The Killing of Olga Klimt

PRAISE FOR R.T. RAICHEV

‘Fascinating … recalls the best from the Golden Age of Detective Fiction.’

Lady Antonia Fraser

‘I have read all of Raichev’s books. They are very clever. I really am a fan.’

R.L. Stine

‘Most original and intriguing … An England of club and country house, with a delicious shot of bitters!’

Emma Tennant

‘Raichev clearly has a great deal of fun writing the Antonia and Major Payne series, giving these modern stories almost an Edwardian feel, and we’re rewarded with finely drawn characters, clever murder mysteries, and dialogue that sparkles. Best recommended to fans of golden age authors (Christie, Sayers, et al.) who can tolerate a little modernity!’

Booklist

‘A most intriguing yarn of mystery, imagination, observation and splendidly old-fashioned sleuthery which skilfully probes the surface smoothness of clubland and country house. I couldn’t put it down.’

Hugh Massingberd

‘Deftly mixes dark humour and psychological suspense, its genteel surface masking delicious deviancy.’

Kirkus Reviews (Starred Review)

‘Greed, jealousy, rampant emotions and a killer lurk in the wings of this tale that mixes Henry James’ psychological insight with Agatha Christie’s whodunnit plotting skills … a diabolically clever story line.’

Library Journal (Starred Review)

‘An ominous feel, reminiscent of Hitchcock.’

Mystery Morgue

‘Recommended for any mystery fan who likes surprises.’

New Mystery Reader Magazine

‘Murder is fun again! Each chapter parcels out just a bit more of the story, just enough, drawing open the curtain to reveal the picture behind … A mystery that harkens back to the thirties and forties, but pays respect to modernity … Definitely a keeper.’

Suspense Magazine

‘Intricate and inventive … very witty dialogue and a cast of gloriously eccentric characters.’

Francis Wyndham

‘Stylish … deft use of literary allusion and well-drawn characterisation.’

Publishers Weekly

‘The kind of old-school mysteries that fans of Christie and Sayers love … but this will be pleasing to more than traditionalists, because it adds a P.D. Jamesian subtlety to the comfortable formula. Antonia Darcy is a terrific sleuth and Raichev is a very clever writer, indeed.’

Booklist

‘Liberal doses of imagination, experimentation, intelligence and sprinklings of irony, satire and fun … the riveting attention of a game of Cluedo.’

The Hidden Staircase Mystery Books

‘A whodunnit with more twists than a snake in a basket!’

Robert Barnard, CWA Diamond Dagger Winner

‘Superbly plotted … Raichev delivers this classic with the perfect panache one expects from an author who wrote his doctoral dissertation on English crime fiction … Excellent series!’

Toronto Globe & Mail

‘A dazzling tour de force, as ingeniously plotted as anything Agatha Christie ever wrote but wittier and more sophisticated.’

The Denver Post on The Death of Corinne: An Antonia Darcy and Major Payne Investigation

‘Clever … Raichev’s series has attitude, like a mash-up of Evelyn Waugh, P.G. Wodehouse and P.D. James …’

Milwaukee Journal-Sentinel on Murder at the Villa Byzantine: An Antonia Darcy and Major Payne Investigation

‘With plenty of unexpected twists and a good ending, The Murder of Gonzago is pure fun!’

www.gumshoereview.com on Murder of Gonzago: An Antonia Darcy and Major Payne Investigation

‘A grand whodunnit in the great tradition of English crime writing.’

www.crimesquad.com on The Riddle of Sphinx Island: An Antonia Darcy and Major Payne Mystery

‘Another baffling case … A risky romp in pursuit of the truth … Raichev’s page-turner captures the tart elegance of classic cozies but adds an appealing modern edge.’

Kirkus Review

 

 

 

 

To
Nick Hay, aficionado, friend and critic extraordinaire.

 

Also for Chitra, master of the
mot juste
!

 

 

 

 

‘Well, there will be a Victim, of course. And Clues. And Suspects. All rather conventional – you know, the Vamp and the Blackmailer and the Young Lovers and the Sinister Butler and so on …’

Agatha Christie,
Dead Man’s Folly

CONTENTS

Praise

Title Page

Dedication

Epigraph

1 Vertigo

2 The Children’s Hour

3 The Kindness of Strangers

4 The Enigma of the Evil Valet

5 True Love

6 An Unquiet Mind

7 The Conversation

8 The Affair of the Luminous Blonde

9 True Lies

10 The Night of the Hunter

11 Heads You Lose

12
Du Côté de chez
Collingwood

13 The Perfect Murder (1)

14 The Perfect Murder (2)

15 ‘Philomel Cottage’

16 Call on the Dead

17 The Unnatural Order of Things

18 To Wake the Dead

19 The House of Fear

20 Whose Body?

21 The Anatomy of Murder

22 Journey into Darkness

23 Charlie’s Angel

24 Under Suspicion

25 The Rule of Two

26 Dangerous Knowledge

27 Cabal (1)

28 The Private Wound

29 Cabal (2)

30 Something Happened

31 A Talent to Annoy

32
L’Heure Maliciose

33 Eyes Wide Open

34 Terror by Night

35 The Final Solution

About The Author

Also in the Antonia Darcy and Major Payne Mystery Series

Copyright

1
VERTIGO

If I can’t have her, no one else will.

I imagine this is one of the thoughts passing through Mr Eresby’s mind at this very moment. Mr Eresby, you see, is in the grip of considerable mental turmoil – what I believe alienists term ‘unrelieved anguish’. Mr Eresby’s hands are clenched into fists. He keeps shaking his head. His shoulders are hunched forward. His movement can only be described as ‘jerky’.

I am walking some distance behind him. I have been following Mr Eresby for the past – let me see – ten, no, twelve, minutes.

Left, right, left, right. Though all I am presented with is the back of Mr Eresby’s head, I am sure his expression is still dazed, the corners of his mouth pulled down, his complexion exceedingly pale, his eyes ‘unseeing’. They say exercise has a beneficial effect on the nervous system, but, in my opinion, it is too soon for any tangible changes for the better to have started manifesting themselves.

The situation is incomprehensible and, frankly, quite absurd. Mr Eresby (‘Charlie’ to his intimates) is young, rich and handsome and he can have any girl he wants; yet it is Olga Klimt on whom he has set his heart. No other girl will do. He says he can’t live without her. He says, rather extravagantly, that
he’d rather die. I read somewhere that emotional problems of such extreme nature invariably go back to one’s childhood and have something to do with one’s relations with one’s parents. I wonder if that is true.

Mr Eresby’s papa, of Eresby’s Biscuits fame and fortune, has been dead twenty-two years, so Mr Eresby has no recollection of him, though his mama is still very much with us. She is a very interesting woman, ‘unconventional’, perhaps is the best word to describe her, and she cares deeply for Mr Eresby, even if she tends to treat him as though he were a boy of ten. Maybe
that’s
the problem? Perhaps at this point I should mention that relations between me and the former Mrs Eresby – Lady Collingwood, as she now is – are excellent. Lady Collingwood regards me in a most favourable light. Indeed she thinks, if I may be excused the cliché, the world of me. She is convinced that I am an exceptional, if not unique, human being. Well, she is right. I
am
unique.

It is thanks to Lady Collingwood that I obtained my position with Mr Eresby. Lady Collingwood telephones me once a week and we have a ‘chat’. She listens carefully to what I have to say. My opinions matter to her. It pains me that Lord Collingwood does not seem to share the high regard in which his wife holds me. Apparently Lord Collingwood has expressed concern about the influence I exercise over her and on two occasions at least has referred to me, somewhat fancifully, as playing Rasputin to Lady Collingwood’s Russian Empress. He has also said I am ‘the sort of fellow who should be tarred and feathered or, failing that, flung over a precipice’.

I would have preferred to have had my specialness confirmed, not deprecated, and having pondered the matter, I have reached the conclusion that Lord Collingwood should be punished. Not at the moment, since I have so many other things on my
mind, but at some point in the not too distant future. I am not the kind of person who takes slights and slurs lightly. I do not forget easily either. Tarred and feathered indeed!

Left, right, left, right. My young master needs a haircut. I make a mental note to remind him. His hair is getting too long at the back.

I am sure Mr Eresby knows I am following him but he hasn’t yet acknowledged my presence. I dab at my forehead with my handkerchief. I loosen my tie a quarter of an inch. It is the sixth of September, but it could have been the height of summer. London is ‘blowsy’ with heat.

I see Mr Eresby nod to himself. I observe his fists tighten. He seems to have come to some decision. What decision exactly? To end it all? To kill himself? No, to kill Olga, and
then
kill himself? This may sound ludicrously melodramatic, but isn’t that what forlorn lovers do?

(Attempting to read Mr Eresby’s mind is something of a hobby of mine, what bobsleighing, collecting Victorian pornography, borzoi-breeding or rearranging the furniture is for some.)

Sloane Square is now behind us. We are walking along the kind of well-bred street my master sometimes professes to despise. Symons Street. We pass by a delicatessen that looks like a mini Fortnum & Mason’s, a post office with two traditional pillar boxes of gleaming red outside, an exclusive florist’s, a small bookshop catering for esoteric tastes. My eye catches some of the titles of books displayed in the window:
Carnivorous Butterflies, The Androgynous Virgin, Combating Loneliness via Commercial Transactions.

A chair in the Lowenstein antique-shop window claims my attention. It is upholstered in smooth black velvet; it has high-stepping legs and a noble straight back; it stands alone in arrogant elegance. For a second I halt. It would be perfect for my room, I think.

Left, right, left, right. My master moves like a clockwork toy soldier. I don’t believe he has any definite destination in mind, but he seems determined to keep walking. The heat is becoming quite unbearable. When will this purposeless wandering cease?

Bedaux must be pleased about what happened, Charlie thought. Bedaux didn’t like Olga. Bedaux had never said so, but Charlie had seen him look at her contemptuously. But what did it matter what Bedaux thought? Blast Bedaux. Bedaux could go to blazes.

I can’t live without her, he thought. I love her. I have never loved anyone before. She is the first and she will be the last. I’ll never love again. I can’t imagine not seeing her, not hearing her voice, not holding her in my arms. I can’t imagine not kissing her. I can’t imagine anyone else kissing her. I’ll go mad if I see her kissing someone else. I’ll kill him. I’ll kill her. I’ll kill myself.

The night before Charlie had had a dream. It was after nightfall and he was in some small town which looked Germanic. Looking up he had seen two moons in the sky. A clock moon above a solemn black courthouse and the real moon that was slowly rising in vanilla whiteness from the dark east. He had woken up feeling happy. Never for a moment had it occurred to him that this would turn out to be the most dreadful day of his life.

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