Read The Bubble Boy Online

Authors: Stewart Foster

The Bubble Boy

For me!

First published in Great Britain in 2016 by Simon & Schuster UK Ltd
A CBS COMPANY

Copyright © 2016 Stewart Foster

This book is copyright under the Berne Convention.
No reproduction without permission.
All rights reserved.

The right of Stewart Foster to be identified as the author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Design and Patents
Act, 1988.

Simon & Schuster UK Ltd
1
st
Floor, 222 Gray’s Inn Road
London
WC1X 8HB

www.simonandschuster.co.uk

Simon & Schuster Australia, Sydney
Simon & Schuster India, New Delhi

A CIP catalogue record for this book is available from the British Library.

PB ISBN 978-1-4711-4540-7
eBook ISBN 978-1-4711-4541-4

This book is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously. Any resemblance to
actual people living or dead, events or locales is entirely coincidental.

Typeset in the UK by Hewer Text UK Ltd, Edinburgh
Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY

Simon & Schuster UK Ltd are committed to sourcing paper that is made from wood grown in sustainable forests and supports the Forest Stewardship Council, the leading
international forest certification organisation. Our books displaying the FSC logo are printed on FSC certified paper.

Contents

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-One

Twenty-Two

Twenty-Three

Twenty-Four

Twenty-Five

Twenty-Six

Twenty-Seven

Epilogue

Acknowledgements

11 years, 2 months and 21 days

‘I’ve got a tattoo. Guess what it is?’

‘A giraffe?’

‘On my ankle?’

‘Okay, an elephant.’

Beth touches me on my arm.

‘Come on, Joe,’ she says. ‘You’re not even trying.’

‘Sorry. Show me it?’

She smiles then pulls up the right trouser of the overalls that all visitors have to wear, even family.

‘Last guess?’

‘Spider-Man?’

‘No.’ She laughs. ‘
You
can get that one when you’re older.’

We look at each other and say nothing.

She used to say she was sorry. I used to tell her it was okay, that it didn’t matter. Now we just look at each other then look away, pretending nothing’s happened.

She pulls down her sock and I look at the tattoo which is grey and red with a bit of blue in the middle.

‘Looks like a smudge.’

‘It’s a turtle dove! . . . And it itches.’ She scratches the turtle dove so hard that I think it might come off. I shake my head at my sister. Beth covers her tattoo, gets up
and we stand side by side with the monitor beeping every thirty seconds beside us. We look out at the big grey building opposite with the sun shining on its windows and all the people inside
sitting at their desks, staring at their computers. I see them come in and I see them leave, and during the nights and over the weekends I see the empty seats and the lights on dim until Monday
morning when all the people come back again.

The air-con clicks, pushes cold air around the room and makes me shiver. Beth asks me if I’m okay and I nod.

‘It’s too hot outside, but it feels cold in here.’

‘Is it hot enough to make tarmac melt?’ I ask.

‘No, not that hot.’ She smiles then puts her arm round me and we stand looking out of the window, watching the planes as they fly above the tall buildings on the flight path in and
out of Heathrow. It’s the only window I can look out of, now. There used to be one that let me see into the corridor, and watch the doctors and nurses walk by. But one day the maintenance man
came to cover it up with a special white paint that stuck to glass. I asked them why they did it and they said it was for privacy. I told them I couldn’t hear what they were saying. They
smiled, said that’s not what they meant. I don’t want any more privacy, though. I have too much of it already.

Beth squeezes me very gently – any tighter and she would bruise me. I’m glad that she’s not afraid to touch me. Whenever the doctors have to touch me because they’re
doing an examination or helping me, they hold me like I’m glass. That’s why I’m so lucky to have Beth. She says she’s lucky to have me too; that she wouldn’t know what
to do without me. Sometimes, just after she’s left, I wonder what that would be like. She’d be able to get a boyfriend and stay with him, or she could go out more with her friends. She
wouldn’t have to worry when she’s in her lectures at university. But she says she’s happy spending her time in here with me.

Outside, a man in a grey boiler suit walks across the roof of the office building with a brown bag in his hand. He walks between the black poles and silver tubes, checking the pigeon traps in
the gullies, then he takes a knife out of his bag, bends down, opens a cage, grabs a pigeon and slits its throat.

Beth turns away.

‘I don’t know how you can watch,’ she says.

‘It’s not that bad.’

We turn away and walk back to the bed, past the emergency oxygen tanks and the grey monitors with their flashing red lights and green numbers.

Heart rate
: 79

Body temp.
: 37.4C

Room temp.
: 18C

Humidity
: 7%

Air purity
: 98.5%.

The drop in air purity is because she’s in the room.

I lie down, Beth squeezes onto my bed and we watch TV while the monitors beep and the sensors in the corners of the room flash every second, my heart rate and body temperature transmitted from
sensors on my body by Bluetooth. Footsteps pass faintly by outside and I smell coffee I can’t drink and food I can’t eat. Me and Beth get tired of watching TV so I flick through my iPad
for books and magazines I can’t have printed copies of, and she listens to music until my food comes through the hatch at five. It’s my superhero power-up food, vacuum-sealed in silver
foil. It doesn’t taste very nice but it gives me energy. Most importantly, it keeps me alive. I open the foil and eat dried beef and rice while the sky turns from blue to grey outside.

At 7 o’clock Beth gets up, kisses me on the forehead, then walks past my poster of Theo Walcott towards the door. Her white suit makes her invisible against the wall, kind of like Sue
Storm from the Fantastic Four. She presses the call button and waits. I don’t want her to go. The nights feel so long after she’s been here. The door opens and she looks back.

‘I’m not sure when I’m here again,’ she says. ‘I’ve got a dissertation to write.’

‘It’s okay.’

‘Maybe the day after tomorrow.’

She smiles again then slides between the door and the frame, as though not opening the door too wide will stop the germs from getting in. I look at the white door and imagine her on the other
side, taking her suit off in the transition zone. She’ll be putting her street clothes back on and pulling the elastic bands out of her hair. Then she’ll talk to the nurses and check my
graphs. She says she likes looking at them, not just because they’re about me, but because they’ll help her at university where she’s studying to be a doctor. She’s got to
do a placement year soon. She says she doesn’t where or exactly when she will go, only that she won’t be going yet.

I walk over to the window and look down as she crosses the road between the cars and buses stuck in traffic. When she reaches the other side, she turns and looks up at me. I smile and wave, and
she waves back at me then leans against the wall and looks at her phone. Every so often she looks up, sees I’m still looking and shakes her head, laughing. I rest my head against the glass,
feel it cold on my skin.

My head starts to spin. I swallow and taste metal on my tongue as blood trickles out of my nose and over my lip. At first it spots on the window sill, then it begins to splatter. I hold my nose
with my finger to stop the flow. Beth waves as a bus arrives and blocks her out. I want to stay and watch her go but my legs are wobbling, going numb. I put both hands on the sill. Blood pools in
the palm of my hand and drips down onto my t-shirt, my trousers, the radiator and then the floor. The grey building is a fog, the traffic is a blur. I need to make it to my bed . . . I need to make
it to my bed. The monitor is closer. I fall against it and press the red button.

I’m on my bed, on my side. Greg is holding my nose with a gloved hand.

‘It’s okay,’ he says. ‘You’re doing okay.’

I try to smile. He smiles back, then gently lets go of my nose and presses the button to bring my bed upright.

‘Here.’ He gives me a swab and lifts my hand up to my nose. ‘Hold it, there.’

My head begins to clear. I look around the room.

‘Sorry about the mess.’

He smiles. ‘It’s okay, mate, just tilt your head forward.’

He checks my pulse and my temperature while another nurse I don’t know checks the monitors. She clicks a button – there’s a hum of a motor, the rush of air and I’m cold
again. Greg comes back to me.

‘Let me look,’ he says. He lifts my hand away from my nose, mops my blood off my face and gives me a clean swab so I can do it myself.

‘You’ve been doing too much,’ he says.

‘Too much talking?’ My voice sounds funny because I’m pinching my nose.

Greg smiles and I want to smile too but I’m scared that if I do the blood will come again.

‘Yeah.’

I look down at the red stains on my t-shirt, on my trousers, on the bed, at the spotted trail that goes back to the window. There’s a red smudge on the glass. Greg mops my forehead.

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