Read Origin Online

Authors: Dan Brown

Origin (10 page)

As with the protection of his soul, Ávila’s
body
had also been guaranteed deliverance from evil. He glanced down at the tattoo on his palm.

Like the ancient
crismón
of Christ, the icon was a symbol constructed entirely of letters. Ávila had inscribed it there three days ago with iron gall and a needle, precisely as he had been instructed, and the spot was still tender and red. If he were captured, the Regent assured him, all he had to do was make his palm visible to his captors, and within hours, he would be released.

We occupy the highest levels of government
, the Regent had said.

Ávila had already witnessed their startling influence, and it felt like a mantle of protection all around him.
There still exist those who respect the ancient ways.
One day Ávila hoped to join the ranks of this elite, but for the moment, he felt honored to play any role at all.

In the solitude of the bathroom, Ávila took out his phone and dialed the secure number he had been given.

The voice on the line answered on the first ring. “
¿Sí?


Estoy en posición
,” Ávila replied, awaiting final instructions.


Bien
,” the Regent said. “
Tendrás una sola oportunidad. Aprovecharla será crucial.

You will have only one chance. Seizing it will be crucial.

CHAPTER
11

THIRTY KILOMETERS UP
the coastline from Dubai’s glistening skyscrapers, man-made islands, and celebrity party villas lies the city of Sharjah—the ultraconservative Islamic cultural capital of the United Arab Emirates.

With more than six hundred mosques and the region’s finest universities, Sharjah stands as a pinnacle of spirituality and learning—a position fueled by massive oil reserves and a ruler who places the education of his people above all else.

Tonight, the family of Sharjah’s beloved
allamah
, Syed al-Fadl, had gathered in private to hold a vigil. Instead of praying the traditional
tahajjud
, the night vigil prayer, they prayed for the return of their cherished father, uncle, and husband, who had mysteriously disappeared yesterday without a trace.

The local press had just announced that one of Syed’s colleagues was claiming that the normally composed
allamah
had seemed “strangely agitated” upon his return from the Parliament of the World’s Religions two days ago. In addition, the colleague said he had overheard Syed engaged in a rare heated phone argument shortly after his return. The dispute was in English, and therefore indecipherable to him, but the colleague swore he had heard Syed repeatedly mention a single name.

Edmond Kirsch.

CHAPTER
12

LANGDON’S THOUGHTS SWIRLED
as he emerged from the spiral structure. His conversation with Kirsch had been both exciting and alarming. Whether or not Kirsch’s claims were exaggerated, the computer scientist clearly had discovered
something
that he believed would cause a paradigm shift in the world.

A discovery as important as the findings of Copernicus?

When Langdon finally emerged from the coiled sculpture, he felt slightly dizzy. He retrieved the headset he had left on the floor earlier.

“Winston?” he said, pulling on the device. “Hello?”

A faint click, and the computerized British docent was back. “Hello, Professor. Yes, I’m here. Mr. Kirsch asked me to take you up the service elevator because time is too short to return to the atrium. He also thought you would appreciate our oversized service elevator.”

“Nice of him. He knows I’m claustrophobic.”

“Now I do too. And I will not forget it.”

Winston guided Langdon through the side door into a cement hallway and elevator bay. As promised, the elevator carriage was enormous, clearly designed to transport oversized artwork.

“Top button,” Winston said as Langdon stepped inside. “Third floor.”

When they arrived at their destination, Langdon stepped out.

“Righto,” Winston’s cheery voice chimed in Langdon’s head. “We’ll go through the gallery on your left. It’s the most direct way to the auditorium.”

Langdon followed Winston’s directions through an expansive gallery displaying a series of bizarre art installations: a steel cannon that apparently shot gooey globs of red wax at a white wall; a wire-mesh canoe that clearly would not float; an entire miniature city made of burnished metal blocks.

As they crossed the gallery toward the exit, Langdon found himself staring in utter bewilderment at a massive piece that dominated the space.

It’s official
, he decided,
I’ve found the strangest piece in this museum.

Spanning the width of the entire room, a multitude of timber wolves were dynamically posed, sprinting in a long line across the gallery where they leaped high in the air and collided violently with a transparent glass wall, resulting in a mounting pile of dead wolves.

“It’s called
Head On
,” Winston offered, unprompted. “Ninety-nine wolves racing blindly into a wall to symbolize a herd mentality, a lack of courage in diverging from the norm.”

The irony of the symbolism struck Langdon.
I suspect Edmond will be diverging dramatically from the norm this evening.

“Now, if you’ll continue straight ahead,” Winston said, “you’ll find the exit to the left of that colorful diamond-shaped piece. The artist is one of Edmond’s favorites.”

Langdon spotted the brightly colored painting up ahead and instantly recognized the trademark squiggles, primary colors, and playful floating eye.

Joan Miró
, Langdon thought, having always liked the famous Barcelonan’s playful work, which felt like a cross between a child’s coloring book and a surrealist stained-glass window.

As Langdon drew even with the piece, however, he stopped short, startled to see that the surface was utterly smooth, with no visible brush-strokes. “It’s a
reproduction
?”

“No, that’s the original,” Winston replied.

Langdon looked closer. The work had clearly been printed by a large-format printer. “Winston, this is a
print
. It’s not even on canvas.”

“I don’t work on canvas,” Winston replied. “I create art virtually, and then Edmond prints it for me.”

“Hold on,” Langdon said in disbelief. “This is
yours
?”

“Yes, I tried to mimic the style of Joan Miró.”

“I can see that,” Langdon said. “You even
signed
it—Miró.”

“No,” Winston said. “Look again. I signed it
Miro
—with no accent. In Spanish, the word
miro
means ‘I look at.’”

Clever
, Langdon had to admit, seeing the single Miró-style eye looking at the viewer from the center of Winston’s piece.

“Edmond asked me to create a self-portrait, and this is what I came up with.”

This is your self-portrait?
Langdon glanced again at the collection of uneven squiggles.
You must be a very strange-looking computer.

Langdon had recently read about Edmond’s growing excitement for teaching computers to create algorithmic art—that is, art generated by highly complex computer programs. It raised an uncomfortable question: When a computer creates art, who is the artist—the computer or the programmer? At MIT, a recent exhibit of highly accomplished algorithmic art had put an awkward spin on the Harvard humanities course:
Is Art What Makes Us Human?

“I compose music too,” Winston chimed. “You should ask Edmond to play some for you later, should you be curious. At the moment, however, you do need to hurry. The presentation is starting shortly.”

Langdon left the gallery and found himself on a high catwalk overlooking the main atrium. On the opposite side of the cavernous space, docents were hustling the last few straggling guests out of the elevators, herding them in Langdon’s direction toward a doorway up ahead.

“Tonight’s program is scheduled to begin in just a few minutes,” Winston said. “Do you see the entrance to the presentation space?”

“I do. It’s just ahead.”

“Excellent. One final point. As you enter, you will see collection bins for headsets. Edmond asked that you
not
return your unit, but rather keep it. This way, after the program, I will be able to guide you out of the museum through a back door, where you’ll avoid the crowds and be sure to find a taxi.”

Langdon pictured the strange series of letters and numbers that Edmond had scrawled on the business card, telling him to give it to the taxi driver. “Winston, all Edmond wrote was ‘BIO-EC346.’ He called it a painfully simple code.”

“He speaks the truth,” Winston replied quickly. “Now, Professor, the program is about to begin. I do hope you enjoy Mr. Kirsch’s presentation, and I look forward to assisting you afterward.”

With an abrupt click, Winston was gone.

Langdon neared the entry doors, removed his headset, and slipped the
tiny device into his jacket pocket. Then he hurried through the entrance with the last few guests just as the doors closed behind him.

Once again, he found himself in an unexpected space.

We’re standing up for the presentation?

Langdon had imagined the crowd gathering in a comfortable sit-down auditorium to hear Edmond’s announcement, but instead, hundreds of guests stood packed into a cramped, whitewashed gallery space. The room contained no visible artwork and no seating—just a podium at the far wall, flanked by a large LCD screen that read:

Live program begins in 2 minutes 07 seconds

Langdon felt a surge of anticipation, and his eyes continued down the LCD screen to a second line of text, which he needed to read twice:

Current remote attendees: 1,953,694

Two million people?

Kirsch had told Langdon he would be live-streaming his announcement, but these numbers seemed unfathomable, and the ticker was climbing faster with each passing moment.

A smile crossed Langdon’s face. His former student had certainly done well for himself. The question now was: What in the world was Edmond about to say?

CHAPTER
13

IN A MOONLIT
desert just east of Dubai, a Sand Viper 1100 dune buggy veered hard to the left and skidded to a stop, sending a veil of sand billowing out in front of the blazing headlights.

The teenager behind the wheel ripped off his goggles and stared down at the object he had almost run over. Apprehensive, he climbed out of the vehicle and approached the dark form in the sand.

Sure enough, it was exactly what it had appeared to be.

There in his headlights, sprawled facedown on the sand, lay a motionless human body.


Marhaba?
” the kid called out. “Hello?”

No response.

The boy could tell it was a man from his clothing—a traditional chechia hat and loose-fitting
thawb
—and the man looked well fed and squat. His footprints had long since blown away, as had any tire tracks or hints as to how he might have gotten this far out into the open desert.


Marhaba?
” the kid repeated.

Nothing.

Uncertain what else to do, the boy reached out with his foot and gently nudged the man’s side. Although his body was plump, his flesh felt taut and hard, already desiccated by the wind and sun.

Definitely dead.

The boy reached down, grasped the man’s shoulder, and heaved him onto his back. The man’s lifeless eyes stared up at the heavens. His face and beard were covered in sand, but even dirty, he looked friendly somehow, even familiar, like a favorite uncle or grandfather.

The roar of a half-dozen quad bikes and buggies thundered nearby as the kid’s dune-bashing buddies circled back to make sure he was all right. Their vehicles roared up over the ridge and slid down the face of the dune.

Everyone parked, removed their goggles and helmets, and gathered around the macabre discovery of a parched corpse. One of the boys
started speaking excitedly, having recognized the dead man as the famous
allamah
Syed al-Fadl—a scholar and religious leader—who spoke from time to time at the university.

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