Authors: Paul Finch
An Abaddon Books
ISBN (.epub version): 978-1-84997-204-8
ISBN (.mobi version): 978-1-84997-205-5
First published in 2010 by Abaddon Books
, Rebellion Intellectual Property Limited, Riverside House, Osney Mead, Oxford, OX2 0ES, UK.
Editors: Jonathan Oliver & Jenni Hill
Cover: Nick Percival
Design: Simon Parr & Luke Preece
Marketing and PR: Keith Richardson
Creative Director and CEO: Jason Kingsley
Chief Technical Officer: Chris Kingsley
Copyright © 2010 Rebellion. All rights reserved.
Tomes of The Dead
, Abaddon Books and Abaddon Books logo are trademarks owned or used exclusively by Rebellion Intellectual Property Limited. The trademarks have been registered or protection sought in all member states of the European Union and other countries around the world. All right reserved.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers.
This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.
Grogen Castle Key:
1. Western bluff
2. Outer moat (dry, 30 ft deep)
3. Barbican (60ft high)
4. Stair (between Barbican and Gatehouse)
5. Stair (between Barbican and Bailey)
6. Postern gate
7. West curtain-wall (50 ft high)
8. South curtain-wall (50 ft high)
9. East curtain-wall (50 ft high)
10. North curtain-wall (50 ft high)
11. West bailey (outer courtyard)
12. South bailey (outer courtyard)
13. East bailey (outer courtyard)
14. North bailey (outer courtyard)
15. Keep sewer (subterranean)
16. Gatehouse (multi-levelled interior, 70 ft high)
17. Entry passage
18. Main gate
19. Causeway (20 ft above bailey)
20. Constable's Tower (multi-levelled interior, 100 ft high)
21. Inner Fort wall (80 ft high)
22. Central courtyard (also called 'inner ward', contains numerous sheds, shacks and outbuildings, serving as stables, servant quarters, hospital shelters, etc)
23. North Hall (non-fortified, multi-levelled interior)
24. Keep (multi-levelled interior, 150 ft high)
25. Gantry drawbridge (connecting North Hall to Keep, 90ft high)
26. Gantry drawbridge (connecting baronial state rooms to Keep, 90 ft high)
27. Keep drawbridge (20 ft above courtyard)
28. Barrack house (non-fortified, multi-levelled interior)
29. Great Hall (non fortified, multi-levelled interior)
30. Baronial state rooms (non-fortified, multi-levelled interior)
31. Southwest tower (multi-levelled interior, 100 ft high)
32. Southeast tower (multi-levelled interior, 100 ft high)
33. Northeast tower (multi-levelled interior, 100 ft high)
34. Southwest bridge
35. Berm path
36. Old stable block
37. Support scaffolding
38. Support scaffolding
39. River Tefeidiad
40. Keep moat (dry, 30 ft deep)
41. Ramp (down from Constable's Tower into courtyard)
42. Keep outer stair
43. Gantry drawbridge (connecting Gatehouse to north curtain-wall, 30 ft above entry passage)
Note: The castle kitchens and refectory are located on the ground floor, running beneath the barrack house and the Great Hall. The castle chapel is a cellar, located beneath the kitchens. None of these are visible from this perspective.
It was early March, but spring still hadn't arrived. The woods to either side of the River Ogryn were not yet in flower. They were black and tangled, laced with grey mist. Within a month the river would be foaming and thundering, swollen with melt-water from the heights of Plynlimon, but for now it was an icy trickle, meandering down the shallow valley, zigzagging between tumbled rocks and fallen branches covered with frost.
At the head of the valley lay a mound of weapons. For the most part they were swords, axes and spears, though there were also improvised farm tools - scythes, flails, reaping hooks. The majority were tarnished and chipped, their hafts or hilts bound with fleece and homespun linen. If they'd been honed to sharpness, it had been done inexpertly; many of the blades had a keen edge but had been thinned to the point where they were brittle. Others had already cracked and broken.
Even so, it was agonising for the Welshmen to surrender them. They passed the mound in their ones and twos, grudgingly discarding their implements, throwing surly glances at the group of mounted figures watching from close by. The foremost of these was a woman sitting on a roan mare. She was of early middle age and extraordinarily handsome, green eyed and feline in her beauty. A hooded coat of white fox fur shielded her from the chill winds, and her long red tresses were bound with a copper circlet. She was Countess Madalyn of Lyr, a noblewoman of high standing in this region. When Powys had been a kingdom in its own right, her family had held its eastern populace in thrall, but, with fair governance and courageous leadership, had stirred loyalty rather than resentment. Now that Powys was a dominion of the English Crown, she was viewed with less affection. Her passion for her people was not doubted, and some regarded her fondly as a living embodiment of happier days, but many either mistrusted her as a collaborator or saw her as a pawn in a greater political game over which she had no control.
Countess Madalyn's daughter, Gwendolyn, was mounted alongside her on a milk-white pony. She also was clad in luxurious furs, and though fairer even than her mother, more slender of build and with an elfin prettiness, in truth she was little more than hogannod; an inconsequential girl, who would some day inherit the countess's title and lands but probably none of her spirit. The passing Welshmen paid her no heed, though when it came to the third mounted figure they either glared at him with open hatred or spat at his horse's feet.
He was Corotocus la Hors, marcher baron of the English realm and Earl of Clun. He was a trim, broad-shouldered man in his late thirties, handsome with close-cropped brown hair, a trimmed beard and moustache, and piercing blue eyes. Fully girt for war, he wore a crimson tabard emblazoned with his heraldic black eagle belted over his suit of black mail, a cross-hilted longsword at his hip, and a thick bearskin cloak at his shoulders. His horse, Incitatus, was a black stallion, sleek and powerful, maybe sixteen hands to the withers. Like its master, it had been born and bred in a crucible of war. As the Welsh trudged past, it tossed its mane at them, snorting and pawing the rutted ground.
"These fellows of yours don't know when they're beaten," Earl Corotocus observed. "I'll give them credit for that."
"They weren't beaten, my lord," Countess Madalyn said. "They surrendered voluntarily."
Neither spoke English as their first language, but, despite their lilting accents, it was the easiest way for the Anglo-Norman lord and his Welsh counterpart to converse.
"Then they aren't stupid either," he replied. "Though they could mind their manners."
"You surely don't expect them to welcome English dominance in their land?"
"If I'm honest, my lady, I have no expectations. I'm here purely to exercise my duty. If I were to falter in that, King Edward's mighty hand would crush me as surely as it would crush you and all this peasant race you claim kinship with."
Countess Madalyn glanced round to where Kye, her personal bodyguard, stood watching her back. An immense, bear-like fellow with a dense black beard and brooding countenance, he had been instructed from the outset not to rise to English provocation. He nodded his understanding of this order.
"Feeling the way you do, my lord, I'm grateful, but surprised, that you accepted the truce," the countess said.
Corotocus shrugged. "Peace terms must always be taken seriously when the alternative is laying siege to a bastion like Grogen Castle. Something tells me these fellows would not have fled it as quickly as the Breton sot assigned to hold it against them."
Grogen Castle, only twenty miles from here, had been abandoned by its royal castellan without a blow struck in resistance to the Welsh army who'd encircled it. Its puny garrison of Breton mercenaries had spent more time drinking and whoring than preparing for war and, when the time had finally come, had discovered that they'd lost all appetite for the hardships of battle. This was in stark contrast to the Welshmen now trailing down the valley. Despite having some mail shirts between them, they were mainly clad as foresters - in hose, felt boots and hooded woollen jerkins. Yet they were a rough, hardy sort, dark eyed and sullen of brow. They were all shapes and sizes; some were young, some old, but they had a vigour and robustness that the average English peasant lacked. Corotocus knew why. The main industry in this part of the kingdom was sheep rearing rather than rood-work. This was physically demanding work carried out on a mountainous landscape of coarse pasture and tumbling, boulder-strewn valleys. The simple act of moving from place to place built up great reserves of strength and stamina in the natives. On top of that, their barbarous tribal customs had toughened them in other ways, and they'd had no option but to grow used to the cold, wet gales howling in from the Irish Sea.
"I'm glad you understand," Countess Madalyn said. "It's very important to these men that you realise they didn't give up the castle because they are frightened of a fight. After Prince Madog's defeat at Maes Moydog, I was able to persuade them that the cause is futile. That it would have meant another prolonged war of annihilation and that, even if they were victorious in the end, the result would be burnt homes, ravaged farmland, famine and pestilence."
Corotocus nodded. "You did right. You are a good mother to your people."
His household champion trotted up from behind, a swarthy Aquitainian knight, whose brutish face was bisected down the middle by an ugly cleft. The relic of a deep scimitar wound incurred many years earlier, this had now left him with features that were weirdly asymmetrical, one eye slightly higher than the other, his mouth slanted, his nose, what remained of it, horribly crooked.
"That's the last of them, my lord," he said.
"You're certain, Navarre?"
"Four hundred men in total have surrendered their arms and are returning to their homes."
This appeared to be true. No more Welshmen now appeared. The last handful was already fifty yards down the valley.
"Good," Corotocus said. "Du Guesculin!"
Hugh du Guesculin, his chief herald and banneret, rode forward. Like Navarre, he wore mail and the earl's household livery. He also carried the earl's gonfalon - a long pole from the top of which the black eagle billowed on a crimson weave. But he seemed less of a warrior. He was portly, with a clipped moustache and dainty manner.
"My lord?" he enquired.
"Begin the punishment."
Countess Madalyn glanced at the earl, puzzled. He smiled coldly. Du Guesculin summoned a page, who put a hunting horn to his lips and blew a single, clear blast.
"Kye!" Countess Madalyn said.
The gigantic bodyguard hurried forward, his mail coat clinking under his leather corselet. He had a spear in one hand, a kite-shaped shield in the other, and a sharp scramsax tucked into his belt. But he didn't get a chance to use any of these. Navarre, who had quietly dismounted, stepped up from behind him and stuck a dagger into the side of his neck. The giant sank to his knees, eyes goggling. He clutched at the jutting hilt, blood bubbling through his fingers. Gwendolyn screamed in horror. Countess Madalyn didn't at first see this. She was distracted by a wild shouting, and now stood in her stirrups to peer down the valley.