Read My Misspent Youth Online

Authors: Meghan Daum

Tags: #Biography & Autobiography, #Essays, #Nonfiction, #Retail

My Misspent Youth (6 page)

So it’s not that I was sold a complete bill of goods. Things were going well. In 1997 I was twenty-seven, teaching a writing course at N.Y.U., publishing in a variety of national magazines, and earning about $40,000 a year after taxes. (The teaching job, incidentally, paid a paltry $2,500 for an entire semester but I was too enamored with the idea of being a college teacher to wonder if I could afford to take it.) Neither clueless suburbanite nor corporate, subsidized yuppie, I could finally begin practicing the life I’d spent so long studying for. I had a decent-sized apartment with oak floors and porcelain hexagonal bathroom tiles that were coming loose. Like an honest New Yorker, I even had mice lurking in the kitchen. I bought the rugs and the fax machine. I installed a second telephone line for fax/data purposes.

Soon, however, I had some hefty dental bills that I was forced to charge to Visa. I tried not to think about that too much until I ended up making a few doctor’s visits that, being uninsured, I also charged to Visa. When April rolled around, I realized my income was significantly higher that year than any previous year and that I had woefully underestimated what I owed the IRS. Despite a bevy of the typical freelancer’s write-offs—haircuts, contact lenses, an $89.99 sonic rodent control device—I was hit with a tax bill of over $20,000. And although the IRS apparently deemed sonic rodent control devices an acceptable deduction, it seemed that I’d earned too much money to be eligible to write off the nearly $7,000 (most of it interest) I’d paid to the student loan agency or the $3,000 in dental bills. Most heartbreaking of all, my accountant proffered some reason that my $60 pledge to WNYC—my Upper West Side tableau couldn’t possibly be complete without the NPR coffee mug—was not tax deductible as advertised. In the months it took me to assemble that $20,000 I had to reduce my monthly student loan payments from the suggested $800 per month to the aforementioned $448.83 per month, a reduction that effectively ensured that I wouldn’t touch the principal for years. I continued to pay my $1,055 per month rent, and made every effort to pay the phone, gas, and electric bills, the American Express bills, and the hospitalization-only medical coverage.

It was around this time that I started having trouble thinking about anything other than how to make a payment on whatever bill was sitting on my desk, most likely weeks overdue, at any given time. I started getting collection calls from Visa, final disconnection notices from the phone company, letters from the gas company saying “Have you forgotten us?” I noticed that I was drinking more than I had in the past, often alone at home where I would sip Sauvignon Blanc at my desk and pretend to write when in fact I’d be working out some kind of desperate math equation on the toolbar calculator, making wild guesses as to when I’d receive some random $800 check from some unreliable accounting department of some slow-paying publication, how long it would take the money to clear into my account, what would be left after I set aside a third of it for taxes and, finally, which lucky creditor would be the recipient of the cash award. There’s nothing like completing one of these calculations, realizing that you’ve drunk half a bottle of $7.99 wine, and feeling more guilt about having spent $7.99 than the fact that you’re now too tipsy to work. One night I did a whole bunch of calculations and realized that despite having earned a taxable income of $59,000 in 1998, despite having not gone overboard on classic debtor’s paraphernalia like clothes and vacations and stereo equipment, despite having followed the urban striver’s guide to success, I was more than $75,000 in the hole.

There are days when my debt seems to be at the center of my being, a cancer that must be treated with the morphine of excuses and rationales and promises to myself that I’m going to come up with the big score—book advance, screenplay deal, Publisher’s Clearing House prize—and save myself. There are other days when the debt feels like someone else’s cancer, a tragedy outside of myself, a condemned building next door that I try to avoid walking past. I suppose that’s why I’m even able to publicly disclose this information. For me, money has always, truly, been “only money,” a petty concern of the shallower classes, a fatuous substitute for more important things like fresh flowers and “meaningful conversations” in the living room. But the days when I can ignore the whole matter are growing further and further apart. My rent-stabilized sublet is about to expire, and I now must find somewhere else to live. I have friends getting rich off the stock market and buying million-dollar houses. I have other friends who are almost as bad off as I am and who compulsively volunteer for relief work in Third World countries as a way of forgetting that they can’t quite afford to live in the first world.

But New York City, which has a way of making you feel like you’re in the Third World just seconds after you’ve thought you conquered all of western civilization, has never really been part of the rest of the world. In that sense, I suppose it’s foolish to believe that one can seek one’s fortune, or at least one’s sustenance, through rational means. I suppose that part of the city’s magical beastliness is the fact that you can show up with the best of intentions, do what’s considered to be all the right things, actually achieve some measure of success and still find yourself caught inside a financial emergency.

I have to be out of my sublet by September 1. Even if I tried to assume control of the lease, the landlord will renovate the apartment and raise the rent to $2,000. I told a friend about this the other day, hoping she would gasp or give me some sort of reaction. Instead she said, “That’s cheaper than our place.” A two-bedroom apartment down the street rented for $4,500 a month. A studio anywhere in Manhattan or the “desirable” parts of Brooklyn will go for an average of $1,750. West 104th Street is totally beyond my means. Worse, 104th Street is now beyond the means of most of the people that made me want to live there in the first place. The New York that changed my life on that summer night when I was seventeen simply no longer exists.

Now, having taken all of this apart, I am determined to not put it back together the same way. Several months ago, on a day when the debt anxiety had flared up even more than usual, I arrived at the idea of moving to Lincoln, Nebraska. I’d been to Lincoln on a magazine assignment twice before, met some nice people, and found myself liking it enough to entertain the notion of moving there. But both times I’d discarded the idea of moving there the minute the wheels hit the tarmac at LaGuardia. Surely I’d never be able to live without twenty-four-hour take-out food and glitzy Russian martini bars. On this latest round of panic, however, I chewed on the idea for a while, decided that it was a good plan, and have pretty much continued to feel that way ever since. I can rent an apartment there for $300 a month. I can rent an entire house, if I want one, for $700. Full coverage health insurance will cost me $66 a month. Apparently, people in Nebraska also listen to NPR, and there are even places to live in Lincoln that have oak floors. Had I known that before, I might have skipped out on this New York thing altogether and spared myself the financial and psychological ordeal. But I’m kind of glad I didn’t know because I’m someone who has had a very, very good time here. I’m just leaving the party before the cops break it up.

C
ARPET
I
S
M
UNGERS

Once, when I was desperately searching for an affordable apartment in New York City, I looked at a place that was gigantic by local standards. It had two bedrooms, a kitchen nook, a dishwasher, and a sweeping view of the East River. The building was staffed by twenty-four-hour doormen and had a running track and a garden on the roof. It rented for $400 a month. This was in a rental market where studio apartments rarely went for less than $1,100 a month, and it was unheard of to have sunlight let alone things like dishwashers and running tracks. I was in dire need of a place to live. I had precisely ten days to find something before I’d be forced to put my stuff in storage and sleep on a friend’s couch. But I did not rent the apartment. I did not for one minute entertain the possibility of living there. I did not even look in the closets, of which there were many. The reason is that the apartment had wall-to-wall carpet.

Carpet makes me want to kill myself. Wall-to-wall carpet anywhere other than offices, airplanes, and Holiday Inn lobbies sends me careening toward a kind of despair that can only be described as the feeling that might be experienced by a person who has made some monumental and irreversible life decision and realized, almost immediately after the fact, that it was an error of epic proportions. Carpet makes me feel the way the woman who married the multimillionaire stranger on national television must have felt when she was on the plane to the honeymoon in Maui, the $35,000 rock on her finger, and her possibly sociopathic husband next to her in first class. Carpet makes me feel the way I felt when I was twelve and “went out” with Stephen Mungers, a boy from homeroom who I barely knew, for a week. In seventh grade, “going out” signified nothing more than a mutual agreement that the term would be applied to the parties involved; no physical contact or verbal exchange other than “You wanna go out?” and “Okay” was required. And even though the situation was entirely reversible, I remember that week as an unprecedented and traumatic psychological jaunt into a self that was not my own. I had, in the context of seventh grade and the various ideas I’d developed about who I was, become “other” to my own self. I felt somehow that I had betrayed a basic premise of my existence. And although I was unsure exactly what that premise was, I specifically recall spending that week practicing the oboe with such concentration and nervous energy that I finally mastered a particularly arduous exercise and decided, with more certainty than has since accompanied more serious matters, that as long as I went out with Stephen Mungers I would be wholly incapable of being the person I should be and, in fact, was. A similar effect occurs when I walk into a house where not one square inch of floor is showing.

Carpet is Mungers. Carpet is otherness. It is not my house and not the house of ninety percent of the people I know. It’s more than just not my style, it’s not my oeuvre. People always say to me, “Oh, I don’t like carpet either. It makes me sneeze and it’s so hard to clean.” Sneezing and cleaning have nothing to do with my feelings on the subject. If
not
having carpet caused allergies and presented maintenance difficulties, I would tough it out. It’s really shallow, I know. But I’m capable of being extremely shallow, far more superficial that I’m often given credit for. There’s a lot of stuff I can look past—unemployed boyfriends, borderline personalities, offensive comments aimed directly at me—but when I balk, I balk hard. When you get to a certain age you learn what the deal breakers are.

But let’s cut to the chase. Carpet is a class issue. I didn’t make it that way, I’m just pointing it out. And I’m not talking about socioeconomic class. Carpet has, since its inception, been the province of the elite. It’s found in high-rise condos and suburban ranch houses. Cheap landlords like to install cheap carpet in cheap rentals so they can raise the price—and it amazes and depresses me that people actually buy into this. But I also realize that many of the people who don’t mind or even like carpet possess the kind of “class” that, in my earlier days, I believed ran in inverse proportion to wall-to-wall floor covering of any kind. In other words, I did not believe that they read books, owned classical music CDs, or were not necessarily members of the John Birch Society.

That false perception was the result of confusing “having class” with “having to have class.” The kind of class that I associate with wood floors is the kind of class that emerges out of an anxiety about being classy. People who must have wood floors are people who need to convey the message that they’re quite possibly better than most people. They’re people who leave the
New York Review of Books
on the coffee table but keep
People
in the bedroom. They’re people who say “I don’t need to read
Time
or
Newsweek
because I can get everything I need from the
Times.
” They’re people who would no sooner put the television set in the living room than hang their underwear to dry on the front porch. They buy whole-bean coffee and grind it in a Braun grinder. They listen to NPR, tell other people what they heard on it, and are amazed when the other people say they heard it too.

I am one of those people. My TV is in a room that also contains a pile of magazines I won’t admit to reading, a Kenny Loggins CD I don’t want anyone to see, and a Restoration Hardware catalog from which I want very much to order a Teacher’s College Chrome Plate Schoolhouse light, if only Restoration Hardware was not so wannabe, so postiche. My apartment has oak floors and oriental rugs and, for as long as I can remember, oak floors and oriental rugs have played as great a role in my sense of well-being as the knowledge that after falling asleep I would eventually wake up. I haven’t bought a can of Maxwell House in over ten years. I have an intellectual crush on former
Talk Of The Nation
host Ray Suarez and a WNYC coffee mug out of which I eat Grape-Nuts but never Total. I use Arm & Hammer laundry powder. The thought of owning a bed that is not a platform bed, i.e. one that has a box spring and therefore requires a dust ruffle, lowers my seratonin level. I do not wear colors any brighter than pale blue or dusty rose. I do not wear panty hose, only tights. I do not wear gold jewelry. I would never drive an American car. I stick to these rules because I am terrified of what would happen if I deviated from them. I fear the “other.” I fear carpet.

Maxwell House is carpet. Total is carpet. All-temperature Cheer is carpet, as is commercial talk radio, dust ruffles, bright-colored clothing, pantyhose, gold jewelry, and the United States Automotive Industry. Carpet is the road you congratulate yourself for never having taken. Carpet is the woman at the supermarket whom you are glad not to be. Carpet is the house who bought the oddly-named and aggressively bland-tasting Savannahs when you sold Girl Scout cookies. Carpet is the job you held immediately after graduation, before you realized that a career in marketing posed a severe threat to your emotional health. Carpet is the distant relatives you see only at funerals. Carpet is the high school sweet-heart you would have disastrously married had you been born one generation earlier.

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