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Authors: Peter Corris

Matrimonial Causes

PETER CORRIS is known as the ‘godfather' of Australian crime fiction through his Cliff Hardy detective stories. He has written in many other areas, including a co-authored autobiography of the late Professor Fred Hollows, a history of boxing in Australia, spy novels, historical novels and a collection of short stories about golf (see
www.petercorris.net
). In 2009, Peter Corris was awarded the Ned Kelly Award for Best Fiction by the Crime Writers Association of Australia. He is married to writer Jean Bedford and has lived in Sydney for most of his life. They have three daughters and six grandsons.

The Cliff Hardy collection

The Dying Trade
(1980)

White Meat
(1981)

The Marvellous Boy
(1982)

The Empty Beach
(1983)

Heroin Annie
(1984)

Make Me Rich
(1985)

The Big Drop
(1985)

Deal Me Out
(1986)

The Greenwich Apartments
(1986)

The January Zone
(1987)

Man in the Shadows
(1988)

O'Fear
(1990)

Wet Graves
(1991)

Aftershock
(1991)

Beware of the Dog
(1992)

Burn, and Other Stories
(1993)

Matrimonial Causes
(1993)

Casino
(1994)

The Washington Club
(1997)

Forget Me If You Can
(1997)

The Reward
(1997)

The Black Prince
(1998)

The Other Side of Sorrow
(1999)

Lugarno
(2001)

Salt and Blood
(2002)

Master's Mates
(2003)

The Coast Road
(2004)

Taking Care of Business
(2004)

Saving Billie
(2005)

The Undertow
(2006)

Appeal Denied
(2007)

The Big Score
(2007)

Open File
(2008)

Deep Water
(2009)

Torn Apart
(2010)

Follow the Money
(2011)

Comeback
(2012)

The Dunbar Case
(2013)

Silent Kill
(2014)

PETER CORRIS

MATRIMONIAL CAUSES

 

 

 

 

 

 

 

 

This edition published by Allen & Unwin in 2014

First published by Bantam Books, a division of Transworld Publishers, in 1993

Copyright © Peter Corris 1993

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior permission in writing from the publisher. The Australian
Copyright Act 1968
(the Act) allows a maximum of one chapter or 10 per cent of this book, whichever is the greater, to be photocopied by any educational institution for its educational purposes provided that the educational institution (or body that administers it) has given a remuneration notice to the Copyright Agency (Australia) under the Act.

Allen & Unwin

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Crows Nest NSW 2065

Australia

Phone:   (61 2) 8425 0100

Email:    
[email protected]

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www.allenandunwin.com

Cataloguing-in-Publication details are available from the National Library of Australia

www.trove.nla.gov.au

ISBN 978 1 76011 018 5 (pbk)

ISBN 978 1 74343 799 5 (ebook)

For

Roger Milliss
a sharer in the pleasures of friendship
and the joys and pains of golf

1

I sprinted hard on the coarse sand of Dudley beach, ignoring the camber, jumping over the rocks. I'd be sorry the next day when my ankles and knee joints would remind me of my age, but for now I had no choice—Glen Withers was beating me. Sure, I'd given her a start but that wasn't the point. I could see the line we'd drawn in the sand looming up and she still had a lead. She was flagging, though; I was pulling her in. I threw myself forward, tripped, dived for the line and got my hand on it at the same time as her bare foot.

‘Draw,' I gasped. I'd sprayed sand into my mouth and had to spit it out.

Glen collapsed two metres past the line. Her chest was heaving. ‘That's not fair. You were falling flat on your face.'

I wriggled through the sand towards her. ‘Win at all costs. That's the motto of the Hardys.'

It was a bit past 8 p.m. on a summer night. The day had been hot and we'd had several swims, several drinks, made love and had an afternoon sleep. Glen's house was a ten-minute walk away on the rise overlooking the ocean. There was a prawn salad in the fridge as well as several bottles of Jacob's Creek chablis. We were on holidays—me from my private enquiry agency in Sydney, her from teaching at the Police Academy. Our second summer together and still laughing at each other's jokes. Pretty close to paradise.

We splashed about for a while as the last few people left the beach. Glen wasn't the swimmer she had been. A bullet had left her arm a bit stiff. She got the wound at the time when we first met, back when a case had brought me to Newcastle and Senior Sergeant Glen Withers' father, who was a high-ranking policeman, had been killed. We enjoyed more than the usual number of bonds—an acquaintance with violence, a distrust of authority and, oddly, the suspicion that relationships couldn't last. We also showed each other our wounds, competed fiercely on occasions, and liked old black and white movies.

We walked up the hill and went into Glen's house, one of a set of mine managers' cottages on Burwood Road. The houses are big and simple and perfect just the way they are, but some of the other owners are going mad with trellises and decks. One has even built a swimming pool, which strikes me as an obscenity so close to the ocean. There ought to be a law. The sandstone house was cool and quiet.

We showered and shared the preparation of the meal, which is to say that I cut the bread and opened the wine. It was good food.

Sneakily, I admired Glen while we ate. She is medium tall with no-nonsense features, all
excellently proportioned, and a fine head of thick brown hair. Her hair had got fairer in the ten days we'd been up here. She tans but is careful about it and critical of my carelessness. I had an Irish gypsy grandmother whose skin had the colour and texture of a well-kicked football. I'm a bit the same and go very dark in the summer if I get any beach time. The recession was still with us—beach time wasn't a problem. Bill-paying was, but a man with a woman who has a house on the coast shouldn't ask for much more.

‘Why are you looking at me like that?' Glen asked.

‘Like what?'

‘As if you're still hungry and thirsty.'

I laughed. Through the open French windows, an acceptable modification of Glen's, I could hear the neighbours playing in their pool. There were loud splashes and laughter. Perhaps a pool wasn't such a bad idea. I put the heretical notion aside—I was getting up early and walking briskly to Whitebridge for the paper and then to the beach and back every morning. A very sound constitutional. Wandering out to swim a few laps of the pool wouldn't keep the flab down. I made coffee and, after dabbing on the insect repellent, we sat out in the backyard to drink it. The waves slapped on the beach and the night wind whispered in the tall casuarinas.

‘Jesus,' I said. ‘This is good.'

Glen murmured something I didn't catch. We were sitting side by side in deck chairs. ‘Sorry,' I said. ‘What was that?'

‘I said you make bloody strong coffee. This is going to keep me awake all night.'

‘Don't drink it then. I'll dilute it if you like.'

‘No, it's all right. We've only got two more days. We ought to stretch them. Stay up all night.'

I was wakeful, too. The afternoon sleep had been a long one and I'd only had a couple of glasses of wine. She was right. The coffee was strong and it tasted so good I wanted more of it. Glen massaged her arm. I moved my chair closer and took over the job, rubbing down the muscle towards the elbow the way she liked.

‘How is it?'

‘Aches a bit. That's nice. Good holiday, eh?'

‘Terrific.'

‘Did you have any good holidays with Cyn?'

I tried to remember. I'd been married to Cyn for eight years. We
must
have had some holidays, but I couldn't recall any. No recession back then—maybe we'd been too busy detecting and architecting. I shook my head. ‘None come to mind.'

‘With Helen Broadway?'

More recent history—a battlefield, essentially. ‘If you can call Hastings a holiday, or Agincourt or Dien Bien Phu. I went to New Caledonia with a woman once. We had a pretty good time.'

‘And where's she now?'

Ailsa Sleeman. ‘She died of cancer a few years back.'

‘Did you love her?'

‘Glen, what is this?'

‘I feel like talking. No, I feel like listening. How long have you been a private detective, Cliff?'

‘'Bout twenty years.'

‘Gee, I was still at school when you started.'

‘Yeah, in Year Twelve.'

Glen laughed. ‘Not quite. Tell me about your first case. You must remember it.'

‘Sure, but Christ, I haven't thought of that in a long, long time.'

‘What was it about?'

‘Back then? Divorce—what else? But there was a bit of perjury, fraud and murder as well.'

2

Alistair Menzies, I was told, claimed some sort of kinship with the former prime minister, and there was a physical resemblance to back the claim. He had the same height and ponderous build and he wore the same kind of double-breasted suits. But his hair wasn't as white and thick as old Bob's nor his eyebrows as dark and dramatic, even though he apparently did all he could to get them that way. He was fiftyish and smoked thick cigars. He was a solicitor and he gave me my first job because someone told him I was fairly bright and inclined to be honest.

‘This will require some tact, Hardy,' he said.

Which you prefer to hire rather than exercise yourself,
I thought. ‘I'm sorry,' I said, ‘I'm going to have to call you something other than “Mr Menzies”. You understand why, don't you?'

The bushy eyebrows moved but not with much dramatic effect—framing more of a puzzled frown than an imperious stare. ‘No, but I was warned you were impudent. I suggest you avoid calling me anything. Take care to avoid “mate”—I detest false egalitarianism.'

As an opening spar, that made us about equal. I was sitting in one of his leather chairs in his Martin Place office. He had the work to hand out and I welcomed it. I'd been ‘in business' for a few weeks now but there hadn't yet been a cent to deposit in the Cliff Hardy business account. I assumed a neutral expression while he took a puff on his cigar. ‘As I say, tact needed. You are familiar with the provisions of the Commonwealth Matrimonial Causes Act of 1959?'

‘As amended in 1965,' I said.

‘Quite. This is a divorce case. Our client, Mrs Beatrice Meadowbank, is suing her husband, Charles. She requires evidence of adultery.'

‘If memory serves,' I said, ‘she requires a fair bit of evidence—multiple occasions, consistent indulgence, frequent occurrence.'

‘Are you married, Hardy?'

‘Yes.'
Tenuously,
I could have added. Cyn and I disagreed about almost everything and fought all the time. We were incompatible but, in our many separations, inconsolable. Neither of us knew what to do about it. My main stratagem was to drink too much; Cyn's was to work too hard as a junior member of a very forward-looking Balmain architecture firm.

‘Good, you'll be aware of some of the pressures. Mrs Meadowbank has reached breaking point. Her husband is carrying on an affair with a younger woman. Not the first such indiscretion on his part, we might say. We want Charles Meadowbank followed and photographed. You will make a sworn affidavit logging his movements and stand ready to give evidence in court.'

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