Read Slavery by Another Name Online
Authors: Douglas A. Blackmon
and racial purity. Thousands of Civil War soldiers who had been
introduced to bat le in a moral y complex war of racial liberation
were later immersed on the Great Plains in the simple absolutism
of the pure, racial y motivated violence that would haunt the
twentieth century.
Popular American culture embraced the western con icts as
proof of white superiority—spawning hundreds of novels and short
stories that extol ed the extermination of Indian populations as the
inexorable march of white progress and eminent domain. Wil iam
"Bu alo Bil " Cody's Wild West Show became a pageant of white
supremacist rhetoric, drawing tens of mil ions of American and
European spectators in the 1880s and 1890s.
A whole new genre of ction extol ing the antebel um South and
an idealized view of slavery became immensely popular. Joel
Chandler Harris's books l ed with stories of contented slaves and
kindly masters— rst serialized in the Atlanta Constitution—sold in
enormous volumes in the North. The most sensational book in al
regions of the country remained The Leopard's Spots, a southern
romance by a former preacher named Thomas Dixon Jr.
Published in New York by Doubleday Page & Co. the previous
year, the novel was built around the quest of Confederate colonel
Charles Gas-ton to at ain love and glory as he swept away black
political participation in Reconstruction-era North Carolina.
Underscoring his repudiation of past depictions of cruel antebel um
slavery, Dixon co-opted for his characters many of the names of the
slavery, Dixon co-opted for his characters many of the names of the
infamous Simon Legree and other key gures in Harriet Beecher
Stowe's prewar abolitionist bible, Uncle Tom's Cabin. Yet in Dixon's
rendering, the brutal southern slave masters were kindly; former
slaves risen to power in Reconstruction were a gruesome plague
upon whites and themselves. Late in the novel, Gaston gives his
own blood for a transfusion to a girl raped by a black man. After
her death, a relief from a life marked as despoiled, the father
refuses to have his daughter placed in a grave dug by a black man.
Confederate veterans at the funeral ral y to dig a new one.
In the novel, a black man accused of the crime is tied to a pine
tree, doused with oil, and burned to death. Dixon writes of Gaston
pondering how "the insolence of a class of young negro men was
becoming more and more intolerable."3 Gaston "was fast being
overwhelmed with the conviction that sooner or later we must
squarely face the fact that two such races, counting mil ions in
numbers, can not live together under a democracy…. Amalgamation
simply meant Africanisation. The big nostrils, at nose, massive
jaw, protruding lip and kinky hair wil register their animal marks
over the proudest intel ect and the rarest beauty of any other race.
The rule that had no exception was that one drop of Negro blood
makes a negro." The book's initial printing of fteen thousand was
immediately consumed. Soon more than a mil ion copies had been
purchased. Dixon instantly became one of the most widely read
writers of the first decades of the century.
Another best-sel ing novelist of the romanticized South, Thomas
Nelson Page, became one of the country's most in uential voices on
race relations. Asserting that blacks constituted the vast majority of
rapists and criminals in the United States, and that the
overwhelming preponderance of blacks remained "ignorant" and
"immoral," Page warned that the continued coexistence of the races
was likely impossible. "After 40 years in which money and care
have been given unstintedly to uplift them …the Negro race has not
advanced at al ," Page declared. Blacks are "a vast sluggish mass of
uncooled lava over a section of the country, burying some sections
and a ecting the whole. It is apparently harmless, but beneath its
and a ecting the whole. It is apparently harmless, but beneath its
surface smolder res which may at any time burst forth
unexpectedly and spread desolation."4
Few white Americans expressed disagreement. Southern whites
cheered news in April 1903 that the New York public school
system ordered the removal from its reading lists of Uncle Tom's
Cabin. Echoing Dixon, New York public school libraries
superintendent Cland G. Leland said Stowe's depiction of
antebel um slavery "does not belong to today but to an unhappy
period of our country's history, the memory of which it is not wel
to revive in our children."5
White Americans across the country were adopting a dramatical y
revised version of the racial strife of the nineteenth century—a
mythology in which the Civil War had su ciently ameliorated the
injuries of slavery to blacks and that during the ensuing decades
southern whites heaped assistance and opportunity upon former
slaves to no avail. The new version of events declared that African
Americans—being fundamental y inferior and incorrigible—were in
the new century a burden on the nation rather than victims of its
past.6
A widely disseminated treatise on blacks published in 1901
concluded that cohabitation in the same society by whites and free
blacks would forever be cursed by the immutably brutish aspects of
African character. "The chief and overpowering element in his
makeup is an imperious sexual impulse which, aroused at the
slightest incentive, sweeps aside al restraints in the pursuit of
physical gratification."7
The Montgomery Advertiser reported with obvious satisfaction on
a declaration of thanks issued by the "colored people of Richmond"
to a white education conference for al that it had done for African
Americans. While inviting at endees of the meeting to at end First
African Baptist Church while in the city, the declaration assured
whites, "The negroes of Richmond have always been able to live in
peace and harmony with the white race. The same kindly feeling
which coursed in the veins of the ‘mammy’ and body servant of
which coursed in the veins of the ‘mammy’ and body servant of
bygone days exists today"8 White southerners clung to any fragment
of such obeisance as demonstration that their racial conduct was a
corrective measure aimed at bringing African Americans back to
their natural posture toward whites—not an eruption of
supremacist venality.
A young white chambermaid at the English Hotel in Indianapolis,
Indiana, named Louise Hadley became a brief cause célèbre in May
1903, hailed in the North and the South, after she refused to make
up a bed that had been occupied by Booker T Washington. After
being red from her job, Hadley issued a public statement: "For a
white girl to clean up the rooms occupied by a negro … is a
disgrace," she wrote. "I have always felt that the negro was not far
above the brute." Commit ees formed in Georgia, Alabama, and
Texas raised several thousand dol ars in contributions to Hadley.
"We admire this young woman's discrimination and think she took
exactly the right action," beamed the Dadevil e Spot Cash.9
When Boston leaders publicly discussed a proposal to transport
large numbers of southern blacks to New England's declining farm
regions, southerners sput ered with skepticism. "We could wel
spare a few thousand ‘crap shooters’ and banjo pickers from the
South," one Alabama let er writer responded on the pages of the
Advertiser. "The only negroes who wil probably agree to go wil be
those with whom it would be a mercy not only for the whites, but
the negro of the South, to part," said the Chat anooga Times. "Since
the mulat o Crispus At ucks led the phlegmatic Bostonians in their
revolt against the British troops, dark skins have been popular up
there," sneered the Montgomery Advertiser. "Such a movement
might be good for the South. It would probably rid our section of a
good many negroes who are worse than useless here…It would give
those far-sighted philanthropists a chance to learn by actual contact
and experience something of the race problem about which they
prate so much." The Advertiser editorialized on the need for African
Americans to be "fixed" through hard labor.10
In the barely veiled racist invective of the day, the Columbus
In the barely veiled racist invective of the day, the Columbus
(Georgia) Enquirer-Sun said it doubted the movement would
amount to anything until watermelon season was over.11
The popular sentiments used to justify the violence appeared to
correspond with the work of a generation of American physicians
and scientists—in the North and the South—who busily translated
or mistranslated the elementary evolutionary principles outlined by
Darwin into crude explanations for why blacks should be returned
to a "mild form of slavery," as one delegate to a Virginia
constitutional convention phrased it. At a meeting of the state
medical association in Georgia, one physician presented a paper
that purported to document the close similarities between a long
list of black features—skin, mouth, lips, chin, hair, nose, nostrils,
ears, and navel—and those of the horse, cow, dog, and other
barnyard animals. From that claimed evidence, Dr. E. C. Ferguson
extrapolated that the "negro is monkey-like; has no sympathy for
his fel ow-man; has no regard for the truth, and when the truth
would answer his purpose the best, he wil lie. He is without
gratitude or appreciation of anything done for him; is a natural
born thief,—wil steal anything, no mat er how worthless. He has
no morals. Turpitude is his ideal of al that pertains to life. His
progeny are not provided for at home and are al owed to roam at
large without restraint, and seek subsistence as best they can,
growing up like any animal."12
The new science of anthropology embraced the notion that
quanti able characteristics of whites, blacks, and Indians—such as
brain size— demonstrated the clear physical and intel ectual
superiority of whites. In May 1903, as Warren Reese's Alabama
investigation got under way, the Atlantic Monthly magazine
published a long tract titled "The Mulat o Factor ," writ en by an
erudite planter in Greenvil e, Mississippi, Alfred H. Stone, arguing
that the presence of mixed-race blacks—with superior intel igence
and leadership skil s derived from traces of white blood—was the
cause of current race turmoil.
New exhibits on primitive peoples made the American Museum
New exhibits on primitive peoples made the American Museum
of Natural History in New York City a scienti c temple to the
inevitability of white dominion over nonwhite races. The institution
was emerging as a hotbed of the embryonic concepts of eugenics
and "racial hygiene" that would eventual y lead to unimaginable
violence later in the twentieth century.
The St. Louis World's Fair in 1904 featured an exhibit of live
pygmies, transported from the Belgian Congo—then reaching a
gruesome apogee of colonial slavery under King Leopold strikingly
similar to that emerging in the U.S. South. After the fair, one of the
pygmies, Ota Benga, appeared brie y as an exhibit at the Museum
of Natural History, before transferring to the monkey house at the
Bronx Zoological Park—initial y sharing a cage with an orangutan
named Bohong. After several years as a freak curiosity in the United
States, Benga kil ed himself in 1916.13
The same year that Benga appeared at Central Park West, the
Carnegie Institution funded the establishment of the Station for
Experimental Evolution at Cold Spring Harbor, New York. The
center eventual y became the Eugenics Records O ce and the
leading scienti c advocate of notions of racial superiority and
inferiority. With broad support from the federal government,
prominent jurists, and scientists at major universities, researchers
there pursued a decades-long, but scienti cal y awed, project to
col ect data on the inherited characteristics of Americans. (For the
next four decades, the work of the Eugenics Records O ce and its
leaders was the backbone of a highly successful campaign to
promote sterilization for "feebleminded" and other ostensibly
inferior genetic stock, strict laws against racial intermarriage, and
stringent limits on the immigration of Jews and southern Europeans