Surfaces and Essences: Analogy as the Fuel and Fire of Thinking (133 page)

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Paris, Flammarion.

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Induction and Analogy in Mathematics.
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From X-Rays to Quarks: Modern Physicists and Their Discoveries.
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Einstein from ‘B’ to ‘Z’.
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Einstein’s Miraculous Year: Five Papers that Changed the Face of Physics
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Why Beauty is Truth: A History of Symmetry.
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The Four Pillars of Geometry.
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Histoire philosophique de l’algèbre moderne: Les origines de la pensée abstraite.
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Epidialogue

The contributions by Dietrich, French, Hofstadter, Mitchell, Sander, and Turner deal with the question of how analogy-making and categorizaton are related, and the possibility of finding differences between the two. Fischbein, Oppenheimer, and Polya demonstrate the ubiquity of analogy-making in science. Murphy and Ross’s article is concerned with how and when inferences can be made as a result of categorization, while Anderson and Thomson’s article looks at abstraction hierarchies, and that by Barsalou examines the possible influences of context on categorization.

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I
NDEX

—A—

“A”, diversity of members of the category,
4–5
,
57
; picture,
5

“a”: as naming a category,
76
; as vowel recognized in speech without one’s knowing how,
511
,
512

“A rolling stone gathers no moss”, opposite interpretations of,
102

Aaron, Henry,
325–326

abc ⇒ abd, see
Copycat analogies

Abel, Niels Henrik,
446

abstract dog and abstract bite,
104

abstract, grounded in the concrete,
28–29
,
286–289
,
333–337

abstraction: absurd levels of,
107–108
,
166
,
354
,
448–449
; as central to expertise,
245–246
; by children,
38
,
42–43
; defined,
187
; drive towards,
288
; going hand-in-hand with generalization in math,
449
; hierarchies of,
235–246
; as impoverishing and enriching,
250
; as key to encoding,
172
,
174–176
; legitimized by physics,
448
; as luxury add-on to embodied cognition,
288–289
; moving between levels of,
30–31
; nature of,
107
; opaque legalese as bad form of,
see
legalese
; optimal level of,
108
; relentless push towards, in mathematics,
448
; streamlined by preplaced pitons,
131
; techniques for, in mathematics,
449
; unconscious acts of,
150–152
,
165–166
; in word problems in math,
428
;
see also
category extension

accelerating frames of reference,
486
,
488

acceleration: as indistinguishable from gravity,
491–492
,
493–494
,
496
; linear
versus
circular,
497

acronyms,
89–93
; catchiness of,
90
; early examples of,
89–90
; efficiency of,
92
; list of,
90–91

actable-upon objects
, category of,
253

action errors, caused by analogies,
279–280
,
404–407

activated categories seeking instances of themselves,
299

adaptation of word meanings to contexts,
196–198

address
, generalization to virtual world,
385–386
,
395
,
398

ad-hoc categories,
137–138
; in metaphor understanding,
228–229
,
232

adjectives: as labels for the two types of mass,
485
; as names of categories,
272

Æsop,
112
,
115
,
388

affordances, perceptual,
278
,
345
,
450

airlines and airports as parts of
hub
concept,
52

airplanes, undetectabilityof motion of,
466–467

airport scenes: evoking words left and right,
33–34
; evoking memories of analogous scenes,
157–158
; as transculturation of métro scene,
377–379

Alberic of Monte Cassino,
22

Albert Einstein, Creator and Rebel
,
473
;
see also
Banesh Hoffmann

Albert’s Auberge, excellent coffee of,
462

algebra of classical categories,
56

Alice in Many Tongues
(Weaver),
369–370
,
372

alignment of two lives on time axis,
433–434

allegory for strange
versus
normal mass,
476

ambiguous category-membership,
59
,
189–192

America/China frame blend,
367–368

amplification, proverbs about,
109

analogic
versus
logic,
258
,
307–310
,
311–312
,
338
,
393
,
410
,
439
,
452
,
453
,
474
,
499–500
,
501
;
see also
esthetics

analogical fabric of thought,
127

analogical reasoning, mistaken for analogy’s essence,
16–17
,
283

analogies: between analogies,
27
,
211–212
,
502
; between random things,
302
; as bridges between mental entities,
181–184
; coercing one’s flow of thought,
257
,
258
,
310–313
,
444
; as cognitive luxuries,
506
; in competition,
260–278
,
333
; conveying truth despite falsity,
366
; to counterfactual situations,
362
; deep
versus
shallow,
337–346
,
351–357
,
375–376
,
454–455
,
517
; as discardable crutches,
392
,
421
; down-to-earth, great utility of,
23
,
507
,
509
,
516
; by Einstein turning out to be eternal truths,
453–454
,
486
; engendered by obsessions,
258
,
299–305
,
524
; extremely bland cases of,
155–156
,
281–284
,
507–509
; failure of one as stepping stone en route to a deeper one,
356–357
,
481
,
490–491
; as fallible and misleading,
22–24
,
435
; formal
versus
physical,
458
; as frilly baubles and bangles,
506
; functional and visual, coordinated,
277–278
; as gems,
16
,
506
; high frequency of,
18
,
507–510
; as icing on cognition’s cake,
506
,
508
; imposing themselves,
29
,
31
,
289–307
,
310–314
; inspired by previous analogies,
211–212
; invading minds willy-nilly,
257
; involving frame-blending,
359–367
; involving grammar patterns,
69–70
; irrepressibility of,
104
,
155
,
157
,
297
,
305–313
,
513–514
; jumping unbidden to mind,
513–514
; latent in semantic halos,
49
,
271
; like asparagus tips,
135
; at the low end of the creativity spectrum,
450
; manipulated by us,
331
,
382–383
,
513
; manipulating our thoughts,
29
,
31
,
315
,
331
,
382–383
,
501
,
514
; as mere sparkle and pizzazz,
506
; as misleading,
21–23
; mundane, by Albert Einstein,
454–455
; nonstop deluge of,
155
; not necessarily a
source of pride,
517
; objectivity of,
181–183
; partially correct and partially wrong,
361
; power of,
331–332
,
444
; pressures pushing for,
300–301
,
355–356
,
458
; purposeless,
258
,
281–286
; rarity of,
506
; seen as analogous to wild horses,
392
; as sources of speech and action errors,
259–280
; spicy one-line examples, list of,
136
; stereotypes of,
135–136
,
392
,
486
; strength of, as reflecting number of resemblances,
516
; as strokes of genius,
16–17
; superficial, in machine translation,
373
,
375
; taboo cases of,
104
; as training wheels,
392
; trivial and meaningless, ceaseless production of,
282
,
284–286
; unconscious,
259–281
,
282
,
285–286
,
383
,
386
,
390
,
403–407
,
514
; as uninvited guests,
31
,
257
; used in thermodynamics but not in electrodynamics,
337
;
versus
frame blends,
363–364
,
366–367
; visual and sensory,
277–278
,
286–289
; wild and implausible, as hypothetical crux of creativity,
452

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