Grave Mistake (25 page)

“Schramm seemed to suggest that at some earlier stage, in a fit of jealous rage, the Jackson had threatened she’d do some mischief to Mrs. Foster. And was now afraid he’d think that on this unmentioned visit she’d taken a hand in overdosing her with barbiturates.”

“Ah,” said Fox. “But the catch in that is: Mrs. Foster, according to our reading of the evidence, was first drugged and then smothered. So it looks as if he didn’t realize she was smothered, which if true puts him in the clear. Any good?”

“I think so, Br’er Fox. I think it’s quite a lot of good.”

“Would you say, now, that Sister J. would be capable of doing the job herself — pillow and all?”

“Ah, there you have me. I think she’s a jealous, slighted woman with a ferocious temper. Jealous, slighted women have murdered their supplanters before now but generally speaking they’re more inclined to take to the man. And by George, judging by the way she shaped up to Schramm tonight I wouldn’t put it past her.”

“By and large, then, these two are a bit of a nuisance. We’d got things more or less settled — well,
I
had,” said Mr. Fox with a hard look at Alleyn, “and it was just a matter of running Claude to earth. And now this silly lot crops up.”

“Very inconsiderate.”

“Yerse. And there’s no joy from the Claude front, by the way. The Yard rang through. The search is what the press likes to call nation-wide but not a squeak.”

“Southampton?”

“They’d sent a copper they don’t reckon looks like it, into The Good Read, in Port Lane. It’s an accommodation-address shop all right but there was nothing for ‘Morris.’ Very cagey the chap was: sussy for drugs but they’ve never collected enough to knock him off. The D.I. I talked to thinks it’s possible Claude Carter off-loaded the stuff he brought ashore there. If he’s thinking of slipping out by Southhampton he could have fixed it to collect Sister J.’s blackmail delivery on the way.”

“Suppose she’d posted it today, first-class mail, it wouldn’t arrive at the earliest until tomorrow,” said Alleyn.

“They’ve got the shop under obbo non-stop. If he shows, they’ll feel his collar, all right,” said Fox.

“If. It’s an odd development, isn’t it?” Alleyn said. “There he is, large as life, mousing about up at Quintern Place and in and around the district until (according to Daft Artie) twelve o’clock or (according to Bruce) nine, last night. He comes down the lane with his pack on his back. He opens the squeaky lych-gate and leaves his prints there. And vanishes.”

“Now you see him, now you don’t. Lost his nerve, d’you reckon?”

“We mustn’t forget he left that note for Mrs. Jim.”

“P’raps that’s all there is to it. P’raps,” said Fox bitterly, “he’ll come waltzing back with a silly grin on his face having been to stay with his auntie. P’raps it was somebody else blackmailing Sister J., and we’ll get egg all over our faces.”

“It’s an occupational hazard,” Alleyn said vaguely and then to himself: “ ‘Into thin air’ and but for the footprints at the lych-gate, leaving ‘not a rack behind.’
Why
? And then — where to, for pity’s sake?”

“Not by the late train to London,” said Fox. “They said at the station, nobody entered or left it at Great Quintern.”

“Hitched a lift?”

“Nice job for our boys, that’ll be. Ads in the papers and what a hope.”

“You’re in a despondent mood, my poor Foxkin.”

Mr. Fox, who, although an occasional grumbler, was never known to succumb to the mildest hint of depression, placidly ignored this observation.

“I shall cheer you up,” Alleyn continued. “You need a change of scene. What do you say to a moonlight picnic?”

“Now then!” said Fox guardedly.

“Well, not perhaps a picnic but a stroll in a graveyard? Bruce Gardener would call it a Gothic stroll, no doubt.”

“You don’t mean this, I suppose, Mr Alleyn?”

“I do, though, I can
not
get Daft Artie’s story out of my head, Fox. It isn’t all moonshine, presumably, because there
are
those prints, Carter
has
disappeared and there
is
the lay-by in the hedge. I suggest we return to the scene and step it out. What’s the time?”

“Eleven-ten.”

“The village ought to be asleep.”

“So ought we,” sighed Fox.

“We’d beter give the ‘factory’ a shout and ask if they can raise an acetylene lamp or its equivalent.”

“A reconstruction, then?”

“You find it a fanciful notion? A trifle
vieux-jeu
, perhaps?”

“I daresay it makes sense,” said Fox resignedly and went off to telephone.

Sergeant McGuiness on night duty at the station did produce an acetylene lamp, kept in reserve against power failures. He had it ready for them and handed it over rather wistfully. “I’d’ve liked to be in on this,” he confided to Fox. “It sounds interesting.”

Alleyn overheard him. “Can you raise a copper to hold the desk for an hour?” he asked. “We could do with a third man.”

Sergeant McGuiness brightened. He said: “Our P.C. Dance was competing in the darts semi-finals at the local tonight. He’ll be on his way home but if he’s won he’ll be looking in to tell me. I daresay if it’s agreeable to you, sir—”

“I’ll condone it,” said Alleyn.

A scraping sound and a bobbing light on the window-blind announced the arival of a bicycle. The sergeant excused himself and hurried to the door. A voice outside shouted: “Done it, Sarge.”

“You never!”

“Out on the double seven.”

“That’s the stuff.”

“Very near thing, though. Wait till I tell you.”

“Hold on.” The sergeant’s voice dropped to a mumble. There was a brief inaudible exchange. He returned followed by a ginger-headed simpering colossus.

“P.C. Dance, sir,” said Sergeant McGuiness.

Alleyn congratulated P.C. Dance on his prowess and said he would be obliged if they could “borrow” him. “Borrow” is a synonym for “arrest” in the Force and the disreputable pun, if pun it was, had an undeserved success. They left Dance telephoning in triumph to his wife.

On their way to the village Alleyn outlined the object of the exercise for the gratified McGuiness. “We’re trying to make sense of an apparently senseless situation,” he said. “Item: could a walker coming down Stile Lane into Long Lane see much or anything of the light from Bruce Gardener’s lamp? Item: can someone hidden in the hedge see the walker? Item: can the walker, supposing he climbs the steps to the church and goes into the church—”

“Which,” said the sergeant, “excuse me, he can’t. The church is locked at night, sir. By our advice. Possibility of vandals.”

“See how right we were to bring you in. Who locks it? The Vicar?”

“That’s correct, Mr. Alleyn. And once the deceased lady was brought in that’s what he’d do. Lock up the premises for the night.”

“Leaving the church in darkness?” Fox asked.

“I think not, Fox. I think he’d leave the sanctuary lamp alight. We can ask.”

“So it’s after the arrival of the deceased that Artie’s story begins?”

“And our performance too for what it’s worth. Do they keep early hours in the village, Sergeant?”

“Half an hour after the local closes they’re all in bed.”

“Good.”

“Suppose,” Fox said on a note of consternation, “Daft Artie’s sleeping out?”

“It’ll be a bloody nuisance,” Alleyn grunted. “If he is we’ll have to play it by ear. I don’t know, though. We might pull him in to demonstrate.”

“Would he co-operate?”

“God knows. Here we are. We make as little noise as possible. Don’t bang the doors. Keep your voices down.”

They turned a sharp corner through a stand of beech trees and entered the village: a double row of some dozen cottages on either side of Long Lane, all fast asleep: the church, high above, its tower silhouetted against the stars, the rest almost disappearing into its background of trees. The moon had not yet risen so that Long Lane and the bank and hedge above it and the hillside beyond were all deep in shadow.

Alleyn drove the car on to the green near the steps and they got out.

“Hullo,” he said. “There’s somebody still awake up Stile Lane.”

“That’s the widow Black’s cottage,” said the sergeant. “There’ll be someone looking after her — the brother, no doubt.”

“Looking after her? Why?”

“Did you not hear? She was knocked over by a truck on the way back from the funeral this afternpon. The blind corner up the lane. I’ve been saying for years it’d happen. The chap was driving dead slow for the turning and she fell clear. He helped her in and reported it to us.”

“Would that be Bruce Gardener’s sister?” asked Fox.

“That’s right, Mr. Fox. We’re not likely to disturb them.”

“I don’t know so much about that,” Alleyn murmured. “If it’s Bruce up there and he looks out of the window and sees light coming from where he dug the grave and had his own lamp last night, he may come down to investigate. Damn!” He thought for a moment. “Oh, well,” he said, “we tell him. Why not? Let’s get moving. I’d like you, Sergeant, to act as the boy says he did. Get into the layby in the hedge when the times comes. Not yet. We’ll set you up. I’ll do the Carter bit. Mr. Fox is Bruce. All you have to do is to keep your eyes and ears open and report exactly what you see. Got the lamp? And the shovel? Come on, and quietly does it.”

He opened the lych-gate very cautiously, checking it at the first sign of the squeak. They slid through, one by one and moved quietly up the steps.

“Don’t use your torches unless you have to,” Alleyn said and as their eyes adjusted to the dark it thinned and gravestones stood about them. They reached the top. Alleyn led the way round the church: the nave, the north transept, the chancel, until they came to the Passcoigne plot and Sybil Foster’s grave. The flowers on the mound smelt heavy on the night air and the plastic covers glinted in the starlight as if phosphorescent.

Fox and McGuiness crouched over the lamp. Presently it flared. The area became explicit in a white glare. The sergeant spent some time regulating the flame. Fox stood up and his gigantic shadow rose against the trees. The lamp hissed. Fox lifted it and put it by the grave. They waited to make sure it was in good order.

“Right,” said Alleyn at last. “Give us eight minutes to get down, Fox, and then start. Don’t look into the light, Sergeant, it’ll blind you. Come on.”

The shadow of the church was intensified by the light beyond it and the steps took longer to descend than to climb. When they were back at the car Alleyn murmured: “Now, I’ll show you the lay-by. It’s in the hedge across the lane and a little to our right. About four yards further on there’s a gap at the top of the bank with a hurdle-gate. You can ease round the post, go through into the field and turn back to the lay-by. If by any chance somebody comes down the lane and gets nosey we’re looking for a missing child thought to be asleep near the hedge. Here we are. Make sure you’ll recognize it from the other side. There’s that hazel plant sticking up above the level of the hedge.”

They moved along the hedge until they came to the gap.

“Through you go,” Alleyn whispered, “turn left and then back six paces. You’ll have to crawl in, helmet and all. Give one low whistle when you’re set and I’ll go on into Stile Lane. That’s when your obbo begins.”

He watched the shadowy sergeant climb the bank and edge his bulk between the gate-post and the hedge. Then he turned about and looked up at the church. It was transformed. A nimbus of light rose behind it. Treetops beyond the Passcoigne plot started up, uncannily defined, like stage scenery and as he watched, a gargantuan shadow rose, moved enormously over the trees, threw up arms, and the sweeping image of a shovel, sank and rose again. Mr. Fox had embarked on his pantomime.

The sergeant was taking his time. No whistle. The silence, of a countryside, breathed out its nocturnal preoccupations: stirrings in the hedgerow, far-distant traffic, the movements of small creatures going about their business in the night

“Sst!”

It was the sergeant, back in the gap up the hill. His helmet showed against Mrs. Black’s lighted window in Stile Lane. Alleyn climbed the bank and leant over the hurdle.

“Artie is there,” breathed Sergeant McGuiness. “In his bidey-hole. Curled up. My Gawd, I nearly crawled in on top of him.”

“Asleep?”

“Sound.”

“It doesn’t matter. Come back into the lane and lean into the hollow in the bank below the lay-by. Your head will be pretty much on a level with his. I simply want to check that he could, have seen what he said he saw and heard. Back you come.”

The sergeant had gone. Alleyn slipped into the lane and walked up it, treading on the soft margin. Fox’s shadow still performed its gigantic ritual against the tree-tops.

Alleyn turned left into Stile Lane and walked a little way up it. He was now quite close to Mrs. Black’s cottage. The light behind the window was out. He waited for a moment or two and then retraced his steps, walking, now, in the middle of the road. He wondered if Claude Carter had worn his crepe-soled shoes last night. He wondered, supposing Daft Artie woke and saw him, if he would repeat his eldritch shriek.

Now he was almost opposite the lay-by. Not a hint of the sergeant, in blackest shadow under the hedge.

Alleyn paused.

It was as if an ironclad fist struck him on the jaw.

iii

He lay in the lane and felt grit against his face and pain and he heard a confusion of sounds. Disembodied voices shouted angrily.

“Mr. Fox! Come down here. Mr. Fox.”

He had been lifted and rested against a massive thigh. “I’m all right,” somebody said. He said it. “Where’s Fox? What happened?”

“The bloody kid. He chucked a brick at you. Over my head. Gawd, I thought he’d done you, Mr. Alleyn,” said Sergeant McGuiness.

“Where’s Fox?”

“Here,” said Fox. His large concerned face blotted out the stars. He was breathing hard. “Here I am,” he said. “You’ll be all right.”

A furious voice was roaring somewhere out on the hillside beyond the hedge. “Come back. You damned, bloody young murderer. Come back, till I have the hide off of you.” Footsteps thudded and retreated.