"Upon my soul," he said finally, "I don't know whether this moisture is blood or rain. I think I've broken a bone."
"Blood is thicker than water," I suggested. "Is it sticky? See if you can move your toes."
There was a pause: Hotchkiss moved his toes. By that time I had found a knocker and was making the night hideous. But there was no response save the wind that blew sodden leaves derisively in our faces. Once Hotchkiss declared he heard a window-sash lifted, but renewed violence with the knocker produced no effect.
"There's only one thing to do," I said finally. "I'll go back and try to bring the buggy up for you. You can't walk, can you?"
Hotchkiss sat back in his puddle and said he didn't think he could stir, but for me to go back to town and leave him, that he didn't have any family dependent on him, and that if he was going to have pneumonia he had probably got it already. I left him there, and started back to get the horse.
If possible, it was worse than before. There was no lightning, and only by a miracle did I find the little gate again. I drew a long breath of relief, followed by another, equally long, of dismay. For I had found the hitching strap and there was nothing at the end of it! In a lull of the wind I seemed to hear, far off, the eager thud of stable-bound feet. So for the second time I climbed the slope to the Laurels, and on the way I thought of many things to say.
I struck the house at a new angle, for I found a veranda, destitute of chairs and furnishings, but dry and evidently roofed. It was better than the terrace, and so, by groping along the wall, I tried to make my way to Hotchkiss. That was how I found the open window. I had passed perhaps six, all closed, and to have my hand grope for the next one, and to find instead the soft drapery of an inner curtain, was startling, to say the least.
I found Hotchkiss at last around an angle of the stone wall1 and told him that the horse was gone. He was disconcerted, but not abased; maintaining that it was a new kind of knot that couldn't slip and that the horse must have chewed the halter through! He was less enthusiastic than I had expected about the window.
"It looks uncommonly like a trap," he said. "I tell you there was some one in the park below when we were coming up. Man has a sixth sense that scientists ignore - a sense of the nearness of things. And all the time you have been gone, some one has been watching me."
"Couldn't see you," I maintained; "I can't see you now. And your sense of contiguity didn't tell you about that flower crock."
In the end, of course, he consented to go with me. He was very lame, and I helped him around to the open window. He was full of moral courage, the little man: it was only the physical in him that quailed. And as we groped along, he insisted on going through the window first.
"If it is a trap," he whispered, "I have two arms to your one, and, besides, as I said before, life holds much for you. As for me, the government would merely lose an indifferent employee."
When he found I was going first he was rather hurt, but I did not wait for his protests. I swung my feet over the sill and dropped. I made a clutch at the window-frame with my good hand when I found no floor under my feet, but I was too late. I dropped probably ten feet and landed with a crash that seemed to split my ear-drums. I was thoroughly shaken, but in some miraculous way the bandaged arm had escaped injury.
"For Heaven's sake," Hotchkiss was calling from above, "have you broken your back?"
"No," I returned, as steadily as I could, "merely driven it up through my skull. This is a staircase. I'm coming up to open another window."
It was eerie work, but I accomplished it finally, discovering, not without mishap, a room filled with more tables than I had ever dreamed of, tables that seemed to waylay and strike at me. When I had got a window open, Hotchkiss crawled through, and we were at last under shelter.
Our first thought was for a light. The same laborious investigation that had landed us where we were, revealed that the house was lighted by electricity, and that the plant was not in operation. By accident I stumbled across a tabouret with smoking materials, and found a half dozen matches. The first one showed us the magnitude of the room we stood in, and revealed also a brass candle-stick by the open fireplace, a candle-stick almost four feet high, supporting a candle of similar colossal proportions. It was Hotchkiss who discovered that it had been recently lighted. He held the match to it and peered at it over his glasses.
"Within ten minutes," he announced impressively, this candle has been burning. Look at the wax! And the wick! Both soft."
"Perhaps it's the damp weather," I ventured, moving a little nearer to the circle of light. A gust of wind came in just then, and the flame turned over on its side and threatened demise. There was something almost ridiculous in the haste with which we put down the window and nursed the flicker to life.
The peculiarly ghost-like appearance of the room added to the uncanniness of the situation. The furniture was swathed in white covers for the winter; even the pictures wore shrouds. And in a niche between two windows a bust on a pedestal, similarly wrapped, one arm extended under its winding sheet, made a most life-like ghost, if any ghost can be life-like.
In the light of the candle we surveyed each other, and we were objects for mirth. Hotchkiss was taking off his sodden shoes and preparing to make himself comfortable, while I hung my muddy raincoat over the ghost in the corner. Thus habited, he presented a rakish but distinctly more comfortable appearance.
"When these people built," Hotchkiss said, surveying the huge dimensions of the room, "they must have bought a mountain and built all over it. What a room!"
It seemed to be a living-room, although Hotchkiss remarked that it was much more like a dead one. It was probably fifty feet long and twenty-five feet wide. It was very high, too, with a domed ceiling, and a gallery ran around the entire room, about fifteen feet above the floor. The candle light did not penetrate beyond the dim outlines of the gallery rail, but I fancied the wall there hung with smaller pictures.
Hotchkiss had discovered a fire laid in the enormous fireplace, and in a few minutes we were steaming before a cheerful blaze. Within the radius of its light and heat, we were comfortable again. But the brightness merely emphasized the gloom of the ghostly corners. We talked in subdued tones, and I smoked, a box of Russian cigarettes which I found in a table drawer. We had decided to stay all night, there being nothing else to do. I suggested a game of double-dummy bridge, but did not urge it when my companion asked me if it resembled euchre. Gradually, as the ecclesiastical candle paled in the firelight, we grew drowsy. I drew a divan into the cheerful area, and stretched myself out for sleep. Hotchkiss, who aid the pain in his leg made him wakeful, sat wide-eyed by the fire, smoking a pipe.
I have no idea how much time had passed when something threw itself violently on my chest. I roused with a start and leaped to my feet, and a large Angora cat fell with a thump to the floor. The fire was still bright, and there was an odor of scorched leather through the room, from Hotchkiss' shoes. The little detective was sound asleep, his dead pipe in his fingers. The cat sat back on its haunches and wailed.
The curtain at the door into the hallway bellied slowly out into the room and fell again. The cat looked toward it and opened its mouth for another howl. I thrust at it with my foot, but it refused to move. Hotchkiss stirred uneasily, and his pipe clattered to the floor.
The cat was standing at my feet, staring behind me. Apparently it was following with its eyes, an object unseen to me, that moved behind me. The tip of its tail waved threateningly, but when I wheeled I saw nothing.
I took the candle and made a circuit of the room. Behind the curtain that had moved the door was securely closed. The windows were shut and locked, and everywhere the silence was absolute. The cat followed me majestically. I stooped and stroked its head, but it persisted in its uncanny watching of the corners of the room.
When I went back to my divan, after putting a fresh log on the fire, I was reassured. I took the precaution, and smiled at myself for doing it, to put the fire tongs within reach of my hand. But the cat would not let me sleep. After a time I decided that it wanted water, and I started out in search of some, carrying the candle without the stand. I wandered through several rooms, all closed and dismantled, before I found a small lavatory opening off a billiard room. The cat lapped steadily, and I filled a glass to take back with me. The candle flickered in a sickly fashion that threatened to leave me there lost in the wanderings of the many hallways, and from somewhere there came an occasional violent puff of wind. The cat stuck by my feet, with the hair on its back raised menacingly. I don't like cats; there is something psychic about them.
Hotchkiss was still asleep when I got back to the big room. I moved his boots back from the fire, and trimmed the candle. Then, with sleep gone from me, I lay back on my divan and reflected on many things: on my idiocy in coming; on Alison West, and the fact that only a week before she had been a guest in this very house; on Richey and the constraint that had come between us. From that I drifted back to Alison, and to the barrier my comparative poverty would be.
The emptiness, the stillness were oppressive. Once I heard footsteps coming, rhythmical steps that neither hurried nor dragged, and seemed to mount endless staircases without coming any closer. I realized finally that I had not quite turned off the tap, and that the lavatory, which I had circled to reach, must be quite close.
The cat lay by the fire, its nose on its folded paws, content in the warmth and companionship. I watched it idly. Now and then the green wood hissed in the fire, but the cat never batted an eye. Through an unshuttered window the lightning flashed. Suddenly the cat looked up. It lifted its head and stared directly at the gallery above. Then it blinked, and stared again. I was amused. Not until it had got up on its feet, eyes still riveted on the balcony, tail waving at the tip, the hair on its back a bristling brush, did I glance casually over my head.
>From among the shadows a face gazed down at me, a face that seemed a fitting tenant of the ghostly room below. I saw it as plainly as I might see my own face in a mirror. While I stared at it with horrified eyes, the apparition faded. The rail was there, the Bokhara rug still swung from it, but the gallery was empty.
The cat threw back its head and wailed.
CHAPTER XXIV HIS WIFE'S FATHER
I jumped up and seized the fire tongs. The cat's wail had roused Hotchkiss, who was wide-awake at once. He took in my offensive attitude, the tongs, the direction of my gaze, and needed nothing more. As he picked up the candle and darted out into the hall, I followed him. He made directly for the staircase, and part way up he turned off to the right through a small door. We were on the gallery itself; below us the fire gleamed cheerfully, the cat was not in sight. There was no sign of my ghostly visitant, but as we stood there the Bokhara rug, without warning, slid over the railing and fell to the floor below.
"Man or woman?" Hotchkiss inquired in his most professional tone.
"Neither - that is, I don't know. I didn't notice anything but the eyes," I muttered. "They were looking a hole in me. If you'd seen that cat you would realize my state of mind. That was a traditional graveyard yowl."
"I don't think you saw anything at all," he lied cheerfully. "You dozed off, and the rest is the natural result of a meal on a buffet car."
Nevertheless, he examined the Bokhara carefully when we went down, and when I finally went to sleep he was reading the only book in sight - Elwell on Bridge. The first rays of daylight were coming mistily into the room when he roused me. He had his finger on his lips, and he whispered sibilantly while I tried to draw on my distorted boots.
"I think we have him," he said triumphantly. "I've been looking around some, and I can tell you this much. Just before we came in through the window last night, another man came. Only - he did not drop, as you did. He swung over to the stair railing, and then down. The rail is scratched. He was long enough ahead of us to go into the dining-room and get a decanter out of the sideboard. He poured out the liquor into a glass, left the decanter there, and took the whisky into the library across the hall. Then - he broke into a desk, using a paper knife for a jimmy."
"Good Lord, Hotchkiss," I exclaimed; "why, it may have been Sullivan himself! Confound your theories - he's getting farther away every minute."
"It was Sullivan," Hotchkiss returned imperturbably. "And he has not gone. His boots are by the library fire."
"He probably had a dozen pairs where he could get them," I scoffed. "And while you and I sat and slept, the very man we want to get our hands on leered at us over that railing."
"Softly, softly, my friend," Hotchkiss said, as I stamped into my other shoe. "I did not say he was gone. Don't jump at conclusions. It is fatal to reasoning. As a matter of fact, he didn't relish a night on the mountains any more than we did. After he had unintentionally frightened you almost into paralysis, what would my gentleman naturally do? Go out in the storm again? Not if I know the Alice-sit-by-the-fire type. He went up-stairs, well up near the roof, locked himself in and went to bed."
"And he is there now?"
"He is there now."