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Authors: William Souder

On a Farther Shore

Also by William Souder

A Plague of Frogs

Under a Wild Sky

Copyright © 2012 by William Souder

All rights reserved.

Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York.

www.crownpublishing.com

CROWN and the Crown colophon are registered trademarks of Random House, Inc.

Grateful acknowledgment is made to Frances Collin, literary agent, for permission to reprint excerpts from the following books by Rachel Carson:
Under the Sea-Wind
, copyright © 1941 by Rachel L. Carson (New York: Simon and Schuster, 1941);
The Sea Around Us
, copyright © 1950 by Rachel L. Carson (Oxford: Oxford University Press, 1950);
The Edge of the Sea
, copyright © 1955 by Rachel L. Carson (Boston: Houghton Mifflin Co., 1955);
Silent Spring
, copyright © 1962 by Rachel L. Carson (Boston: Houghton Mifflin Co., 1962);
Always, Rachel
edited by Martha Freeman, copyright © 1995 by Roger Allen Christie (Boston: Beacon Press, 1998);
Lost Woods: The Discovered Writing of Rachel Carson
, copyright © 1998 by Roger Allen Christie (Boston: Beacon Press); and unpublished Rachel Carson material copyright © 2012 by Roger A. Christie.
Reprinted by permission of Frances Collin, Trustee.
Excerpt from “The Dry Salvages” from
Four Quartets
by T. S. Eliot; copyright © renewed 1969 by Esme Valerie Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company.
All rights reserved.
Dorothy Freeman’s letters and other writings quoted by permission of Stanley Freeman Jr. and Martha Freeman.

Library of Congress Cataloging-in-Publication Data
Souder, William
On a farther shore : the life and legacy of Rachel Carson /
William Souder.—1st ed.
p. cm.
Includes bibliographical references.
1. Carson, Rachel, 1907–1964. 2. Carson, Rachel, 1907–1964. Silent Spring. 3. Carson, Rachel, 1907–1964—Influence. 4. Marine biologists—United States—Biography. 5. Naturalists—United States—Biography. 6. Environmentalists—United States—Biography. 7. Science writers—United States—Biography. 8. Pesticides—Environmental aspects—United States—History. 9. Environmentalism—United States—History. 10. Environmental ethics—United States—History. I. Title.
QH31.C33S68 2012
508.092—dc23

[B]                 2012003077
eISBN: 978-0-307-46222-0

Frontispiece photograph:
Rachel Carson
, 1951, by Irving Penn.
Copyright © 1951 (renewed 1979) Condé Nast Publications Inc.
Jacket design by Janet Hansen
Jacket photograph: Alfred Eisenstaedt/Time Life Pictures/Getty Images

v3.1

For Susan

Rachel Carson
, 1951, by Irving Penn

In that hollow of space and brightness, in that ceaseless travail of wind and sand and ocean, the world one sees is still the world unharassed of man, a place of the instancy and eternity of creation and the noble ritual of the burning year
.

—Henry Beston

    
Here between the hither and the farther shore

    
While time is withdrawn, consider the future

    
And the past with an equal mind
.

—T. S. Eliot

PART ONE
Water World
ONE
Miss Carson’s Book

L
ate in the summer of 1962, extreme weather visited both ends of the United States. In the West it was so hot that women wore swimsuits on the streets of San Francisco, and the smog levels in that city were the highest ever recorded. On the East Coast, Hurricane Alma churned northward, interrupting a pleasant spell as it neared the tip of Long Island. On August 28 the edge of the storm ended play at Yankee Stadium one inning after Mickey Mantle blasted what proved to be the game-winning home run to right centerfield through a driving rain. The next morning it was sunny and warm in the nation’s capital, where the
Washington Post
’s weather section reported daily radiation levels of just three micromicrocuries per cubic meter of air—unchanged from the day before and not bad given the recent pace of atmospheric nuclear weapons tests by both the United States and the Soviet Union.

That same day, President John F. Kennedy appeared at the State Department at four in the afternoon for the forty-second press conference of his year and a half in office. The president began by announcing Felix Frankfurter’s retirement from the U.S. Supreme
Court. He then fielded questions about farm policy, tensions in Berlin, and whether he would meet with Nikita Khrushchev during the Soviet premier’s upcoming visit to the United Nations. Kennedy also answered several vaguely portentous queries about an apparent increase in Soviet shipping traffic to Cuba. Near the end, Kennedy took an unusual question. “Mr. President, there appears to be a growing concern among scientists as to the possibility of dangerous long-range side effects from the widespread use of DDT and other pesticides. Have you considered asking the Department of Agriculture or the Public Health Service to take a closer look at this?”

If he was surprised, Kennedy did not miss a beat. “Yes,” he said quickly, “and I know that they already are. I think, particularly, of course, since Miss Carson’s book, but they are examining the issue.”

In this brief exchange something new came into the world, for this was a cleaving point—the moment when the gentle, optimistic proposition called “conservation” began its transformation into the bitterly divisive idea that would come to be known as “environmentalism.” Kennedy’s promise of a government investigation into the contamination of the environment by a widely used and economically important class of products had no precedent. And because the government itself used pesticides extensively, any such inquiry necessarily had to look in the mirror. Compared with the other matters Kennedy had discussed that day—policies that would evolve, situations that would change and fade away—a problem with the health of the environment became by definition a problem with the totality of human existence. At issue was humanity’s place in the natural order of a world increasingly subservient to the human species. Who but us could devise so perfect a way to contend with ourselves?

The president’s reference to “Miss Carson’s book” would now be opaque to the several generations of Americans who have come of age in the intervening years—Rachel Carson is unknown to almost anyone under the age of fifty. But in 1962 no elaboration was needed.
Carson was the bestselling author of three books about the oceans and by any measure one of America’s most respected and beloved writers. Or so she had been. The new book to which Kennedy referred,
Silent Spring
, was a bristling polemic about the indiscriminate use of pesticides. It was unlike anything Carson had previously written.
Although not yet actually a book—it wouldn’t be published for another month—in June three long excerpts from
Silent Spring
had appeared in consecutive issues of the
New Yorker
. By the time of Kennedy’s press conference, the
New Yorker
articles had raised public alarm in the United States and abroad and prompted the chemicals industry to launch an angry and concerted effort to discredit
Silent Spring
and destroy its author.

The woman at the center of this firestorm scarcely seemed capable of becoming such a polarizing figure. Now fifty-five years old, Rachel Carson had spent most of her adult life in the company of her mother—writing, bird-watching, and visiting the seashore. Petite, soft-spoken, and nearly apolitical, she lived quietly in a leafy suburb of Silver Spring, Maryland, with a cat and her orphaned ten-year-old grandnephew, Roger Christie, whom she had adopted. Carson had earned a master’s degree in zoology at Johns Hopkins University but had never worked as a scientist. In the gloom of the Great Depression, she instead found a job as an information specialist with the federal government’s Bureau of Fisheries, an agency later merged with the Biological Survey to form the U.S. Fish and Wildlife Service.

In 1951 her book
The Sea Around Us
made Carson’s literary reputation—it stood atop the
New York Times
bestseller list for thirty-nine weeks and won the National Book Award—and she left government service. Every spring Carson and Roger drove north to Southport Island on the Maine coast, where she owned a cottage on a rocky bluff overlooking Sheepscot Bay. Here Carson passed her summers in reflection, gazing at the ebb and flow of the sea, collecting marine specimens in the tidal pools along the shore, and visiting, often deep into the fog-shrouded nights, with her neighbors Dorothy and Stanley Freeman. In the fall, she went home.

Carson’s writings about the sea were characterized—solemnly and without fail—as “poetic,” a term invoked by reviewers as a way of saying that she wrote with a grace that was unexpected given her subject. The living, evolving nature of the open ocean and the intertidal zones on its threshold were unfamiliar to most readers—as were the lessons in geology and physics and biology that Carson poured into her narratives. Her knack for gentle explanation beguiled critics and readers alike, even those who could have never imagined caring about science or the strange water world that so fascinated Carson.

Critics remarked, time and again, that there was something bracing and surprising in the fact that a woman should have such a profound understanding of the physical environment. They also believed her to be a heroic correspondent regularly at sea on research vessels hurtling through storms, or swimming among the fish teeming on the coral reefs of the tropics—a false impression that she never bothered to correct. A friend who once drew a caricature of Carson’s public persona had depicted her as an Amazon towering at the edge of a stormy sea, a harpoon in one hand and a writhing octopus in the other. Carson, who would have been more accurately shown hunched over a microscope or in the library surrounded by piles of books, thought the drawing hilarious.

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