The Key To the Kingdom (2 page)

This novel being a work of fiction, set in an imagined future, suggests no claim to the events or characters in the book, including the imagined future of the Company. All characters, places, and events either real or imagined are used only fictitiously as storytelling devices.

For my Dad

While this story was being written you have regained your sight and can actually see these words on the printed page. You remind me to believe in miracles all over again. You are my hero.

This book is built upon the following facts:

November 15, 1965
—The Disney brothers, Walt and Roy, met at the Cherry Plaza Hotel in Orlando, Florida for a press conference. Sitting on either side of Florida Governor Haydon Burns they announced to the public their plans to build a new Disney theme park in Central Florida.

December 15, 1966
—Walter Elias Disney passed away at the age of 65 in St. Joseph’s Hospital in Burbank, California.

December 16, 1966
—A private memorial ceremony was held at the Little Church of the Flowers at Forest Lawn Cemetery in Glendale, California. No announcement of the funeral was made until after it had taken place. No staff or executives from Disney Studios were invited, and only immediate family members were in attendance. Forest Lawn officials refused to disclose any details of the funeral or disposition of the body, stating only that “Mr. Disney’s wishes were very specific and had been spelled out in great detail.”

January 1967
—Disney department heads were invited to a screening room at the Disney Studios. Sitting in assigned seats they viewed a film featuring Walt Disney sitting behind his desk and addressing them as individuals, gesturing toward them as he spoke, and laying out future plans. Roy Disney postpones retirement to complete the Florida project.

February 2, 1967
—Roy Disney is the host at Wometco’s Park Theatre in Central Florida for Project Florida. This invitation-only event screens the film Walt Disney World
Resort-Phase 1
followed by a press conference. The film includes portions of the documentary
EPCOT
featuring Walt Disney filmed just months before his death.

October 1, 1971
—The Walt Disney World Resort opens the gates to the Magic Kingdom theme park.

October 23, 1971
—Roy Disney dedicates the Magic Kingdom theme park based upon the philosophies and vision of his brother, Walt Disney.

December 20, 1971
—Roy Disney passes away at the age of 78, with Walt Disney World being their last great project.

Today
—The legacy of the Disney Brothers continues to touch the lives of people around the world.

C
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O
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H
ALOGEN HEADLAMPS PIERCED
the darkness of the cool central Florida night. The GPS guided the Mustang surging toward the coastal community of Port Orange. Racing along Taylor Road, Dr. Grayson Hawkes approached an unknown destination. Questions swirled in the tornado of curiosity whipping through the preacher’s mind. The glow of the dashboard light illuminated the business card propped against the gearshift; “1819 Taylor Road, Port Orange” had been neatly printed in blue ink. Flipping the card he read the name on the other side.

Farren Rales

Imagineering Ambassador

Walt Disney Company

Reading the name of his dear friend brought a slight smile to his face. Rales had been hired by the late Walt Disney himself as an animator at the Walt Disney Studios on Rales’s thirtieth birthday. In the years that followed he had worked on animated features, been involved in projects at Disneyland, and eventually became a part of that exclusive group of creative Walt Disney Company designers known as Imagineers. Rales was part Disney historian, part Disney philosopher, and a modern day keeper of the dream that Walt himself had begun.

Farren Rales had given him the business card with an invitation to meet the old Imagineer at ten o’clock this evening. The GPS announced a turn seconds before an inconspicuous dirt road veered to the right. Hawk responded sluggishly and shot past it. He instantly banked his ride into a U-turn that corrected his course. Slowly navigating the heavily wooded, chassis-jarring dirt road, he watched for signage. The headlights threw a glow on a sign that read Gamble Place Parking with an arrow that pointed right. He turned the wheel. A gate immediately came into view, blocking forward progress. Hawk looked over the steering wheel trying to decide whether he had managed to bungle the directions and gotten hopelessly lost. With the car idling, he got out and walked to the gate. Grasping the chain that held the gate closed, he saw the lock had been secured to the chain, but the chain was not fastened. When he dropped the chain, the gate lazily swung open. Hawk slid back behind the wheel of the car and it crawled forward as the dirt became softer below the tires. The Mustang eased up to a parking barrier, above which the headlights shone on a yellow house trimmed in green.

Exiting the automobile, Hawk left the parking area and made his way toward the house. There was a display in front of the walkway to the house that probably explained where he was. The automatic timer for the headlamps clicked off, leaving him standing in darkness. Sensing his eyes would never adjust in the moonless night to read the display, he remembered a flashlight that was hopefully still in the trunk of the car. He retraced his steps. In addition to the soft sound of his shoe steps in the sand, Hawk thought he heard something else moving near him. He came to an abrupt halt. Rales? Listening closely, he now only heard the sounds of the outdoor evening. The trunk popped open, producing a blast of light that momentarily blinded him. He fumbled for the flashlight and flicked the switch. The beam shone strongly as he slammed the trunk shut. He again moved toward the house. Sweeping the beam around him, he saw a large historical marker looming in the dark, over his left shoulder. He refocused the attention of the light on this newly discovered sign.

      
Gamble Place

In 1898, James N. Gamble, of the Proctor and Gamble Company and a longtime winter resident of Daytona Beach, bought this land on Spruce Creek for use as a rural retreat. In 1907 he built a small cracker cottage with an open front porch and a breezeway connecting a separate kitchen and dining room . . . In 1938, Gamble’s son-in-law, Alfred K. Nippert, completed the “Snow White House,” a Black Forest style cottage inspired by the Disney animated film classic,
Snow White and the Seven Dwarfs
. The house is surrounded by a Witch’s Hut, the Dwarfs’ Mine Shaft, and an elaborate network of rock gardens. Collectively these buildings and grounds form a historic landscape now known as Gamble Place. This property was listed in the National Register of Historic Places in 1993.

Obviously Rales had asked Hawk here because of the Disney connection. It had been a Disney connection that had started the friendship between the two men. Hawk had been introduced to Rales and asked the Imagineer if he would meet with him and his church staff to teach them the art of storytelling. The first meeting had gone so well it turned into a standing appointment each month. However this evening the invitation was for Hawk alone. Sighing deeply in an attempt to relax, Hawk listened closely and his ears tuned in to the sound of water gently playing along an unseen shoreline. The unexpected snap of a branch unleashed a wave of adrenaline spinning him in the direction
of the noise. He peered into the blackness of the trees, searching for the maker of the sound, but heard nothing.

“Farren, is that you?” Hawk spoke with a bit more edge than he anticipated.

Silence confirmed Rales was not the source of the sound. “So when did you get so scared of the dark?” he muttered to himself. “And when did you start talking to yourself?”

Out of the corner of his vision he noticed a glimmer of light across the wooded darkness. With a bit of reservation he moved toward it. His shoes cracked sticks and crushed leaves, creating a symphony of sound that shattered the haunting noises of nature that had moments ago surrounded him. His flashlight began to dim. Shaking it violently he resurrected the brilliance of the beam, only to watch it fade into a momentary glow, and then disappear completely.

“Tremendous,” he said in frustration at the malfunctioning light. “Still talking to . . . and answering yourself.”

The point of light he had been moving toward disappeared as well. Pressing onward, he drew nearer to where it had been. Once again it appeared and this time looked brighter and stronger. Hawk’s trudging through the undergrowth yielded to softer ground as he heard a familiar voice cut quietly through the night.

“I began to think you weren’t going to make it.”

“I was starting to think you were playing a practical joke on me,” Hawk whispered back.

“Now, would I do that to you?” Rales laughed softly.

Hawk could now see much better as he approached the place where Rales stood. Farren had brought a lantern that illuminated the place he was standing and cast long shadows in multiple directions. Hawk descended the steps to join Rales on what appeared to be a recently created platform. The sound of the creek was closer and Hawk assumed they were now on the edge of the river. Rales was dressed in a pair of black slacks with a lightweight black windbreaker. Hawk did not miss the stealth attire and was getting ready to comment on it when Rales again spoke in a hushed tone.

“Any trouble finding the place?”

“I suppose not, since it’s out in the middle of nowhere!” Hawk decided to satisfy his curiosity. “And could you tell me why we’re whispering?”

“Didn’t you read the sign? We’re in a state park. It closed at dusk. We could get arrested for being here.”

“Then why didn’t we come here in the daylight?”

“Now, that wouldn’t be as much fun, would it?”

“Farren, we should clarify our definitions of fun.”

“Breaking into a state park is a story you’ll be able to tell for years!”

“I didn’t break in, the gate was unlocked.”

“So you opened it and drove on in.”

“You invited me.”

“Shhh,” Rales interrupted.

Hawk grew quiet and strained to hear sounds coming out of the darkness. He studied Rales’s tense features, trying to decide whether the old man was
toying with him or was actually concerned that they might be caught after hours in the park. Rales’s face softened and he turned away from Hawk, letting his lantern shine toward a nearby wooden cottage that looked as if it had been plucked off of an animation cell from an antique piece of film. Hawk’s mouth opened slightly. Rales moved forward and panned the light across the front of this cottage that did not belong in this time or any other. It was recognizable as the cottage in the Black Forest of the classic cartoon
Snow White and the Seven Dwarfs
. Hawk’s eyes followed the movement of the lantern to the carved lintel and a stone trough. Rales moved toward the front door, fumbled with the handle, and then opened it. Looking back to Hawk, he motioned for him to follow him inside. Hawk entered, feeling like he was stepping into a fairy tale as Rales silently closed the door behind them.

C
HAPTER
T
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