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Authors: J. D. Robb

Survivor in Death

Nora Roberts is the New York Times bestselling author of more than one hundred and fifty novels. Under the pen name J.D. Robb, she is author of the New York Times bestselling futuristic suspense series, which features Lieutenant Eve Dallas and Roarke. There are more than 250 million copies of her books in print, and she has had more than one hundred New York Times bestsellers.

 

Visit her website at
www.noraroberts.com
.

 

Other titles by Nora Roberts

 

Homeport

The Reef

River's End

Carolina Moon

The Villa

Midnight Bayou

Three Fates

Birthright

Northern Lights

 

Three
Sisters
Island
Trilogy:

Dance Upon the Air

Heaven and Earth

Face the Fire

 

Chesapeake Bay Quartet:

Sea Swept

Rising Tides

Inner
Harbour

Chesapeake Blue

 

The Key Trilogy:

Key of Light

Key of Knowledge

Key of Valour

 

As J.D. Robb:

Naked in Death

Glory in Death

Immortal in Death

Rapture in Death

Ceremony in Death

Vengeance in Death

Holiday in Death

Conspiracy in Death

Loyalty in Death

Witness in Death

Judgement in Death

Betrayal in Death

Seduction in Death

Reunion in Death

Purity in Death

Portrait in Death

Imitation in Death

Divided in Death

Visions in Death

 

By Nora Roberts and J D Robb:

Remember When

SURVIVOR IN DEATH

 

By Nora Roberts, writing as J.D. Robb

 

 

All the characters in this book are fictitious and any resemblance to real persons, living or dead, is entirely coincidental
.

 

Copyright © 2005 Nora Roberts

First published in Great Britain in 2005 by Piatkus Books Ltd of

5 Windmill Street
, London
WIT 2JA email:
[email protected]

 

First published in the United States in 2005 by

G.P. Putnam's Sons, a member of Penguin Group (USA) Inc.

The moral right of the author has been asserted

A catalogue record for this book is available from the British Library

 

ISBN 0 7499 0716 9 (HB) ISBN 0 7499 3552 9 (TPB)

 

Typeset by Phoenix Photosetting, Chatham, Kent

Printed and bound in Great Britain

by Mackays of Chatham Ltd, Chatham, Kent

So shalt thou feed on Death, that feeds on men,

And Death once dead, there's no more dying then.

           
WILLIAM SHAKESPEARE

 

Happy families are all alike; every unhappy Family is unhappy in its own way.

           
LEO NIKOLAEVICH TOLSTOI

 

PROLOGUE

 

A LATE-NIGHT URGE FOR AN ORANGE FIZZY SAVED NIXIE'S life. When she woke, she could see by the luminous dial of the jelly-roll wrist unit she was never without that it was after two in the morning.

She wasn't allowed to snack between meals, except for items on he mother's approved list. And two in the morning was way between.

But she was dying for an Orange Fizzy.

She rolled over and whispered to her best friend in the entire galaxy Linnie Dyson. They were having a school-night sleepover because Linnie's mom and dad were celebrating their anniversary in some fancy hotel.

So they could have sex. Mom and Mrs. Dyson said it was so the could have a fancy dinner and go dancing and crap-o, but it was for sex. Jee-zus, she and Linnie were nine, not two. They knew what was what-o.

Besides, like they gave a woo. The whole deal meant Mom--the Rule Monster--bent the rules about school nights. Even if they'd had to turn the lights out at nine-thirty--were they two?--she and Linnie had the most magolicious time.

And school was still hours away, and she was thirsty. So she poked Linnie and whispered again.

“Wake up!”

“Nuh. Not morning. Still dark.”

“It is morning. It's two in the morning.” That's why it was so frosty. “I want an Orange Fizzy. Let's go down and get one. We can split it.”

Linnie only made grunting, mumbling noises, rolled away, and tugged the covers nearly over her head.

“Well, I'm going,” Nixie said in the same hissy whisper.

It wasn't as much fun on her own, but she'd never get back to sleep now, thinking of the Fizzy. She had to go all the way down to the kitchen because her mother wouldn't allow her to have an AutoChef in her room. Might as well be in prison, Nixie thought, as she scooted out of bed. Might as well be in prison in 1950 or something instead of her own house in 2059.

Mom had even put child codes on all the household AutoChefs so the only thing Nixie or her brother, Coyle, could program was health sludge.

Might as well eat mud.

Her father said, “Rules is rules.” He liked to say that a lot. But sometimes he'd wink at her or Coyle when their mother was out and order up some ice cream or potato crispies.

Nixie sort of thought her mom knew and pretended she didn't.

She tiptoed out of her room, a pretty little girl, just going gangly, with a wavy mass of platinum blonde hair. Her eyes, a pale, pale blue, were already adjusted to the dark.

Still, her parents always kept a low light on in the bathroom at the end of the hall, in case anybody had to get up and pee or whatever.

She held her breath as she walked by her brother's room. If he woke, he might tell. He could be a complete butt-pain. Then again, sometimes he could be pretty chilly. For a moment, she hesitated, considered sneaking in, waking him, and talking him into keeping her company for the adventure.

Nah. It was sort of juicy to be creeping around the house by herself. She held her breath again as she eased by her parents' room, hoping she could stay--for once--under her mother's radar.

Nothing and no one stirred as she crept down the stairs.

But even when she got downstairs, she was mouse quiet. She still had to get by Inga, their housekeeper, who had rooms right off the kitchen. Right off the target. Inga was mostly okay, but she'd never let her get away with an Orange Fizzy in the middle of the night.

Rules is rules.

So she didn't turn on any lights, and snuck through the rooms, into the big kitchen like a thief. It only added to the thrill. No Orange Fizzy would ever taste as frigid as this one, she thought.

She eased open the refrigerator. It occurred to her, suddenly, that maybe her mother counted stuff like this. Maybe she kept a kind of tally of soft drinks and snack food.

But she was past the point of no return. If she had to pay a price for the prize, she'd worry about paying it later.

With the goal in hand, she shuffled to the far end of the kitchen where she could keep an eye on the door to Inga's rooms and duck behind the island counter if she had to.

In the shadows, she broke the seal on the tube, took the first forbidden sip.

It pleased her so much, she slipped onto the bench in what her mother called the breakfast area, and prepared to enjoy every drop.

She was just settling in when she heard a noise and dived down to lie on the bench. From beneath it, she saw a movement and thought: Busted!

But the shadow slipped along the far counter, to the door of Inga's room, and inside.

A man. Nixie had to slap a hand on her mouth to stifle a giggle. Inga had a boogie buddy! And she was so old--had to be at least forty. It looked like Mr. and Mrs. Dyson weren't the only ones having sex tonight.

Unable to resist, she left the Orange Fizzy on the bench and slid out. She just had to look, just had to see. So she crept over to the open door, eased inside Inga's little parlor, and toward the open bedroom door. She squatted down on all fours, poked her head in the opening.

Wait until she told Linnie! Linnie would be so jealous.

With her hand over her mouth again, her eyes bright with laughter, Nixie scooted, angled her head.

And saw the man slit Inga's throat.

She saw the blood, a wild gush of it. Heard a horrible, gurgling grunt. Eyes glazed now, she reared back, her breath hissing and hitching into her palm. Unable to move, she sat, her back pressed to the wall and her heart booming inside her chest.

He came out, walked right by her, and out the open door.

Tears spilled out of her eyes, down her spread fingers. Every part of her shook as she crawled over, using a chair as a shield, and reached up to the table for Inga's pocket link.

She hissed for emergency.

“He's killed her, he's killed her. You have to come.” She whispered the words, ignoring the questions the voice recited. “Right now. Come right now.” And gave the address.

She left the 'link on the floor, continued to crawl until she'd reached the narrow steps that led from Inga's parlor to the second level.

She wanted her mommy.

She didn't run, didn't dare. She didn't stand. Her legs felt funny, empty, like the bones in them had melted. She started to belly crawl across the hall, sobs stuck in her throat. And to her horror, she saw the shadow--two shadows now. One went into her room, the other into Coyle's.

She was whimpering when she dragged her body through her parents' bedroom doorway. She heard a sound, a kind of thump, and pressed her face into the carpet while her stomach heaved.

She saw the shadows pass the doorway, saw them. Heard them. Though they moved as if that's what they were. Only shadows.

Shuddering, she continued to crawl, past her mother's bedroom chair, past the little table with its colorful lamp. And her hand slid through something warm, something wet.

Pulling herself up, she stared at the bed. At her mother, at her father. At the blood that coated them.

       
1

MURDER WAS ALWAYS AN INSULT, AND HAD been since the first human hand had smashed a stone into the first human skull. But the murder, bloody and brutal, of an entire family in their own home, in their own beds, was a different form of evil.

Eve Dallas, NYPSD Homicide, pondered it as she stood studying Inga Snood, forty-two-year-old female. Domestic, divorced. Dead.

Blood spatter and the scene itself told her how it must have been. Snood's killer had walked in the door, crossed to the bed, yanked Snood's head up--probably by the mid-length blonde hair, raked the edge of the blade neatly--left to right--across her throat, severing the jugular.

Relatively tidy, certainly quick. Probably quiet. It was unlikely the victim had the time to comprehend what was happening. No defensive wounds, no other trauma, no signs of struggle. Just blood and the dead. Eve had beaten both her partner and Crime Scene to the house. The nine-one-one had gone to Emergency, relayed to a black-and-white on neighborhood patrol. The uniforms had called in the homicides, and she'd gotten the tag just before three in the morning.

She still had the rest of the dead, the rest of the scenes, to study. She stepped back out, glanced at the uniform on post in the kitchen.

“Keep this scene secure.”

“Yes, sir, Lieutenant.”

She moved through the kitchen out into a bisected space--living on one side, dining on the other. Upper-middle income, single-family residence. Nice, Upper West Side neighborhood. Decent security, which hadn't done the Swishers or their domestic a damn bit of good.

Good furniture--tasteful, she supposed. Everything neat and clean and in what appeared to be its place. No burglary, not with plenty of easily transported electronics.

She went upstairs, came to the parents' room first. Keelie and Grant Swisher, ages thirty-eight and forty, respectively. As with their housekeeper, there was no sign of struggle. Just two people who'd been asleep in their own bed and were now dead.

She gave the room a quick glance, saw a pricey man's wrist unit on a dresser, a pair of woman's gold earrings on another.

No, not burglary.

She stepped back out just as her partner, Detective Delia Peabody, came up the steps. Limping--just a little.

Had she put Peabody back on active too soon? Eve wondered. Her partner had taken a serious beating only three weeks before after being ambushed steps outside her own apartment building. And Eve still had the image of the stalwart Peabody bruised, broken, unconscious in a hospital bed.

Best to put the image, and the guilt, aside. Best to remember how she herself hated being on medical, and that work was sometimes better than forced rest.

“Five dead? Home invasion?” Huffing a bit, Peabody gestured down the steps. “The uniform on the door gave me a quick run.”

“It looks like, but we don't call it yet. Domestic's downstairs, rooms off the kitchen. Got it in bed, throat slit. Owners in there. Same pattern. Two kids, girl and boy, in the other rooms on this level.”

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