Authors: Stephen King (ed),Bev Vincent (ed)
and Bev Vincent
Cemetery Dance Publications
Flight or Fright
Copyright © 2018
Edited by Stephen King and Bev Vincent
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.
Cemetery Dance Publications
132B Industry Lane, Unit #7
Forest Hill, MD 21050
The characters and events in this book are fictitious.
Any similarity to real persons, living or dead, is coincidental and not intended by the author.
First Cemetery Dance Digital Edition
Artwork © 2018 by Francois Vaillancourt
Cover Design © 2018 by Desert Isle Design, LLC
Digital Design by Dan Hocker
Introduction and story notes © 2018, Stephen King.
“Cargo” by E. Michael Lewis first appeared in
Shades of Darkness,
Barbara and Christopher Roden (eds.), Ash-Tree Press © 2008. Reprinted by permission of the author.
“The Horror of the Heights” by Arthur Conan Doyle first appeared in
The Strand Magazine
“Nightmare at 20,000 Feet” by Richard Matheson first appeared in
Alone by Night
, Michael & Don Congdon (eds.) Ballantine Books © 1961. Reprinted by permission of the author’s estate and Don Congdon Associates, Inc.
“The Flying Machine” by Ambrose Bierce first appeared in
, Putnam © 1899.
“Lucifer!” by E.C. Tubb first appeared in
Vision of Tomorrow #3
© 1969. Reprinted by permission of Cosmos Literary Agency and the Author’s Estate.
“The Fifth Category” by Thomas Carlisle Bissell first appeared in
The Normal School
© 2014. Reprinted by permission of the author.
“Two Minutes Forty-Five Seconds” by Dan Simmons first appeared in
© 1988. Reprinted by permission of the author.
“Diablitos” by Cody Goodfellow first appeared in
A Breath from the Sky: Unusual Stories of Possession
, Scott R Jones (ed.), Martian Migraine Press © 2017. Reprinted by permission of the author.
“Air Raid” by John Varley first appeared in
Asimov’s Science Fiction
© 1977. Reprinted by permission of the author.
“You Are Released” © 2018, Joe Hill.
“Warbirds” by David J. Schow first appeared in
A Dark and Deadly Valley
, Mike Heffernan (ed.), Silverthought Press © 2007. Reprinted by permission of the author.
“The Flying Machine” by Ray Bradbury first appeared in
The Golden Apples of the Sun,
Doubleday & Company © 1953. Reprinted by permission of Don Congdon Associates, Inc.
“Zombies on a Plane” by Bev Vincent first appeared in
, 23 House Publishing © 2010. Reprinted by permission of the author.
“They Shall Not Grow Old” by Roald Dahl first appeared in book form in
Over To You: Ten Stories of Flyers and Flying
, Reynal & Hitchcock © 1946. Reprinted by permission of The Roald Dahl Story Company Limited.
“Murder in the Air” by Peter Tremayne first appeared in
The Mammoth Book of Locked Room Mysteries and Impossible Crimes
, Mike Ashley (ed.), Robinson © 2000. Reprinted by permission of the author.
“The Turbulence Expert” © 2018, Stephen King.
“Falling” © 1981 by James L. Dickey. Published in
Falling, May Day Sermon, and Other Poems
, Wesleyan University Press. This Poem originally appeared in
The New Yorker
. Reprinted by permission of the author’s estate and Raines & Raines.
Afterword © 2018, Bev Vincent.
This anthology is dedicated to all the pilots, real and fictional, who landed their planes after a harrowing flight and brought their passengers home safely. The list includes:
Tammie Jo Shults
Richard Champion de Crespigny
Are there people in this modern, technology-driven world who enjoy flying? Hard as it might be to believe, I’m sure there are. Pilots do, most children do (although not babies; the changes in air pressure messes them up), assorted aeronautical enthusiasts do, but that’s about it. For the rest of us, commercial air travel has all the charm and excitement of a colorectal exam. Modern airports tend to be overcrowded zoos where patience and ordinary courtesy are tested to the breaking point. Flights are delayed, flights are canceled, luggage is tossed around like beanbags, and on many occasions does not arrive with passengers who desperately desire clean shirts or even
set of fresh underwear.
If you have an early morning flight, God help you. It means rolling out of bed at four in the morning so you can go through a check-in and boarding process as convoluted and tension-inducing as getting out of a small and corrupt South American country in 1954. Do you have a photo ID? Have you made sure your shampoo and conditioner are in small plastic see-thru bottles? Are you prepared to lose your shoes and have your various electronic gadgets irradiated? Are you sure nobody else packed your luggage, or had access to it? Are you ready to undergo a full body scan, and perhaps a pat-down of your naughty bits for good measure? Yes? Good. But you still may discover that your flight has been overbooked, delayed by mechanical or weather issues, perhaps canceled because of a computer meltdown. Also, heaven help you if you’re flying standby; you might have better luck buying a lottery scratch ticket.
You surmount these hurdles so you can enter what one of the contributors to this anthology refers to as “a howling shell of death.” Isn’t that a bit over the top, you might ask, not to mention contrary to fact? Granted. Airliners rarely flame out (although we’ve all seen unsettling cell phone footage of engines belching fire at 30,000 feet), and flying rarely results in death (statistics say you’re more likely to be killed crossing the street, especially if you’re a damn fool peering at your cell phone while you do it). Yet you
entering what is basically a tube filled with oxygen and sitting atop tons of highly flammable jet fuel.
Once your tube of metal and plastic is sealed up (like—gulp!—a coffin) and leaving the runway, trailing its dwindling shadow behind it, only one thing is sure, a thing so positive it is beyond statistics: you
come down. Gravity demands it. The only question is where and why and in how many pieces, one being the ideal. If the reunion with mother earth is on a mile of concrete (hopefully at your destination, but any mile of paved surface will do in a pinch), all is well. If not, your statistical chances of survival plummet rapidly. That, too, is a statistical fact, and one even the most seasoned air travelers must contemplate when their flight runs into clear air turbulence at 30,000 feet.
You’re completely out of control at such moments. You can do nothing constructive except double-check your seatbelt as the plates and bottles rattle in the galley and overhead bins pop open and babies wail and your deodorant gives up and the flight attendant comes on the overhead speakers, saying “The captain asks that you remain seated.” While your overcrowded tube rocks and rolls and judders and creaks, you have time to reflect on the fragility of your body and that one irrefutable fact: you
Having thus prepared you with food for thought on your next trip through the sky, let me ask the appropriate question: is there any human activity, any at all, more suited to an anthology of horror and suspense stories like the one you now hold in your hands? I think not, ladies and gentlemen. You have it all: claustrophobia, acrophobia, loss of volition. Our lives always hang by a thread, but that is never more clear than when descending into LaGuardia through thick clouds and heavy rain.
On a personal note, your editor is a much better flier than he used to be. Thanks to my career as a novelist, I have flown a great deal over the last forty years, and until 1985 or so, I was a very frightened flier indeed. I understood the theory of flight, and I understood all the safety stats, but neither of those things helped. Part of my problem came from a desire (which I still have) to be in control of every situation. I feel safe when I’m behind the wheel, because I trust myself. When you’re behind the wheel…not quite so much (sorry about that). When you enter an airplane and sit down, you are surrendering control to people you don’t know; people you may never even see.
Worse, for me, is the fact that I have honed my imagination to a keen edge over the years. That’s fine when I’m sitting at my desk and concocting tales where terrible things may happen to very nice people, not so fine when I’m being held hostage in an airplane that turns onto the runway, hesitates, then bolts forward at speeds that would be considered beyond suicidal in the family car.
Imagination is a double-edged blade, and in those early days when I began doing a great deal of flying for my work, it was all too easy to cut myself with it. All too easy to fall into thoughts of all the moving parts in the engine outside my window, so many parts it seemed almost inevitable for them to fall into disharmony. Easy to wonder—impossible not to, really—what every little change in the sound of those engines might mean, or why the plane suddenly tilted in a new direction, the surface of my Pepsi tilting with it (alarmingly!) in its little plastic glass.
If the pilot walked back to have a little chinwag with the passengers, I wondered if the co-pilot was competent (surely he couldn’t be
competent, or he wouldn’t be the redundancy feature). Maybe the plane was on autopilot, but suppose the autopilot suddenly kicked off while the pilot was discussing the chances of the Yankees with someone, and the plane went into a sudden dive? What if the luggage bay latches let go? What if the landing gear froze? What if a window, defective but passed by a quality control employee dreaming about his honey back home, blew out? For that matter, what if a meteor hit us, and the cabin depressurized?
Then, in the mid-eighties, most of those fears subsided, thanks to having a near-death experience while climbing out of Farmingdale Airport in New York, on my way to Bangor, Maine. I’m sure there are plenty of people out there—some perhaps reading this book right now—who have had their own air-scares, everything from collapsing nose gear to planes sliding off icy runways, but this was as close to death as it is possible to come and still live to tell about it.
It was late afternoon. The weather was as clear as a bell. I had chartered a Lear 35, which on takeoff was like having a rocket strapped to your ass. I had been on this particular Lear many times. I knew and trusted the pilots, and why not? The one in the left-hand seat had started flying jets in Korea, had survived scores of combat missions there, and had been flying ever since. He had tens of thousands of hours. I got out my paperback novel and my book of crosswords, anticipating a smooth flight and a pleasant reunion with my wife, kids, and the family dog.
We climbed through 7000 feet and I was wondering if I could persuade my family to go see a movie that night, when the Lear seemed to run into a brick wall. In that instant I felt sure we’d had a midair collision and that the three of us on the plane—both pilots and me—were going to die. The little galley flew open and vomited its contents. The cushions of the unoccupied seats shot into the air. The little jet tilted…tilted some more…then rolled completely over. I felt that part, but didn’t see it. I had closed my eyes. My life didn’t flash before me. I didn’t think
But I had so much more to do
. There was no sense of acceptance (or non-acceptance, for that matter). There was just the surety that my time had come.
Then the plane leveled out. From the cockpit, the co-pilot was yelling, “Steve! Steve! All okay back there?”
I said it was. I looked at the litter in the aisle, which included sandwiches, a salad, and a piece of cheesecake with strawberry topping. I looked at the yellow oxygen masks hanging down. I asked—in an admirably calm voice—what had happened. My two-man flight crew didn’t know then, although they suspected and later confirmed that we had had a near miss with a Delta 747, had been caught in its exhaust, and tossed like a paper airplane in a gale.
In the twenty-five years since, I have been a good deal more sanguine about air travel, having had a first-hand experience of just how much trauma modern aircraft can withstand, and how calm and efficient good pilots (which is most of them) can be when the chips are down. One told me, “You train and re-train, so that when six hours of absolute boredom become twelve seconds of maximum danger, you know exactly what to do.”
In the stories that follow, you will encounter everything from a gremlin perched on the wing of a 727 to transparent monsters that live far above the clouds. You will encounter time travel and ghost planes. Most of all, you will experience those twelve seconds of maximum danger, when the worst things that can go wrong high in the air
go wrong. You will encounter claustrophobia, cowardice, terror, and moments of bravery. If you are planning a trip on Delta, American, Southwest, or one of the other airlines, you would be well advised to pack a John Grisham or Nora Roberts book instead of this one. Even if you are safe on the ground, you might want to buckle up nice and tight.
Because the ride is going to get rough.
November 2, 2017