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Authors: Rosslyn Elliott

Sweeter than Birdsong

Acclaim for Rosslyn Elliott

“A novelist to watch! Elliott excels at bringing a bygone era to life with all of its charm and its flaws. An unhesitating indictment of cruelty and a celebration of the freedom of spirit which can only be found in God.”

— Siri Mitchell, author of
A Heart Most Worthy

“Rosslyn Elliott weaves a gripping story full of fascinating historical details. She creates realistic and poignant characters who touch your heart with a message of true grace and forgiveness.
Fairer than Morning
is the kind of book you’ll think about long after you read the last page.”

— Jody Hedlund,
best-selling author of
The Preacher’s Bride


Fairer than Morning
is a fabulous debut! Rosslyn Elliott has not so much written a story, but crafted a tale with a dedication to depth and detail equal to that of the artisan she brings to life. With two very real people at its core, the story unfolds with characters and intrigue reminiscent of a Dickens novel, bringing the reader face-to-face with the heartbreak of bondage and the sweetness of freedom. Rosslyn Elliott is a welcome new voice, almost luxurious. Readers deserve this indulgence.”

— Allison Pittman,
award-winning author of
Stealing
Home
and
Lilies in Moonlight


Fairer than Morning
is a book to savor. As you read this exquisitely written story, the present fades and you are drawn into a tale of cruelty, honor, love, and deliverance. When you reach the last page you close the book wishing for more. However, Rosslyn Elliott’s characters will go with you, forever embedded in your heart.”

— Bonnie Leon,
author of
Touching the Clouds
and
the Sydney Cove series

S
WEETER
THAN
Birdsong

S
WEETER
THAN
Birdsong

Book Two

T
HE
S
ADDLER’S
L
EGACY

R
OSSLYN
E
LLIOTT

© 2012 by Rosslyn Elliott

All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, scanning, or other—except for brief quotations in critical reviews or articles, without the prior written permission of the publisher.

Published in Nashville, Tennessee, by Thomas Nelson. Thomas Nelson is a registered trademark of Thomas Nelson, Inc.

Published in association with the literary agency of WordServe Literary Group, Ltd.,
10152 S. Knoll Circle, Highlands Ranch, CO 80130.
www.wordserveliterary.com
.

Thomas Nelson, Inc., titles may be purchased in bulk for educational, business, fundraising, or sales promotional use. For information, please e-mail [email protected] ThomasNelson.com.

Scripture verses are from the King James Version of the Bible.

Publisher’s Note: This novel is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or used fictitiously. All characters are fictional, and any similarity to people living or dead is purely coincidental.

Library of Congress Cataloging-in-Publication Data

Elliott, Rosslyn.
  Sweeter than birdsong / Rosslyn Elliott.
    p. cm. — (The saddler’s legacy ; bk. 2)
  ISBN 978-1-59554-786-6 (trade paper)
1. Fugitive slaves—Fiction. 2. Underground Railroad—Fiction. 3. Ohio— History—1787–1865—Fiction. I. Title.
  PS3605.L4498S94 2012
  813’.6–dc23

2011043180

Printed in the United States of America

12 13 14 15 16 17 QG 6 5 4 3 2 1

For Gwen Stewart, a true friend in my hour of need,
and for Meredith Ef ken, an editor in shining armor

Contents

One

Two

Three

Four

Five

Six

Seven

Eight

Nine

Ten

Eleven

Twelve

Thirteen

Fourteen

Fifteen

Sixteen

Seventeen

Eighteen

Nineteen

Twenty

Twenty-One

Twenty-Two

Twenty-Three

Twenty-Four

Twenty-Five

Twenty-Six

Twenty-Seven

Twenty-Eight

Twenty-Nine

Thirty

Thirty-One

Thirty-Two

Thirty-Three

Thirty-Four

Thirty-Five

Thirty-Six

Thirty-Seven

Thirty-Eight

Thirty-Nine

Forty

Forty-One

Forty-Two

Forty-Three

Forty-Four

Afterword

Acknowledgments

Reading Group Guide

About the Author

One

W
ESTERVILLE
, O
HIO
1855

H
ER CUSTOMARY WALK ACROSS THE COLLEGE QUAD
rangle had become an executioner’s march. Kate’s heeled shoes clunked over the flagstones. Her full skirt and horsehair crinoline dragged from her waist, too warm even for this mild May morning.

She climbed the stone steps of the whitewashed college building and laid hold of the black iron door handle with a clammy palm. The dim foyer led to the lecture hall. Her breath came faster and her corset squeezed her lungs—it had not felt so tight when the maid laced it an hour ago. Ahead loomed the dark rectangle of the hall’s oaken door, which stood ajar.

At the threshold, she paused. A baritone voice lifted in clear, well-balanced phrases inside the hall. The speaker’s persuasive power carried even here. Ben Hanby. He was the best orator in the class. She laid a hand to her midsection to quell the pulsing nausea there. If she did not go in now, she would not go in at all.

At her push, the door swung open to reveal rows of masculine shoulders in dark coats, all heads turned toward the speaker. Each gentleman’s neat coattails fell open over his knees, black against the polished wood floor. Each white collar rose to the sweep of hair worn according to the current vogue, longer than a Roman’s but never past the collar.

On the raised platform beyond them, Ben Hanby stood, as natural and poised as if he were alone in the room, his dark hair thick over his brow. His eyes were intent, his face alive with interest in his subject, but his words floated past Kate in a wash of sounds her jumping nerves could not interpret. Of course speaking came easily for him—his father was a minister.

He finished with a question to the audience, and even her disrupted attention caught the subtle humor in the lift of his eyebrow as he delivered his line straight-faced. A chuckle rose from the young men, echoed in the lighter laughter of the small party of young lady scholars seated with their chaperone on the end of the front row.

Ben Hanby descended the stairs, the barest smile appearing as he exchanged glances with his friends.

“Miss Winter.” Professor Hayworth’s bass rumbled across the hall.

Heads turned toward her. Her skin tingled in waves of heat, her heart kicked in an uneven cadence. Could it stop from such fright? The thought made it worsen, like a stutter in her chest that could not move on to the next beat.

“I am glad you choose to join us today.” Professor Hayworth spoke to her from the dais beside the podium, full-bearded in his formal black robe. “You have arrived just in time to give the first of our ladies’ speeches.”

She avoided their curious stares as her pulse quickened and her mouth dried.

“Please proceed to the podium,” he said.

She produced a bare nod and started down the aisle. Her skirt swept an arc so wide she had to brush against the wall to ensure it would clear the chairs.

The chairs scraped as the young men stood up. They always rose to acknowledge the entrance of young ladies into the hall. But to have them do it for Kate alone, to be the sole object of their interest—she had to fix her gaze on the far wall and its carved paneling as a chill rippled over her shoulders and spread, bringing a layer of cold perspiration after it. She must have blanched even whiter than her usual paleness, and moisture had settled on her upper lip, on her forehead. How ghastly she must look. They would all see her fear. A pain cramped her chest.

It seemed something terrible would happen if she stepped on that stage—the pain in her chest might spread into a full, searing arrest.

She turned the corner to the platform. Ben Hanby looked at her and gave an encouraging nod. The compassion in his brown eyes made it worse. Did he know that she was ill, that her tortured breathing threatened to constrict to nothing?

One foot at a time, only three yards to the podium. She stepped behind its flimsy refuge and gripped the raised lip of the stand with both shaking hands.

The room was silent—a horrible, waiting hush like the moment before a cat seizes a rodent. Into the silence came the pounding in her ears. The whole room pulsed to its beat—her mouth was so dry.

A score of faces turned toward her, expectant. Kate braced against the podium and pulled in one tremulous breath.

She looked over the students’ heads, past their neat rows of coats and ties to the small cluster of women off to one side with their chaperone.
Help me, help me, please
. But the women could not hear her—did they not see she was not well?

The thrumming in her ears rose to a rushing like water.

The first words were “On the Purpose of Friendship: An Argument Drawn from Aristotle and Cicero.” She would say the title, now, by opening her mouth.

A quiet rasp escaped her throat before it closed with a gulping sound.

Kate inhaled again and forced it out. “On the Pur—” Her throat clutched once more.

Professor Hayworth was only a dim figure in her peripheral vision. Now her lips and tongue would not work at all. Her will had brought her this far, but her voice would not obey her.

Kate released the podium and stepped back on wobbly legs.

She turned and fled, down the steps of the platform, past the blur of young men, out the door of the recital hall, through the hallway, out to the free air where no one was watching. Her heels caught at the light green lawn. Where should she go so no one could find her?

She hurried around the white-planked corner of the building. She must hide herself behind the bulge of the chimney, for someone might come in pursuit, and she did not wish to speak. Too late for words to be of any use.

In the safety of the corner where chimney met wood, she leaned against the cool brick, heaving for breath through her tight throat, wheezing as barely any air came through. She had not died, but her heart still beat erratically, a pain with every skipped beat. She must slow down her panicked breathing; she was light-headed. The sides of her bodice were soaked through.

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