American Elsewhere (66 page)

The Fool says: WELL JUST SAY WHEN I GUESS.

How disgusting it is, to have conversation.

The Ganymede is not to be addressed directly by these worthless beings. They must
work
at it. Their rude meanings and communications must be received indirectly, and indirectly
only
. Really, it prefers to speak in print. Most of its siblings do—there must be some divorce between what is communicated and their thoughts. The Ganymede was so happy to find that printer—the ticker, whatever it was, the Ganymede cannot be bothered to remember—and to understand it functions by simple electric pulses. To harness these, even in this hideously reduced state, was child’s play—in fact, the entire matter of the printer could be manipulated (for here reality is confined to a largely physical state, which really is so malleable). But the fun part, the really fun part, was when the Ganymede realized that when it manipulated the printer it could also sense vibrations in its metal and wiring and paper, and could use these vibrations to understand when these things—these
beings
, the Ganymede thinks with limitless contempt—were talking. It could even understand what they were saying.

Thus, it could have a conversation without even looking at them. Which was a relief.

How it hates such… intimate contact.

The Fool says: WONDER WHAT THE HELL SHE WAS DOING UP HERE ANYWAY.

The Ganymede sighs inwardly. What it wishes to do right now, more than anything in the world, is turn to the Fool, and say this:

“Do you know how many of you I have killed? How many of you I have left rotting in the mountains? Dozens. Hundreds. Young and old, male and female. They never even knew they died. They were, and then they weren’t. My finger touched them, and they were gone.”

The look on his face. It would be priceless.

But the Ganymede does not. It needs the Fool. The Fool understands this place, this way of life, a lot more than the Ganymede does.
The Ganymede is not entirely sure, for example, how the car it is in right now works in any way.

But it knows quite a bit in its own right. It knows a big secret. Maybe—and the Ganymede knows this is unlikely, but it hopes it is so—something even THE FIRST doesn’t know.

The Ganymede, though it will never admit this, discovered it only by accident. It was long ago, in one of its blackest fits of despair, when it could not help feeling so

so

abandoned
.

Even now, remembering it in this car, the Ganymede seeks to control itself. It does not want to see this world—it tells its vessel to shut its eyes.

Mother, Mother. Why did you leave us?

Where did you go? Why do you not come back?

Stop it. Stop it.

Enough.

The Ganymede restrains itself. That feeling is still razor-sharp—it must be handled most delicately.

And one day, it could no longer bear it. It could not bear wearing this flesh, living in this world, trapped in this despicable little plane of reality.

It was not sure how to end it. Death was a subject it was quite unfamiliar with. But it remembered hearing one of them, the awful little people, saying: YOU BETTER WATCH OUT WHEN OUT WALKING IN THE DARK YOU COULD MISS A STEP AND TAKE QUITE A FALL.

A fall.

So the Ganymede found one peak it thought serviceable, and it stared straight ahead and walked forward, and…

Well. It had not quite worked. Its body, its
vessel
, reported pain everywhere, with parts of it from the inside sticking out into the
outside, and some parts missing entirely, but the Ganymede just sat there, letting the life trickle out of it, feeling death grasp it tighter, and falling always darkness…

And then… and then…

Then light.

Then
lightning
.

It was in the sky. In the sky between the worlds. For the town lives within a dome, a dome under
their
skies, the Other Side skies, and for a moment it was like the Ganymede had pierced that dome, crawling up the sides, almost out…

But back down, in a burst of crackling light.

Then, before the Ganymede even understood it, it was driving a truck, a big truck. Its steering wheel and seat were black, smoke curling up everywhere, but the rest of the truck appeared fine. The Ganymede looked to its right, and saw there were people in the car, two young ones. It sat there, frozen, and the children said DADDY DADDY WHAT ARE YOU DOING, and the Ganymede, lost, terrified, confused, opened its mouth, and screamed…

A wall. A crash. A splash of blood.

And no more screaming.

Then lightning again. The dome, the wonderful dome, almost out, almost back to where they came from, into their skies with the pink moon, and if it went far enough the Ganymede would glimpse their red stars…

But back down again, again.

It opened its eyes. It was holding something in its hands—the blackened remnants of a rake, it looked like—and dropped it.

The Ganymede looked around. It was standing in someone’s yard. The front door opened. A fat woman ran out to him, terrified, and she said MICHAEL MICHAEL ARE YOU ALL RIGHT WHAT HAPPENED.

The Ganymede looked at her, bewildered. Then it looked at its hands.

It did not recognize the watch, the hairy knuckles, the bitten fingernails. Not the same hands.

It was in someone else. In
another vessel
.

It looked at the woman, then shoved her to the ground and kicked her, over and over again until she stopped crying. Then it turned away and ran into the woods.

That was a good day. It was the beginning day.

The Ganymede experimented with this odd phenomenon over several years. It killed itself in a variety of ways: guns, knives, chemicals (ingested and poured onto itself), walking into traffic, driving into traffic, inserting parts of itself into garbage disposals, and so on. At first it did this in the presence of people—often family or friends of the vessel it’d overtaken—before deciding this was unwise: its elders were sure to take notice.

THE FIRST, especially. How it hated THE FIRST.

But what it learned was this:

They could not leave Wink. None of them could—Mother had said so. But they were also not permitted to die. So, if the vessel they were bearing expired, they were simply sent back down into another, apparently randomly.

But though it took the Ganymede a while, it learned how to control it: it could
pick
the vessel it inhabited. So it began to target loners, people alone in their homes or out walking. It toyed with these new hosts for a matter of hours or days before ending its life, rising up, and finding another. In this manner it could operate off radar, and no one could know who or where the Ganymede was.

It could watch its own kind. They did not even know it was there anymore.

Not as smart as they thought, not at all.

But some trappings the Ganymede kept constant. It was not sure why, but it liked certain colors—two of them, specifically: blue and white. The Ganymede, as a rule, despised every single aspect of this world, of this whole grubby plane of reality, but after a while, without ever realizing it, it did find it preferred to be sheathed in those two colors: soft, pale blue, and bright, clean white. They had not really perceived colors well on the other side: light was mere radiation, which was not worth perceiving, for them. But here, using the eyes of
its vessel, the Ganymede found itself powerfully drawn to blue and white, and frequently, in the dead of night, it stole blue clothing and white hats from the local stores, just so it could dress itself up and stare at itself in a reflective surface, like a window or a still lake.

Perhaps Mother was blue and white, and he just couldn’t remember it. Maybe he hadn’t seen Her properly.

Maybe that was it. He wasn’t sure.

It
wasn’t sure.

Don’t think like that.
Don’t.
You are not one of them. You do not belong here. You
hate
this place.

Yes.

Once it knew this trick, the Ganymede wondered what to do with it. Should it pick off the inhabitants of Wink, one by one? That sounded quite pleasant, but wouldn’t one of the elders notice? And besides, what would that accomplish?

Yet when it was up in the dome, wriggling through the sky as a vein of lightning, it realized that if it paid attention it noticed things it had never noticed before. It was like a brief moment of clarity: it just needed to be above it all to see these secrets, to sense them, to be free of its vessel and its trappings of sad little flesh and
look
.

It discovered there were two things in Wink no one knew existed at all.

One was an interloper—there was someone trapped in Wink, someone terrible, someone monstrous. Someone who had been imprisoned (and by accident, it seemed) in Wink from the very beginning.

But the Ganymede forgot about this when it realized something else.

Mother was here.

It was a sense, a feeling, intangible but definitely
there
—and She’d been there from the
very beginning
. She’d never left them at all.

The joy and the pain were so overwhelming. She was here—but
where
? And
how
? And how should the Ganymede go about bringing Her back? Could She even be brought back?

It was troubling. But if there was one thing the Ganymede had, it
was time. It just took time, and patience, and hours and hours of watching.

Sitting in the car, the Ganymede holds up a hand. The Fool looks at it, and says: WHAT HERE? YOU WANT OUT HERE?

The Ganymede swallows, and says: “Yes.”

The Fool says: JUST PULL OVER ANYWHERE?

The Ganymede nods violently.

WELL OKAY.

The Fool, peering anxiously into the trees—no doubt looking for the girl, and her gun—turns out the headlights and pulls over.

The Ganymede turns to the car door. It is a confusing mess of glass and metal and plastic. “Which piece?” it asks.

The Fool says: HUH?

“Which piece do I pull to make the outside come in?”

The Fool says: WHAT THE FUCK? OH. OH, THE HANDLE. THIS PART.

The Ganymede pulls on the indicated piece. There is a
clunk
, and with a small push out, the door opens.

THE FIRST is so close. The Ganymede can smell it. Its sibling has walked these mountains, over and over again.

The Fool says: YOU WANT ME TO HANG AROUND?

The Ganymede does not even bother to answer. It plows ahead into the woods. After several minutes, it hears the sound of the car pulling away.

Alone, alone. I’ve always been alone. Alone in the dark with the trees and, worst of all, that memento of home, the pink moon in the skies, so close yet so far.

I will go home. I am going home.

It smells the blood in the air and quickly finds the bodies. One of them, it knows, must have the totem—the secret door to that prison-place, that hidden bubble where the monster (as the Ganymede has come to think of it) stews and paces.

It does not take long to find it. There is a wooden box lying on the rocky ground. It is covered in blood, and the Ganymede is surprised to find it is held closed only by a silver clasp.

Ignorant wretches. Had it not told them the box must be secure? Had it not warned them of what was inside?

The Ganymede, trembling slightly, picks up the box. It refuses to admit this, but at this moment it is deeply terrified, even more terrified than when they left home and came here: for within this box is a door to something
like
the Ganymede and its siblings, even THE FIRST, but also
not
like them.

For the thing in that prison place can do the unthinkable: it can defy Mother’s wishes.

This could, if considered properly, upend much of how the Ganymede sees its existence. For at the center of its world, undeniable and immovable, is Mother, forever Mother, beautiful and terrible and vast. None can withstand Her; none can behold Her. She is all and everything.

Yet not to this being in the box. This prisoner, who appears to be somewhere on par with THE FIRST in abilities (or even, the Ganymede thinks with a thrill of pleasure and terror, above him), can do as it likes.

The Ganymede knows it should find this horrifying. To deny Mother is to prove Her fallible, which She cannot be. But it has instead chosen to cherry-pick, and take away one conclusion, and one conclusion only:

If manipulated correctly, the imprisoned thing can get rid of the siblings that stand in the way.

The Ganymede begins walking up the slope to the barren canyon above it.

Maybe, just maybe, it can get rid of another one of them tonight.

Oh, how wonderful that would be. And I will do it personally.

I am not troubled. My mind is clear. She is with me. She has always been with me.

Though I was one of the youngest, one of the weakest, one of the
slightest, She made me Her closest servant, Her most trusted confidant, and I was the only one who could make Her happy, I was the only one who could entertain Her, and please Her.

It was me. I am the favorite one. I, the friend, the councillor, the cupbearer.

“See, you’re missing the point,” says Bolan, and he pounds the table with a finger, though he is careful to avoid touching any of the blood. This is difficult, because the top of the table is soaked in it. “The point is, I don’t give a fuck about our investments anymore.”

Dord frowns. “You want to walk away from all this money ’cause Norris got tagged?”

“No!” shouts Bolan. “Because of what I saw inside that goddamn cave! Haven’t you been fucking listening?”

“We’ve all seen our own fair share of spooky shit,” Mallory drawls from the corner. She is leaning up against the corner because she’s so soused she can’t figure out how to lean against just one wall. This is nothing new: ever since going to fetch the last rabbit skull, she’s maintained a steady, stumbling drunk. “But what I saw certainly didn’t make me want to
stop
. I don’t want to go back to them and tell them
no
.”