A Rake's Midnight Kiss (53 page)

From the desk of Kristen Ashley

 

Dear Reader,

 

I have an obsession with names, which shouldn’t surprise readers as the names I give my characters run the gamut and are often out there.

In my Dream Man series, I introduced readers to Cabe “Hawk” Delgado, Brock “Slim” Lucas, Mitch Lawson, and Kane “Tack” Allen. My Chaos series gives us Shy, Hop, Joker, and Rush, among the other members of the Club.

I’ve had quite a few folks express curiosity about where I come up with all these names, and I wish I could say I knew a load of good-looking men who had awesome and unusual names and I stole them but, alas, that isn’t true.

In most cases, characters, especially heroes and heroines, come to me named. They just pop right into my head, much like Tatum “Tate” Jackson of
Sweet Dreams
. He just walked right in there, all the gloriousness of Tate, and introduced himself to me. And luckily, he had an amazing, strong, masculine, kick-ass name.

In other instances, who they are defines their name. I understood Hawk’s tragic back story from MYSTERY MAN first. I also understood that the man he was melted away; he became another man with a new name so what he called himself evolved from what he did in the military. His given name, of course, evolved from his multiethnic background.

The same with Mitch, the hero from
Law Man
. The minute he walked into Gwen’s kitchen, his last name hit me like a shot. What else could a straight-arrow cop be called but Lawson?

Other names are a mystery to me. Kane “Tack” Allen came to me named but I had no clue why his Club name was Tack. Truthfully, I also found it a bit annoying seeing as how the name Kane is such a cool name, and I didn’t want to waste it on a character who wouldn’t use it. But Tack was Kane Allen and there was no prying that name away from him.

Why he was called Tack, though, was a mystery to me, but I swear, it must have always been in the recesses of my mind because his nickname is perfect for him. Therefore, as I was following his journey with Tyra and the mystery of Tack was revealed, I burst out laughing. I loved it. It was so perfect for him.

One of the many,
many
reasons I’m enjoying the Chaos series is that I get to be very creative with names. I mean, Shy, Hop, Rush, Bat, Speck, and Snapper? I love it. Anything goes with those boys and I have lists of names scrawled everywhere in my magic notebook where I jot ideas. Some of them are crazy and I hope to get to use them, like Moose. Some of them are crazy cool and I hope I get to use them, like Preacher. Some of them are just crazy and I’ll probably never use them, like Destroyer. But all of them are fun.

All my characters’ names, nicknames, and the endearments they use with each other, friends, and family mean a great deal to me. Mostly because all of them and everything they do exists in a perfectly real unreality in my head. They’re with me all the time. They’re mine. I created them. And just like a parent naming a child, these perfectly real unreal beings are precious to me as are the names they chose for themselves.

I just hope they keep it exciting.

 

From the desk of Amanda Scott

 

Dear Reader,

 

The setting for a story is as important as any other plot element, sometimes more so. Therefore, when I decided to pattern the heroines of my Lairds of the Loch trilogy after the Greek Fates Atropos, Lachesis, and Clotho (who became the ladies Andrena, Lachina, and Muriella MacFarlan), I realized that they’d need a setting equal to their creative “heritage.”

I wanted the three to have gifts based on instincts that we all still share to some degree, but exaggerated, because in those days such instincts must have been stronger for survival. Shortly after that I began wondering if the story’s setting might play a more active role of its own. You
see, it had to be a defensible place. Their father, Andrew, the true chief of Clan Farlan, had managed to defend it for nearly twenty years against the treacherous cousin who usurped the rest of his vast estates and murdered his three sons.

The result is Tùr Meiloach (pronounced Toor MILock), meaning “a small tower guarded by giants,” but also referring to the estate’s reputation as a sanctuary for “true” MacFarlans. Over time, the rugged land where the tower sits has acquired an eerie reputation that daunts most would-be visitors. Birds and beasts of the forest are said to be wilder and more vicious there than elsewhere, and men swear that bogs reach out to drown unwary trespassers. The mountainous terrain is replete with rivers too wild to ford; high, spiny ridges; and deep chasms with walls likely to crumble at a man’s touch and bury him.

Legends abound of men, even whole armies, vanishing there.

Through various strategies, Andrew has succeeded in keeping Tùr Meiloach safe from invasion, but his primary goal is to marry his daughters to well-connected warriors who can help him win back his entire chiefdom.

Lady Lachina “Lina” MacFarlan, the heroine of THE KNIGHT’S TEMPTRESS, has the gift of foresight but doesn’t know it and doesn’t trust the odd sense she has that something bad is about to happen (such as being captured by rebels who have seized Dumbarton Castle). Nor does she recognize Sir Ian Colquhoun as her hero.

She agrees that he is a handsome knight of great renown but thinks he is too reckless, too impulsive, and never thinks things through.

Sir Ian can’t resist a challenge and has thought since
Lina was eight years old that she is too calmly dignified, so her serenity always stirs him to unsettle it. He is not interested in marriage. Besides, he is wary of her wily father and his strange estate, but the lass is dangerously attractive.

Find out what happens when Sir Ian decides to rescue Lina and her friend Lizzie Galbraith from the “impregnable” royal stronghold of Dumbarton, and the King of Scots commands him to recapture it. Sir Ian’s answer became the Colquhouns’ clan motto, “
Si je puis
,” or “If I can.”

I hope you enjoy reading THE KNIGHT’S TEMPTRESS.

Meantime,
Suas Alba!

Sincerely,

 

 

www.amandascottauthor.com