and pointed.

There were no screams on this sound track. Just laughter and animalistic zombie grunts.

“Jesus, Mark.” Elaine turned away from the TV, ashamed of herself for having watched that long.

“Jesus.” She absentmindedly stroked his hair, running her hand down his face, vaguely wondering how she could get him away from the TV, or at least to turn it off.

“Damn. Look, they’re bringing out the ax and the sickle,” Mark said.

“I don’t want to look,” she said, on the verge of tears. “I don’t want
you
to look either. It’s crazy, it’s… pornographic.”

“Hey, I know this is pretty sick stuff, but I think it tel s us something about the way things
are
out there. Christ, they won’t show it to us on the news. Not the way it
real y
is. We need to know things like this exist.”

“I know goddamn wel they exist! I don’t need it rubbed in my face!”

Elaine climbed into bed and turned her back on him. She tried to ignore the static-fil ed moans and giggles coming from the TV. She pretended she was sick in a hospital bed, that she had no idea what was going on in the world and never could. A minute or two later Mark turned off the TV. She imagined the image of the zombie’s head fading, final y just its startled eyes showing, then nothing.

She felt Mark’s hands gently rubbing her back. Then he lay down on the bed, half on top of her, stil rubbing her tight flesh.

“They’re not in Denver,” he said softly. “There’s stil been no sightings. No zombies here, ma’am.” The rubbing moved to her thighs. She tried to ignore it.

“If there were, would people here act like those rednecks in your damn video? Jesus, Mark.

Nobody should be al owed to behave that way.”

He stopped rubbing. She could hear him breathing. “People do strange things sometimes,” he final y said. “Especial y in strange times. Especial y groups of people. They get scared and they lose control.” He resumed rubbing her shoulders, then moved to her neck. “There are no zombies in Denver, honey. No sightings. Al the news types keep tel ing us that. You
know
that; you’re always watching them.”

“Maybe they won’t look the same.”

“What do you mean?”

“Maybe they won’t look the same here as they do everywhere else. Maybe it’l take a different form, and we won’t know what to look for. They think it’s a virus—wel , viruses mutate, they have different forms. Maybe the doctors and the Health Department and al those reporters aren’t as smart as they think they are. Christ, it might even be some form of venereal disease.”

“Hey. That’s not funny.”

“You think I intended it to be?” She could feel her anger bunching up the shoulder muscles beneath his hands. She could feel al this beginning to change her; no way would she be the same after it al stopped. If it ever stopped.

“I know. I know,” he said. “This is hard on al of us.” Then he started kissing her. Uncharitably, she wondered if it was because he’d run out of things to say to her. But she found her body responding, even though her head was sick with him and al his easy answers and explanations.

His kisses ran down her neck and over her breasts like a warm liquid. And her body welcomed it, had felt so cold before. “Turn out the light, please, Mark,” she said, grudgingly giving into the body, hating the body for it. He left silently to turn out the light, then was back again, kissing her, touching her, warming her one ribbon of flesh at a time.

In the darkness she could not see her own body. She could imagine away the blemishes, the ugly, drifting spots, the dry patches of skin, the smal corruptions patterning death. And she could imagine that his breath was always sweet smel ing. She could imagine his hair dark and ful . She could imagine the image of the zombie’s destroyed penis out of her head when Mark made love to her. And in this darkness she could almost imagine that Mark would never die.

His body continued to fondle her after she knew his head had gone to sleep.

Mark’s kiss woke her up the next morning. “Last night was wonderful,” he whispered. “Glad you final y got over whatever was bothering you.” That last comment made her angry, and she tried to tel him that, but she was too sleepy and he’d already left. And then she was sorry he was gone and wished he would come back so his touch would make her body feel beautiful again.

She stared at the dead gray eye of the TV, then glanced at the VCR. Apparently Mark had taken his video with him. She was relieved, and a little ashamed of herself. She turned the TV on. The eye fil ed with static, but she could hear the female newscaster’s flat, almost apathetic voice.

“…the federal government has reported increased progress with the so-cal ed ‘zombie’

epidemic…” Then this grainy, washed-out bit of stock footage came on the screen: men in hunters’ clothing and surplus fatigues shooting zombies in the head from a safe distance.

Shooting them and then moving along calmly down a dirt road. The newscaster appeared on the screen again: silent, emotionless, makeup perfect, her head rol ing up into the top of the cabinet.

It was after four in the morning. Betty had handled the ward by herself al night and would need some relief. Elaine dressed quickly and headed upstairs.

Betty wasn’t at the nurse’s station. Elaine started down the dim-lit corridor, peeking into each room. In the beds dark shadows shook and moved their heads no no no, even in their dreams.

But no sign of Betty.

The last room was Tom’s, and he wasn’t there. She could hear a steady padding of feet up ahead, in the dark tunnel that led to the new wing. She tried the light switch, but apparently it wasn’t connected. Out of her pocket she pul ed the penlight that she used for making chart notations in patients’ darkened rooms. It made a smal , distorted circle of il umination. She started down the darkened tunnel, flashing her smal light now and then on the uncompleted ceiling, the holes in the wal s where they’d run electrical conduit, the tile floor streaked white with plaster dust, littered with wire, pipe, and lumber.

She came out into a giant open area that hadn’t yet been divided into rooms. Cable snaked out of large holes in the ceiling, dangled by her face. Streetlight filtered through the tal , narrow windows, striping piles of ceiling tile, paint cans, and metal posts. They were supposed to be finished with al this by next month. She wondered if they would even bother, given how things were in the city. The wing looked more like a structure they were stripping, demolishing, than one they were constructing. Like a building under autopsy, she thought. She could no longer hear the other footsteps ahead of her. She heard her own steps, crunching the grit under foot, and her own ragged breath.