But here Mr. Fyshe was understating the case. They were all going to live to see it, right on the spot.
For it was just at this moment, when Mr. Fyshe was talking of the social catastrophe and explaining with flashing eyes that it was bound to come, that it came; and when it came it lit, of all places in the world, right there in the private dining-room of the Mausoleum Club.
For the gloomy head waiter re-entered and leaned over the back of Mr. Fyshe’s chair and whispered to him.
“Eh? what?” said Mr. Fyshe.
The head waiter, his features stricken with inward agony, whispered again.
“The infernal, damn scoundrels!” said Mr. Fyshe, starting back in his chair. “On strike: in this club! It’s an outrage!”
“I’m very sorry, sir. I didn’t like to tell you, sir. I’d hoped I might have got help from the outside, but it seems, sir, the hotels are all the same way.”
“Do you mean to say,” said Mr. Fyshe, speaking very slowly, “that there is no dinner?”
“I’m sorry, sir,” moaned the waiter. “It appears the chef hadn’t even cooked it. Beyond what’s on the table, sir, there’s nothing.”
The social catastrophe had come.
Mr. Fyshe sat silent with his fist clenched. Dr. Boomer, with his great face transfixed, stared at the empty oyster-shells, thinking perhaps of his college days. The Duke, with his hundred thousand dashed from his lips in the second cup of champagne that was never served, thought of his politeness first and murmured something about taking them to his hotel.
But there is no need to follow the unhappy details of the unended dinner. Mr. Fyshe’s one idea was to be gone: he was
too true an artist to think that finance could be carried on over the table-cloth of a second-rate restaurant, or on an empty stomach in a deserted club. The thing must be done over again; he must wait his time and begin anew.
And so it came about that the little dinner-party of Mr. Lucullus Fyshe dissolved itself into its constituent elements, like broken pieces of society in the great cataclysm portrayed by Mr. Fyshe himself.
The Duke was bowled home in a snorting motor to the brilliant rotunda of the Grand Palaver, itself waiterless and supperless.
The rector of St. Asaph’s wandered off home to his rectory, musing upon the contents of its pantry.
And Mr. Fyshe and the gigantic Doctor walked side by side homewards along Plutoria Avenue, beneath the elm trees.
Nor had they gone any great distance before Dr. Boomer fell to talking of the Duke.
“A charming man,” he said, “delightful. I feel extremely sorry for him.”
“No worse off, I presume, than any of the rest of us,” growled Mr. Fyshe, who was feeling in the sourest of democratic moods; “a man doesn’t need to be a duke to have a stomach.”
“Oh, pooh, pooh!” said the president, waving the topic aside with his hand in the air; “I don’t refer to that. Oh, not at all. I was thinking of his financial position – an ancient family like the Dulhams; it seems too bad altogether.”
For, of course, to an archaeologist like Dr. Boomer an intimate acquaintance with the pedigree and fortunes of the greater ducal families from Jock of Ealing downwards was nothing. It went without saying. As beside the Neanderthal skull and the Bimbaweh ruins it didn’t count.
Mr. Fyshe stopped absolutely still in his tracks. “His financial position?” he questioned, quick as a lynx.
“Certainly,” said Dr. Boomer; “I had taken it for granted that you knew. The Dulham family are practically ruined. The Duke, I imagine, is under the necessity of mortgaging his estates; indeed, I should suppose he is here in America to raise money.”
Mr. Fyshe was a man of lightning action. Any man accustomed to the Stock Exchange learns to think quickly.
“One moment!” he cried; “I see we are right at your door. May I just run in and use your telephone? I want to call up Boulder for a moment.”
Two minutes later Mr. Fyshe was saying into the telephone, “Oh, is that you, Boulder? I was looking for you in vain to-day – wanted you to meet the Duke of Dulham, who came in quite unexpectedly from New York; felt sure you’d like to meet him. Wanted you at the club for dinner, and now it turns out that the club’s all upset – waiters’ strike or some such rascality – and the Palaver, so I hear, is in the same fix. Could you possibly –”
Here Mr. Fyshe paused, listening a moment and then went on, “Yes, yes; an excellent idea – most kind of you. Pray do send your motor to the hotel and give the Duke a bite of dinner. No, I won’t join you, thanks. Most kind. Good-night –”
And within a few minutes more the motor of Mr. Boulder was rolling down from Plutoria Avenue to the Grand Palaver Hotel.
What passed between Mr. Boulder and the Duke that evening is not known. That they must have proved congenial company to one another there is no doubt. In fact, it would seem that,
dissimilar as they were in many ways, they found a common bond of interest in sport. And it is quite likely that Mr. Boulder may have mentioned that he had a hunting-lodge – what the Duke would call a shooting-box – in Wisconsin woods, and that it was made of logs, rough cedar logs not squared, and that the timber wolves and others which surrounded it were of a ferocity without parallel.
Those who know the Duke best could measure the effect of that upon his temperament.
At any rate, it is certain that Mr. Lucullus Fyshe at his breakfast-table next morning chuckled with suppressed joy to read in the
Plutopian Citizen
the item:
“We learn that the Duke of Dulham, who has been paying a brief visit to the City, leaves this morning with Mr. Asmodeus Boulder for the Wisconsin woods. We understand that Mr. Boulder intends to show his guest, who is an ardent sportsman, something of the American wolf.”
And so the Duke went whirling westwards and northwards with Mr. Boulder in the drawing-room end of a Pullman car, that was all littered up with double-barrelled express rifles and leather game bags, and lynx catchers and wolf traps and Heaven knows what. And the Duke had on his very roughest sporting suit, made, apparently, of alligator hide; and as he sat there with a rifle across his knees, while the train swept onward through open fields and broken woods, the real country at last, towards the Wisconsin forest, there was such a light of genial happiness in his face that had not been seen there since he had been marooned in the mud jungles of Upper Burmah.
And opposite, Mr. Boulder looked at him with fixed, silent eyes, and murmured from time to time some renewed information of the ferocity of the timber wolf.
But of wolves other than the timber wolf, and fiercer still, into whose hands the Duke might fall in America, he spoke never a word.
Nor is it known in the record what happened in Wisconsin, and to the Mausoleum Club the Duke and his visit remained only as a passing and a pleasant memory.
D
own in the City itself, just below the residential street where the Mausoleum Club is situated, there stands overlooking Central Square the Grand Palaver Hotel. It is, in truth, at no great distance from the club, not half a minute in one’s motor. In fact, one could almost walk it.
But in Central Square the quiet of Plutoria Avenue is exchanged for another atmosphere. There are fountains that splash unendingly and mingle their music with the sound of the motorhorns and the clatter of the cabs. There are real trees and little green benches, with people reading yesterday’s newspaper, and grass cut into plots among the asphalt. There is at one end a statue of the first governor of the state, life-size, cut in stone; and at the other a statue of the last, ever so much larger than life, cast in bronze. And all the people who pass by pause and look at this statue and point at it with walking sticks, because it is of extraordinary interest; in fact, it is an example of the new electro-chemical process of casting by which you can cast a state governor any size you like, no matter what you start from. Those who know about such
things explain what an interesting contrast the two statues are; for in the case of the governor of a hundred years ago one had to start from plain, rough material and work patiently for years to get the effect, whereas now the material doesn’t matter at all, and with any sort of scrap, treated in the gas furnace under tremendous pressure, one may make a figure of colossal size like the one in Central Square.
So naturally, Central Square with its trees and its fountains and its statues is one of the places of chief interest in the City. But especially because there stands along one side of it the vast pile of the Grand Palaver Hotel. It rises fifteen stories high and fills all one side of the square. It has, overlooking the trees in the square, twelve hundred rooms with three thousand windows, and it would have held all George Washington’s army. Even people in other cities who have never seen it know it well from its advertising; “the most homelike hotel in America,” so it is labelled in all the magazines, the expensive ones, on the continent. In fact, the aim of the company that owns the Grand Palaver – and they do not attempt to conceal it – is to make the place as much a home as possible. Therein lies its charm. It is a home. You realise that when you look up at the Grand Palaver from the square at night when the twelve hundred guests have turned on the lights of the three thousand windows. You realise it at theatre time when the great strings of motors come sweeping to the doors of the Palaver, to carry the twelve hundred guests to twelve hundred seats in the theatres at four dollars a seat. But most of all do you appreciate the character of the Grand Palaver when you step into its rotunda. Aladdin’s enchanted palace was nothing to it. It has a vast ceiling with a hundred glittering lights, and within it night and day is a surging crowd that is never still and a babel of voices that is never hushed, and over all there
hangs an enchanted cloud of thin blue tobacco smoke such as might enshroud the conjured vision of a magician of Bagdad or Damascus.
In and through the rotunda there are palm-trees to rest the eye and rubber-trees in boxes to soothe the mind, and there are great leather lounges and deep arm-chairs, and here and there huge brass ash-bowls as big as Etruscan tear-jugs. Along one side is a counter with grated wickets like a bank, and behind it are five clerks with flattened hair and tall collars, dressed in long black frock-coats all day like members of a legislature. They have great books in front of them in which they study unceasingly, and at their lightest thought they strike a bell with the open palm of their hand, and at the sound of it a page boy in a monkey suit, with G.P. stamped all over him in brass, bounds to the desk and off again, shouting a call into the unheeding crowd vociferously. The sound of it fills for a moment the great space of the rotunda; it echoes down the corridors to the side; it floats, softly melodious, through the palm-trees of the ladies’ palm room; it is heard, fainter and fainter, in the distant grill, and in the depths of the barber shop below the level of the street the barber arrests a moment the drowsy hum of his shampoo brushes to catch the sound – as might a miner in the sunken galleries of a coastal mine cease in his toil a moment to hear the distant murmur of the sea.
And the clerks call for the pages, the pages call for the guests, and the guests call for the porters, the bells clang, the elevators rattle, till home itself was never half so homelike.
“A call for Mr. Tomlinson! A call for Mr. Tomlinson!”
So went the sound, echoing through the rotunda.
And as the page boy found him and handed him on a salver a telegram to read, the eyes of the crowd about him
turned for a moment to look upon the figure of Tomlinson, the Wizard of Finance.
There he stood in his wide-awake hat and his long black coat, his shoulders slightly bent with his fifty-eight years. Anyone who had known him in the olden days on his bush farm beside Tomlinson’s Creek in the country of the Great Lakes would have recognised him in a moment. There was still on his face that strange, puzzled look that it habitually wore, only now, of course, the financial papers were calling it “unfathomable.” There was a certain way in which his eye roved to and fro inquiringly that might have looked like perplexity, were it not that the
Financial Undertone
had recognised it as the “searching look of a captain of industry.” One might have thought that for all the goodness in it there was something simple in his face, were it not that the
Commercial and Pictorial Review
had called the face “inscrutable,” and had proved it so with an illustration that left no doubt of the matter. Indeed, the face of Tomlinson of Tomlinson’s Creek, now Tomlinson the Wizard of Finance, was not commonly spoken of as a
face
by the paragraphers of the Saturday magazine sections, but was more usually referred to as a mask; and it would appear that Napoleon the First had had one also. The Saturday editors were never tired of describing the strange, impressive personality of Tomlinson, the great dominating character of the newest and highest finance. From the moment when the interim prospectus of the Erie Auriferous Consolidated had broken like a tidal wave over Stock Exchange circles, the picture of Tomlinson, the sleeping shareholder of uncomputed millions, had filled the imagination of every dreamer in a nation of poets.
They all described him. And when each had finished he began again.
“The face,” so wrote the editor of the “Our Own Men” section of
Ourselves Monthly
, “is that of a typical American captain of finance, hard, yet with a certain softness, broad but with a certain length, ductile but not without its own firmness.”
“The mouth,” so wrote the editor of the “Success” column of
Brains
, “is strong but pliable, the jaw firm and yet movable, while there is something in the set of the ear that suggests the swift, eager mind of the born leader of men.”
So from state to state ran the portrait of Tomlinson of Tomlinson’s Creek, drawn by people who had never seen him; so did it reach out and cross the ocean, till the French journals inserted a picture which they used for such occasions, and called it
Monsieur Tomlinson, nouveau capitaine de la haute finance en Amérique
; and the German weeklies, inserting also a suitable picture from their stock, marked it
Herr Tomlinson, Amerikanischer Industrie-und Finanz-capitän
. Thus did Tomlinson float from Tomlinson’s Creek beside Lake Erie to the very banks of the Danube and the Drave.