Hugh Corbett 15 - The Waxman Murders

 
THE WAXMAN MURDERS
 
 
PAUL DOHERTY
 
 
headline
Copyright © 2006 Paul Doherty
The right of Paul Doherty to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
First published as an Ebook by Headline Publishing Group in 2012
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.
This Ebook produced by Jouve Digitalisation des Informations
All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
eISBN : 978 0 7553 5042 1
HEADLINE PUBLISHING GROUP
An Hachette UK Company
338 Euston Road
London
NW1 3BH
Table of Contents
 
 
 
History has always fascinated me. I see my stories as a time machine. I want to intrigue you with a murderous mystery and a tangled plot, but I also want you to experience what it was like to slip along the shadow-thronged alleyways of medieval London; to enter a soaringly majestic cathedral but then walk out and glimpse the gruesome execution scaffolds rising high on the other side of the square. In my novels you will sit in the oaken stalls of a gothic abbey and hear the glorious psalms of plain chant even as you glimpse white, sinister gargoyle faces peering out at you from deep cowls and hoods. Or there again, you may ride out in a chariot as it thunders across the Redlands of Ancient Egypt or leave the sunlight and golden warmth of the Nile as you enter the marble coldness of a pyramid’s deadly maze. Smells and sounds, sights and spectacles will be conjured up to catch your imagination and so create times and places now long gone. You will march to Jerusalem with the first Crusaders or enter the Colosseum of Rome, where the sand sparkles like gold and the crowds bay for the blood of some gladiator. Of course, if you wish, you can always return to the lush dark greenness of medieval England and take your seat in some tavern along the ancient moon-washed road to Canterbury and listen to some ghostly tale which chills the heart . . . my books will take you there then safely bring you back!
The periods that have piqued my interest and about which I have written are many and varied. I hope you enjoy the read and would love to hear your thoughts – I always appreciate any feedback from readers. Visit my publisher’s website here:
www.headline.co.uk
and find out more. You may also visit my website:
www.paulcdoherty.com
or email me on:
[email protected]
.
Paul Doherty
Paul Doherty is one of the most prolific, and lauded, authors of historical mysteries in the world today. His expertise in all areas of history is illustrated in the many series that he writes about, from the Mathilde of Westminster series, set at the court of Edward II, to the Amerotke series, set in Ancient Egypt. Amongst his most memorable creations are Hugh Corbett, Brother Athelstan and Roger Shallot.
Paul Doherty was born in Middlesbrough. He studied history at Liverpool and Oxford Universities and obtained a doctorate at Oxford for his thesis on Edward II and Queen Isabella. He is now headmaster of a school in north-east London and lives with his wife and family near Epping Forest.

Also by Paul Doherty

Mathilde of Westminster
THE CUP OF GHOSTS
THE POISON MAIDEN
THE DARKENING GLASS
Sir Roger Shallot
THE WHITE ROSE MURDERS
THE POISONED CHALICE
THE GRAIL MURDERS
A BROOD OF VIPERS
THE GALLOWS MURDERS
THE RELIC MURDERS
Templar
THE TEMPLAR
THE TEMPLAR MAGICIAN
Mahu (The Akhenaten trilogy)
AN EVIL SPIRIT OUT OF THE WEST
THE SEASON OF THE HYAENA
THE YEAR OF THE COBRA
Canterbury Tales by Night
AN ANCIENT EVIL
A TAPESTRY OF MURDERS
A TOURNAMENT OF MURDERS
GHOSTLY MURDERS
THE HANGMAN’S HYMN
A HAUNT OF MURDER
Egyptian Mysteries
THE MASK OF RA
THE HORUS KILLINGS
THE ANUBIS SLAYINGS
THE SLAYERS OF SETH
THE ASSASSINS OF ISIS
THE POISONER OF PTAH
THE SPIES OF SOBECK
Constantine the Great
DOMINA
MURDER IMPERIAL
THE SONG OF THE GLADIATOR
THE QUEEN OF THE NIGHT
MURDER’S IMMORTAL MASK
Hugh Corbett
SATAN IN ST MARY’S
THE CROWN IN DARKNESS
SPY IN CHANCERY
THE ANGEL OF DEATH
THE PRINCE OF DARKNESS
MURDER WEARS A COWL
THE ASSASSIN IN THE GREENWOOD
THE SONG OF A DARK ANGEL
SATAN’S FIRE
THE DEVIL’S HUNT
THE DEMON ARCHER
THE TREASON OF THE GHOSTS
CORPSE CANDLE
THE MAGICIAN’S DEATH
THE WAXMAN MURDERS
NIGHTSHADE
THE MYSTERIUM
Standalone Titles
THE ROSE DEMON
THE HAUNTING
THE SOUL SLAYER
THE PLAGUE LORD
THE DEATH OF A KING
PRINCE DRAKULYA
THE LORD COUNT DRAKULYA
THE FATE OF PRINCES
DOVE AMONGST THE HAWKS
THE MASKED MAN
As Vanessa Alexander
THE LOVE KNOT
OF LOVE AND WAR
THE LOVING CUP
Kathryn Swinbrooke (as C L Grace)
SHRINE OF MURDERS
EYE OF GOD
MERCHANT OF DEATH
BOOK OF SHADOWS
SAINTLY MURDERS
MAZE OF MURDERS
FEAST OF POISONS
Nicholas Segalla (as Ann Dukthas)
A TIME FOR THE DEATH OF A KING
THE PRINCE LOST TO TIME
THE TIME OF MURDER AT MAYERLING
IN THE TIME OF THE POISONED QUEEN
Mysteries of Alexander the Great (as Anna Apostolou)
A MURDER IN MACEDON
A MURDER IN THEBES
Alexander the Great
THE HOUSE OF DEATH
THE GODLESS MAN
THE GATES OF HELL
Matthew Jankyn (as P C Doherty)
THE WHYTE HARTE
THE SERPENT AMONGST THE LILIES
Non-fiction
THE MYSTERIOUS DEATH OF TUTANKHAMUN
ISABELLA AND THE STRANGE DEATH OF EDWARD II
ALEXANDER THE GREAT: THE DEATH OF A GOD
THE GREAT CROWN JEWELS ROBBERY OF 1303
THE SECRET LIFE OF ELIZABETH I
THE DEATH OF THE RED KING

Teems with colour, energy and spills’
Time Out
‘Paul Doherty has a lively sense of history . . . evocative and lyrical descriptions’
New Statesman
‘Extensive and penetrating research coupled with a strong plot and bold characterisation. Loads of adventure and a dazzling evocation of the past’
Herald Sun
, Melbourne
‘An opulent banquet to satisfy the most murderous appetite’
Northern Echo
‘As well as penning an exciting plot with vivid characters, Doherty excels at bringing the medieval period to life, with his detailed descriptions giving the reader a strong sense of place and time’
South Wales Argus
This book is dedicated to
David and Jack Sullivan of
‘Birch Hall’, Coppice Row, Essex.
Prologue
Timeo est summersus in undis
.
I fear the dark waves break above him.
Medieval lament
The Feast of the Translation of St Edward the Confessor, 12 October 1300
‘From the horrors of the sea and its devouring monsters,
Domine libera nos
– Lord deliver us’ was a common prayer of those who used the sea lanes from the tip of Cornwall through the Narrow Seas and up to where the waves crashed like demons against the fang-tooth rocks off Farnborough Head. However, no sea monster was more feared than the great soaring, fat-bellied three-masted war cog
The Waxman
, with its jutting prow and high stern castle, fighting platforms and other instruments of war. The terrors of a night squall, the fury of devil-ridden winds, the horrors of the blackest storm and the monstrous soaring waves paled against the speed, savagery and ruthlessness of
The Waxman
, under its master Adam Blackstock, late citizen and burgess of the King’s city of Canterbury.
The Waxman
was well named; she would suddenly appear, then melt away, as if shrouded in some malevolent protective mist, only to reappear off the Humber, the mouth of the Thames, or prowling off Pevensey or one of the Cinque Ports. Her crew were regarded as fiends incarnate and their evil-looking cog a ship of the damned. Only recently
The Waxman
had taken a wine ship off Bordeaux, seized its precious cargo and valuables, then sunk the craft after hanging its captain and drowning the survivors of his crew. She had even attacked the warlike galleys of powerful Venice and, more importantly, the round-bellied cogs of the German merchants, the mighty Hanseatic league who had their own dock and quayside at the Steelyard in London.
A year ago, around Lammas Day, Blackstock had won his greatest prize, a Hanseatic carrack,
The Maid of Lubeck
, with its cargo of furs and pelts. Even more precious had been that casket, carved out of whalebone, containing the Cloister Map being dispatched to Sir Walter Castledene, knight of Canterbury, providing precise details of a fabulous treasure trove between the Suffolk walks and the River Denham. The map had been drawn in cipher, but Blackstock was now preparing to take
The Waxman
up the River Orwell, past the Colvasse peninsula, to shelter in a tree-shrouded nook, near a ruined hermitage and its derelict chapel, St Simon of the Rocks. Here he could go ashore and meet his half-brother, Hubert Fitzurse, an educated man trained in the cloister school of St Augustine’s in Canterbury. Hubert had even gone to the halls of Cambridge before entering the Benedictine order, but that was all in the past, shadows of things which could have been. Now, on the Feast of the Translation of St Edward the Confessor,
The Waxman
was beating her way up the Essex coast towards Orwell for Blackstock’s meeting with his half-brother which might change both their lives.
On that freezing October morning, with the clouds pressing down like an iron-grey pall, Adam Blackstock stood staring out across the mist-strewn sea. He was dressed in leather leggings pushed into fur-lined boots, a thick woollen cloak over his shirt and jerkin, the cowl of which was pulled up to protect his head and face against the icy, salted wind biting at his skin. Blackstock seemed unaware of the harsh weather, the straining, swaying ship, the swollen grey seas, the shriek of the gulls or that dreadful mist which seemed to cloak everything. He had ordered all lanterns to be lit and he felt safe enough; few craft would take to the seas in this weather, whilst
The Waxman
was well armed. Blackstock was busy dreaming about the past, speculating on the future and wondering how it would all end. If the Cloister Map was genuine, and Blackstock believed it was, then he and Hubert would become great and mighty men, perhaps even buy pardons from the King – what a change!

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